Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de Cícero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictício da industria tipográfica do século XV.).

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.