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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano

$26.95 23.4 € Clarinette Basse, Piano PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.592635 Composed by John Newton. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411221. Published by David McKeown (A0.592635). Amazing Grace is a beautiful hymn arranged here for Solo Bass Clarinet and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
Amazing Grace, Gospel Hymn for Bass Clarinet and Piano
Clarinette Basse, Piano

$2.49 2.16 € Clarinette Basse, Piano PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593260 Composed by Wallis Willis. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418037. Published by David McKeown (A0.593260). Steal Away is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The words and music of Steal Away are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song and within a few years it became a firm gospel favourite. The words have a meaning beyond the spiritual, with hidden references to the Underground Railway of the time that helped escaped slaves cross to Canada. In more recent times Steal Away to Jesus was arranged by Michael Tippett in 1944 and recorded famously by Mahalia Jackson and Nat King Cole.
Steal Away, Gospel Song for Bass Clarinet and Piano
Clarinette Basse, Piano

$2.49 2.16 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.722324 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and individual part. 7 pages. Music-Scores.com #6364113. Published by Music-Scores.com (A0.722324). Maple Leaf Rag, arranged for Bass Clarinet and Piano. This was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Bass Clarinet and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
Maple Leaf Rag - Bass Clarinet and Piano
Clarinette Basse, Piano

$6.95 6.04 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
It's Been A Long, Long Time
Clarinette Basse, Piano

$5.99 5.2 € Clarinette Basse, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1229319 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 5 pages. Amadeus Music #825225. Published by Amadeus Music (A0.1229319). The original piece is part of Bach’s Orchestral Suite No. 3 in D major, BWV 1068, written for his patron Prince Leopold sometime between the years 1717 and 1723. The title comes from violinist August Wilhelmj’s late 19th century arrangement of the piece for violin and piano. By transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string. The air is usually played slowly and freely, and features an intertwining harmony and melody.
Air (on the G string) BWV 1068 for bass clarinet in Bb and low piano
Clarinette Basse, Piano
transposing the key of the piece from its original D major to C major, Wilhelmj was able to play the piece on only one string of his violin, the G string The air is usually played slowly and freely, and features an intertwining harmony and melody
$4.95 4.3 € Clarinette Basse, Piano PDF SheetMusicPlus

Small Ensemble Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.593285 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6418237. Published by David McKeown (A0.593285). Swing Low, Sweet Chariot is a beautiful spiritual arranged here for Solo Bass Clarinet and Piano.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recenttimes Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other.
Swing Low Sweet Chariot. Gospel Song for Bass Clarinet and Piano
Clarinette Basse, Piano

$2.49 2.16 € Clarinette Basse, Piano PDF SheetMusicPlus






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