Piano Accompaniment,Piano and Keyboard,Soprano voice,Vocal - Interactive Download SKU: HX.449300 Edited by Richard Walters. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 9 pages. Hal Leonard - Digital #835407. Published by Hal Leonard - Digital (HX.449300).

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.939743 Composed by Richard St. Clair. 20th Century. 18 pages. Richard St. Clair #3258153. Published by Richard St. Clair (A0.939743). Lyrical songs in a post-Romantic style with some modern-day harmonies.  The 4 songs are settings of selections from the larger poetic cycle, Tales of a Wayside Inn, by the 19th century American poet, Henry Wadsworth Longfellow. Total duration: about 10 minutes. Range of soprano part: two octave range, B-flat below Middle C to High B-natural.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.939834 Composed by Richard St. Clair. 20th Century,Contemporary. 34 pages. Richard St. Clair #5215959. Published by Richard St. Clair (A0.939834). These songs are settings of 9 powerful sonnets by Albrecht Haushofer, who wrote them while interned at Moabit, a Nazi prison for political prisoners, for his activities in the Resistance during World War II. All songs are set in the original German, with English translations appended. Total performance time: ca. 20 minutes. For a soprano with a wide range. The tonal language is mostly traditional, but with intense chromaticism alternating with simple harmonies.

Soprano voice or tenor voice and piano - Digital Download SKU: S9.Q44807 For voice and piano. Composed by Nino Rota. This edition: single sheet. Downloadable, single sheet. Duration 13 minutes. Schott Music - Digital #Q44807. Published by Schott Music - Digital (S9.Q44807). Italian.Between 1921 and 1938 Nino Rota composed twenty-one pieces for voice and piano, five of which he approved for printing. These early works made him known in the music world. The lyrics are of different origin: poems by the Indian Nobel Prize winner Tagore, a sonnet by Petrarch as well as a Tuscan folksong which was at the same time his last vocal chamber music work. Three of the songs contained in this new edition are printed in different keys, as can already be found in Rota's manuscripts.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice and piano - difficult - Digital Download SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.