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String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.812117 By Elton John. By Bernie Taupin and Elton John. Arranged by Laura Chegwidden. Pop,Rock. 10 pages. Laura Chegwidden #3663617. Published by Laura Chegwidden (A0.812117). Goodbye Yellow Brick Road is one of Elton John's biggest hits, released in 1973 and hitting the Top 10 in both the UK and US. This upbeat arrangement is perfect for weddings, schools, churches and any other performance opportunities that arise for the professional or amateur musician. The arrangement is for Cello Quartet and goes for approx. 2:30 min. This purchase includes a score and parts for all performers; cello I, cello II, cello III and cello IV. It would work best for players of an intermediate to advanced level. The Cello I player must also be able to read Tenor Clef. It is set in the key of F major, which is the original key and is perfect for stringed instruments. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website:  www.facebook.com/lchegmusic/ lchegmusic.com
Goodbye Yellow Brick Road
4 Violoncelles
Elton John
$16.99 14.66 € 4 Violoncelles PDF SheetMusicPlus

String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.1314351 Composed by Wilhelm Fitzenhagen. 19th Century,Chamber,Classical,Romantic Period. 16 pages. RēsFacta Editions #903096. Published by RēsFacta Editions (A0.1314351). German composer and cellist, Wilhelm Fitzenhagen's AVE MARIA, Op. 41 is a musical setting of the traditional Catholic prayer Ave Maria, which is based on the Hail Mary, a salutation to the Virgin Mary. Fitzenhagen's arrangement is scored for four cellos, making it a beautiful and intimate chamber music work for cello quartet. In Ave Maria, Fitzenhagen skillfully adapts the melody of the prayer for the cello ensemble, allowing each cello to express different facets of the music. The four cellos blend harmoniously to create a rich and sonorous texture, which is well-suited to the devotional nature of the prayer. Fitzenhagen's arrangement is known for its lyrical and expressive qualities, which allow the performers to convey a deep sense of reverence and spirituality.
Ave Maria, Op. 41 for Four Cellos
4 Violoncelles

$15.00 12.94 € 4 Violoncelles PDF SheetMusicPlus

Small Ensemble Bassoon,Cello,Double Bass - Level 2 - Digital Download SKU: A0.887013 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. 20th Century,Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5709911. Published by James Brady Music (A0.887013). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate cellos (or basses, with one with a C extension) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov).Ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than C2. The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.For more arrangements for developing ensembles, see:https://www.sheetmusicplus.com/publishers/james-brady-music-sheet-music/3006312
'Promenade' from Pictures at an Exhibition - easy arrangement for cello quartet
4 Violoncelles

$7.99 6.89 € 4 Violoncelles PDF SheetMusicPlus


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