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Soprano voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.873044

Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044).

If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t.

And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real.

And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour.

In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930

The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay.

Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.


Pictures at an exHERbition
Voix Soprano, Piano

$10.00 9.5 € Voix Soprano, Piano PDF SheetMusicPlus

Soprano voice and piano - difficult - Digital Download

SKU: S9.Q6665

For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665).

French.

Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.

Chansons de Verlaine
Voix Soprano, Piano

$19.99 18.98 € Voix Soprano, Piano PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.916261

Composed by Rain Worthington. 20th Century,Concert,Contemporary. 9 pages. SR Worthington #3055991. Published by SR Worthington (A0.916261).

Version for soprano and piano.
Soprano, Minkyung Lee beautifully captures the emotional essence of this song in her stunning performance (with piano, viola, and cello). https://youtu.be/oLejLLT5PQI
In These Days, with words and music by Rain Worthington, the texture is woven inseparably with the color – a most unusual and fascinating technique that allows for subtle, almost spectral shifts and emotional intensity. It is an extraordinary work. – Mark Greenfest, Journal of International Alliance for Women in Music
Publisher: SR Worthington/ASCAP

These days – soprano, piano
Voix Soprano, Piano

$3.99 3.79 € Voix Soprano, Piano PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download

SKU: A0.1011991

Composed by Saige Barlow. Contemporary. 4 pages. Saige Barlow #5794145. Published by Saige Barlow (A0.1011991).

This stand-alone aria is a written in Spanish, poking fun at the stereotypical culture of young women in the Church of Jesus Christ of Latter-Day Saints. In this song, a young woman meets a handsome boy her age at church, and she immediately falls head over heals for him. However, he is already popular among the other girls as well, and she has not yet reached the age of sixteen, the age of which the youth are advised to start dating. Having recognized these factors, the young woman is devastated and loses hope for their relationship.

El Aria del Amor Prematuro
Voix Soprano, Piano

$4.99 4.74 € Voix Soprano, Piano PDF SheetMusicPlus






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