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Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891194

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194).

Movement two of four Cowboy Songs of the American Southwest

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.

I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com


I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
Chorale TTBB

$2.10 1.99 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891196

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196).

Movement four of four Cowboy Songs of the American Southwest

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.

I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB] Chorale TTBB

$2.10 1.99 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.891193

Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193).

This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.

These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.


I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.
II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.
III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.
IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.

Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.

2017 Choral Contest Entry

Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Cowboy Songs of the American Southwest [TTBB] Chorale TTBB

$4.20 3.99 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.874612

Composed by Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella. Octavo. 5 pages. Chris Arnold #4283643. Published by Chris Arnold (A0.874612).

Fun swing number, originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.


I Don't Know Enough About You
Chorale TTBB

$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.874610

Composed by Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella. Octavo. 5 pages. Chris Arnold #4283641. Published by Chris Arnold (A0.874610).

Fun swing number, originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
I Don't Know Enough About You
Chorale TTBB

$12.99 12.34 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.874652

Composed by Lew Pollack and Ray Gilbert. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288011. Published by Chris Arnold (A0.874652).

Originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
That's A Plenty
Chorale TTBB

$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.874651

Composed by Lew Pollack and Ray Gilbert. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4288009. Published by Chris Arnold (A0.874651).

Originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
That's A Plenty
Chorale TTBB

$12.99 12.34 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.874639

Composed by John Frederick Coots. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4287033. Published by Chris Arnold (A0.874639).

A traditional romantic ballad arranged in traditional barbershop style for Barbershop Harmony Society contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
Beautiful Lady In Blue
Chorale TTBB

$12.99 12.34 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.874640

Composed by John Frederick Coots. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4287039. Published by Chris Arnold (A0.874640).

A traditional romantic ballad arranged in traditional barbershop style for Barbershop Harmony Society contests; please check with judges within your organization to confirm its suitability against current standards.

Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.
Beautiful Lady In Blue
Chorale TTBB

$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus






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