EUROPE
39499 articles
USA
14 articles
DIGITAL
17 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
17 partitions trouvées


Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.967649 Composed by Benjamin Russell Hanby. Arranged by Lawrence H. Underwood. Blues,Children,Christmas,Jazz,Pop. Score and individual part. 9 pages. Lawrence H Underwood #6189191. Published by Lawrence H Underwood (A0.967649). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the eleventh installment in his A Christmas Portfolio series, this blues shuffle setting of Up on the Housetop is a blast! The piano sets up the boogie-woogie feel from the very start, and then the piece doesn't let up until the last rollicking second! A perfect and fun addition to any holiday performance setting.
Up on the Housetop for Solo Bass Clarinet
Clarinette Basse, Piano

$5.99 5.08 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593460 Composed by James Milton Black. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421145. Published by David McKeown (A0.593460). When the Roll is Called Up Yonder is a beautiful gospel hymn arranged here for Solo Bass Clarinet and Piano.When the Roll is Called Up Yonder was written in 1893 by James Milton Black. Black ran a Sunday School class and when a child was missing from one Sunday’s roll call, he called on the family to find the child was suffering from pneumonia. After calling and paying for a doctor, Black was inspired to write this hymn.
When the Roll is Called Up Yonder, Gospel Hymn for Bass Clarinet and Piano
Clarinette Basse, Piano

$2.49 2.11 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1128417 Composed by Lori Archer Sutherland. Classical,Contemporary,Contest,Festival,Folk. Score and part. 18 pages. Lori Archer Sutherland #729037. Published by Lori Archer Sutherland (A0.1128417). Composed for intermediate bass clarinetists, The Jig Is Up is a happy romp with a contrasting middle section. The lighthearted jig should remain bouncy and lively throughout. After a short transition from 6/8 to 9/8, the piece settles into a flowing 3/4 meter. The middle section draws influence from the modalities of English folk music and showcases the bass clarinet's lyrical ability. At the conclusion of the middle theme, the bass clarinet and piano work together to bring back the lively B and A themes to finish the piece.
The Jig Is Up
Clarinette Basse, Piano

$7.50 6.36 € Clarinette Basse, Piano PDF SheetMusicPlus

B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.764968 Composed by Benjamin Hanby. Arranged by Lori Archer Sutherland. Christmas,Instructional. Score and part. 5 pages. Lori Archer Sutherland #4642083. Published by Lori Archer Sutherland (A0.764968). For clarinet or bass clarinetLiven up your holiday with Benjamin Handby’s classic Christmas tune arranged for beginner solo with piano accompaniment. The piano part is also for beginner students so the soloist can play with friends or relatives who are at a similar level. This gives young pianists a chance to try their hands at collaborative piano early on in their playing careers. Both players get a chance at the melody and accompanying lines, resulting in an equally balanced duet between the instruments.
Up on the Housetop
Clarinette Basse, Piano

$4.99 4.23 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
I Love You Truly-Bass clarinet/piano
Clarinette Basse, Piano

$5.99 5.08 € Clarinette Basse, Piano PDF SheetMusicPlus

B-Flat Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.1501265 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. Score and part. 3 pages. Wesley S. Silva #1077224. Published by Wesley S. Silva (A0.1501265). Away in a Manger is a classic Christmas carol that is perfect for beginner musicians. The song features a simple and gentle melody with a steady, slow tempo, making it easy to learn and play. Its repetitive structure allows beginners to quickly pick up the tune and focus on basic musical skills, such as timing and expression. With its calm and soothing nature, Away in a Manger is an excellent choice for anyone looking to perform a beloved, easy-level Christmas song that captures the peaceful spirit of the holiday season.
Away in a Manger
Clarinette Basse, Piano

$5.99 5.08 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano

$19.95 16.91 € Clarinette Basse, Piano PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - Digital Download SKU: A0.721917 Composed by Julius Fucik. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Film/TV,Wedding. Score and parts. 16 pages. Music-Scores.com #5301299. Published by Music-Scores.com (A0.721917). Entry of the Gladiators has been called Grand Chromatic March, and Thunder and Blazes in 1901 in an arrangement by Laurendeau for windband. This arrangement became popular as a Screamer march, which is circus music to introduce clowns and stir up the crowd. It is also played for rousing concert performances, as in Last Night of the Proms.This version is for Clarinet, Bass Clarinet and Piano.Playing time 2 minutes, 40 secondsArranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
Entry of the Gladiators - Clarinet, Bass Clarinet and Piano
Clarinette Basse, Piano

$6.95 5.89 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano

$32.95 27.92 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452239. Published by jmsgu3 (A0.549107). BASS CLARINET & PIANO Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
Saint-Saens: The Swan for Bass Clarinet & Piano
Clarinette Basse, Piano

$38.95 33.01 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
It's Been A Long, Long Time
Clarinette Basse, Piano

$5.99 5.08 € Clarinette Basse, Piano PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale