Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1466565 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Heisenberg. Film/TV,Pop,Singer/Songwriter,Spiritual. 7 pages. Heisenberg #1045127. Published by Heisenberg (A0.1466565). Billie Eilish - What was i made for? Soprano with piano and chords.

Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793868 Composed by Traditional. Arranged by Ivana Tuskan. Christmas,Concert,Sacred. 5 pages. Ivana Tuskan #3885627. Published by Ivana Tuskan (A0.793868). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in D minor, and third in A minor. Vocal range: A3 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20 NOTE: You are allowed 2 print copies with one purchase of this title. Further distribution or forwarding of this sheet music is prohibited. Thank you! - Ivana Tuskan

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. 4 pages. Benzaiten Editions #877666. Published by Benzaiten Editions

Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.793897 Composed by English Traditional. Arranged by Ivana Tuskan. Christmas. 5 pages. Ivana Tuskan #3915855. Published by Ivana Tuskan (A0.793897). In this arrangement I've added piano accompaniment to traditional melody (Greensleeves) from the 16th century. First and second verses are written in G minor, and third in A minor. Vocal range: D4 to G5 The sound sample is an electronic preview. The pdf file contains score (5 pages) Performance Time approx. 2:20

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1360448 Composed by Traditional Spiritual. Arranged by Brenda Dillon. Sacred. 4 pages. Dillon's Music Group #944942. Published by Dillon's Music Group (A0.1360448). Brenda Dillon has a background in both academia and the music industry. She is best known for her expertise in teaching group piano. She was project director for the National Piano Foundation, served as an advisory board member for the Francis Clark Center, was an education consultant for Roland U.S. and served on the committee to develop the Recreational Music Making (RMM) Track at MTNA's Pedagogy Saturday. She has publications with Hal Leonard and Alfred Music.

Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.9128-11E Composed by Tom Cipullo. 5 pages. E. C. Schirmer Music Company - Digital #9128-11E. Published by E. C. Schirmer Music Company - Digital (MQ.9128-11E). English.

Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1375413 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Sacred. 14 pages. Ken Medema Music #959985. Published by Ken Medema Music (A0.1375413). Solo Piano.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.843770 Composed by Brian S. Wilson. Contemporary. 10 pages. G. Meredith Publications #2025123. Published by G. Meredith Publications (A0.843770). This is the fourth of six songs from the Song Cycle Byron Songs based on poems of Lord Byron's collection of poems entitled Hebrew Melodies. There is an optional flute descant (part sold separately). There is also an arrangement of this song with strings and piano (sold separately). They Say That Hope Is Happiness TEXT They say that Hope is happiness-  But genuine Love must prize the past;And mem'ry wakes the thoughts that bless  They rose the first-they set the last.And all that mem'ry loves the most  Was once our only hope to be:And all that hope adored and lostHath melted into memory.Alas! it is delusion all-  The future cheats us from afar,Nor can we be what we recall,  Nor dare we think on what we are.

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1172580 Composed by Clemencio M. Bascar. Arranged by Andres Montecillo Bascar, Jr. A Cappella,Christian,Country,Folk,Pop. 2 pages. Clem & Jun Bascar #772811. Published by Clem & Jun Bascar (A0.1172580). A song that describes what really love is like. A realistic, true to life piece written by a Filipino composer Mr. Clemencio M. Bascar. A song for the 2023 Valentine season.

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.980123 Composed by Christy Miranda Kalfas. Contemporary,Jazz. 3 pages. Christy Kalfas #4783479. Published by Christy Kalfas (A0.980123). Solo soprano voice with piano accompaniment in a light jazz style. Includes a piano solo that can be played as written or replaced with the pianist's own improvisation using the chords given. The aim is to convey on the piano what the vocalist has just shared through the lyrics. Concentric Circles is track 3 on the album Blessed are the Ones (available on iTunes): https://www.nakedfishrecordings.com/blessed-are-the-ones

Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.999061 Composed by Susan Novak. Arranged by Susan Novak. Christian,Praise & Worship,Sacred. 2 pages. Susan Novak #6027313. Published by Susan Novak (A0.999061). Mary's Song is a song I wrote based on the gospel of Luke's account of Mary's Magnificat.  Mary glorifies God for what He is going to do for the world through her.I hope you enjoy Mary's Song.  Praise be to God.

Soprano voice,Vocal Solo - Level 2 - Digital Download SKU: A0.989229 Composed by Mary Ann Joyce. Celtic,Concert. 8 pages. Mary Ann Joyce-Walter #6207001. Published by Mary Ann Joyce-Walter (A0.989229). A familiar 19th century Irish ballad by the Irish poet, Eugene Field.  The poem and the music are touching and sad:  there are toys in the attic covered with dust, and the little toy soldier is red with rust, and his musket molds in his hands.  There was a time when the toys were new and Little Boy Blue kissed them and put them there.  He told them not to leave until he came to get them, but - an angel song awakened Little Boy Blue, and the years past.  The faithful toys stayed in the place where he put them, but they wondered sorrowfully what happened to their Little Boy Blue.. 

Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .