By Nick Cave & The Bad Seeds. By Nick Cave. Arranged by Jack White. 20th Century. Octavo. 12 pages. Jack White #715731. Published by Jack White

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1277840 By Nick Cave & The Bad Seeds. By Nick Cave. Arranged by Aaron Powell. A Cappella,Contemporary,Pop. 4 pages. Aaron Powell #869540. Published by Aaron Powell (A0.1277840). An a cappella arrangement for male voices of this beautiful and haunting ballad. Arranged for TTBB.For enquiries about this arrangement, or to commission a custom arrangement, please contact aaron.powell.musician@gmail.com

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1099907 By Nick Cave. By Mick Harvey, Nicholas Cave, and Thomas Wydler. Arranged by Scott S. Stewart. Contemporary,Film/TV,Halloween,Thriller. 26 pages. Scott S. Stewart #703787. Published by Scott S. Stewart (A0.1099907). “Red Right Hand�, by Nick Cave and the Bad Seeds was released in 1994. It is a modern-day adult gothic Halloween-type tale, inspired by English poet John Milton’s epic poem Paradise Lost, where the ‘red right hand strikes vengeance on the demon Belial’. This tune found its way to the Scream film series and serves as the theme song for the BBC series Peaky Blinders. This arrangement is scored for 4-part men’s TTBB ensemble with piano accompaniment. Add an acoustic bass [part included] and a Latin percussion shaker to flush out your ensemble. Performance time: 5:51+.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.856261 By The Lightning Seeds. By David Baddiel, Frank Skinner, and Ian Zachary Broudie. Arranged by Liz Garnett. A Cappella. Octavo. 6 pages. Liz Garnett #6458705. Published by Liz Garnett (A0.856261). This classic anthem of support for the England football team blends endless optimism with the awareness of all the times those hopes have come to nothing, and is thus emotionally relevant whether the team wins or loses. It also has some great chords in it, so is eminently suitable for close-harmony a cappella singing.The arrangement includes space to include some quotes from classic football commentary should you want to add that to your performance, and also comes with both a low and a high ending. If you're aiming for a wistful feel evoking the fade-out of the original song, the low tag will be best; if you are expecting a high-energy, audience-singalong occasion, building to the high tag will work better.Vocal Ranges:Tenor: B3 - B4Lead: E3 - E4Bari: E3 - G4Bass: G2 - C4www.HelpingYouHarmonise.com