Choral Choir (TTBB) - Digital Download SKU: A0.998901 Composed by Richard Hoyle. Contemporary. Octavo. 9 pages. Richard Hoyle #4850809. Published by Richard Hoyle (A0.998901). An amusing and entertaining fantasy based on the traditional nursery rhyme employing several distinct dance forms. Will be enjoyable to rehearse and perform and will put a smile on audience faces.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1000039 Composed by Olivia Seidel. A Cappella,Contemporary,Sacred. Octavo. 16 pages. Olivia Seidel #6254997. Published by Olivia Seidel (A0.1000039). This four-part Acapella choral work is written for a men's choir of four-part voicing. The text is based off of Sacred Scripture in the biblical book Song of Solomon.

Choral Choir (TTBB) - Digital Download SKU: A0.966975 By Debbie Reynolds. By Nacio Herb Brown. Arranged by David Wallace. Contemporary. Octavo. 7 pages. Klose Harmoneez #3917031. Published by Klose Harmoneez (A0.966975). Based on the popular Michael Bublé rendition, this chart is extremely popular as arranged for 4-part barbershop style, for men.

Choral Choir (TTBB) - Digital Download SKU: A0.945421 Composed by Based on a Gaelic Melody. Arranged by Peggy Carter. Romantic Period. Octavo. 5 pages. Peggy Carter #5997613. Published by Peggy Carter (A0.945421). Perform this arrangement a'capella or with the flowing piano accompaniment. The melody conveniently flows back and forth between both parts. The subject matter paints a colorful mural of the setting sun and a shadowy evening landscape in an interesting setting appealing to maturing male singers. The arrangement features limited ranges making the pitches accessible to male choirs that include changed and changing voices. Audiences of all ages will be inspired by the the winsome, imaginative picture painted with the close vocal harmonies. Follow Choral Music by Peggy Carter on FaceBook

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.998385 Composed by Scott Fields Davis. 20th Century,A Cappella. Octavo. 4 pages. Scott Fields Davis #3517089. Published by Scott Fields Davis (A0.998385). Based on a Samuel Johnson text The Return of Spring is an original composition by Scott Fields Davis. Written for (a cappella) Tenor and Bass voices. This piece is suitable for civic, college, and high school choruses as well as other organizations. Performance duration is approximately 1 minute 24 seconds. The score consists of 3 pages and 35 measures. A piano reduction is included as well. Additional titles available at compositionsbyscottfieldsdavis.com. Please follow me on Facebook and Youtube.

Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.776565 By Ace of Base. By Buddha, Jenny, Jenny Berggren, Joker, Linn, and Marlin Berggren. Arranged by Tom Gentry. Dance,Pop. Octavo. 5 pages. Tom Gentry #5888477. Published by Tom Gentry (A0.776565).

SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.

TTBB choir, piano or chamber orchestra (Orchestra Version I: Harp Piano four-hands, Timpani/Vibraphone/Glockenspiel/Xylophone (two Players), Strings (min 3-2-2-2-1). Piano/Percussion Version II: Piano four-hands, Vibraphone/Glockenspiel/Xylophone (two Players)) - Digital Download SKU: MQ.4179-E Composed by David Conte. Score. 21 pages. E. C. Schirmer Music Company - Digital #4179-E. Published by E. C. Schirmer Music Company - Digital (MQ.4179-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Choral score- for use with versions I & II.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys.  This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1464094 Composed by Ivo Antognini. 21st Century,A Cappella,Contemporary. 12 pages. Ivo Antognini #1042807. Published by Ivo Antognini (A0.1464094). Diluvium is a TTBB piece (with some divisi...) and was commissioned by a wonderful Swiss male choir, Männerstimmen Basel.The text is from a poem by Sebastian Brant, a German humanist and poet born in 1457.It's about a great flood that took place in Switzerland in the Middle AgesThis beautiful text in Neo-Latin has inspired me a lot. I imagined myself as an eyewitness to this great flood, feeling the fear and terror of the people who knew that the water would arrive at any moment and would submerge the city. So, I tried to translate these emotions into music, and I really hope that you will be able to feel them too when the choir sings DILUVIUM..

Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price.  Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.

Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding.  This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A.  Transposed down from the original by a flattened fourth - starting in D major.  Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1445608 Composed by Ken Litton. Arranged by Ken Litton. Christian,Jazz,Religious,Sacred,Spiritual. 22 pages. Artist of Note, Inc. #1025450. Published by Artist of Note, Inc. (A0.1445608). Angel, Blow that TrumpetWords & Music by Ken Litton (ASCAP)TTBB Piano, opt. String Bass, Clarinet, Trumpet & TromboneMany choirs/ensembles haven't done many trumpet-feature songs in the last decade or so. But, since the trumpet figures so prominently in the Bible why not try one?! And, since both the anthems and contemporary worship songs of today tend to neglect the second coming of Christ here’s an offering from the spiritual/anthem/jazz confluence.Angel, Blow that Trumpet is based on I Corinthians 13:50-57 and I Thessalonians 4:13-18.  The style? Well, let’s call it “Natalie Sleeth meets New Orleans jazz!”You’re almost sure to find the voicing very approachable, yet thrilling for SATB (TTBB and SSA also available).The accompaniment is a dixie-land styling originally conceived for piano, string bass/fretless electric bass/standard bass guitar (it would be fun to have someone do it on the “big bass viol”), Bb clarinet, trombone and Bb trumpet. These parts are included with the choral score.Above all, it's fairly easy to learn and fun to sing!The clarinet and trombone parts are a lot of fun and the trumpet part features an easily playable/adaptable ending that nails the piece (actually the lower version is really nice). Plus, with the single exception of swinging the eighth note pairs, there’s no improvisation required here. These parts are really best for good, legit players just as written.And, though I know that you have more than enough skill to get all of this from the score, the audio file in mp3 format (3:32) will also available separately.All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/se/ID_No/1538200/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/explore?q=Ken+Litton&lang=defaultAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450584 Composed by Electro Velvet. Arranged by Jay Dearling. A Cappella,Barbershop,Comedy. 5 pages. Jay Dearling #1030225. Published by Jay Dearling (A0.1450584). This 6-part arrangement is based on the entry by Electro Velvet at the Eurovision Contest 2015 which was composed by David Mindel and Adrain White. This all-male version is the story of a guy who is concerned about his girlfriend going away on holiday with her friends. One Tenor, 2 Leads, one Baritone, two Basses. It includes optional comedy in places and a switch of the melody between Lead and Baritone.