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Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.58 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download

SKU: A0.891182

Composed by George Job Elvey, Richard Donn, and William H. Monk. Arranged by Richard Donn. Contemporary,Easter,Holiday,Sacred,Traditional. Octavo. 8 pages. Cartecay River Music Publishing #3516011. Published by Cartecay River Music Publishing (A0.891182).

CROWN HIM KING OF KINGS (with Crown Him with Many Crowns) uses two hymns: Look, Ye Saints and Crown Him with Many Crowns combined with original music in an energetic, majestic, and Christ-honoring anthem proclaiming Him King of kings and Lord of lords.  This dynamic anthem is wonderfully appropriate for Easter or any worship service of praise!  It will be a favorite for both your choir and congregation for years to come and is available for both SATB and TTB choirs.  A piano accompaniment is also available through SheetMusicPlus.com.  Duration:  3:45 .

CROWN HIM KING OF KINGS (with "Crown Him with Many Crowns") for Men's Choir
Chorale TTBB

$2.00 1.79 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.1050201

Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201).

These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk

Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences.
The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

A Song of Canute (male voice choir and piano)
Chorale TTBB

$2.99 2.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1476905

Composed by E. T. Cassel. Arranged by L. Müller. A Cappella,Chamber,Christian,Religious,Sacred. 6 pages. Müller Publishing company #1054420. Published by Müller Publishing company (A0.1476905).

The King's Business – Traditional Hymn by E. T. Cassel

Experience the timeless message and harmonious beauty of the traditional hymn The King's Business, composed by E. T. Cassel, with an exquisite arrangement by L. Müller for Men's Choir TTBB.

This inspiring hymn, known for its powerful call to Christian duty and service, has been a cherished favorite in worship settings for generations. The arrangement by L. Müller captures the essence of the original composition while offering a rich and resonant adaptation for men's choir.

Ideal for church services, religious gatherings, and special occasions, this arrangement allows for a deeply moving performance that will resonate with both singers and listeners. The balanced harmonies and thoughtful structuring make it accessible for choirs of varying sizes and experience levels.

Don't miss the opportunity to add this uplifting and spiritually enriching piece to your choir's repertoire. Elevate your worship experience with The King's Business and inspire your congregation with its enduring message of dedication and faith.

The King's Business - For Men's Choir TTBB
Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1411511

By Michael A. Schmid. By Kenneth Martin. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Contest,Festival,Praise & Worship. 27 pages. Martin Music Editions #993780. Published by Martin Music Editions (A0.1411511).

Experience the profound gratitude expressed in 'We Thank You, Lord', a stirring choral work with text by Michael A. Schmid, now tailored for Men's Chorus, TTBB. This piece offers a unique opportunity for Tenor 1, Tenor 2, Baritone, and Bass voices to blend in harmony, creating a powerful musical expression.

In 'We Thank You, Lord', the melody gracefully transitions between the Tenor and Baritone/Bass voices, with each section having its moment to shine. This distinctive arrangement ensures a balanced showcase for both the upper and lower registers, resulting in a resonant and unified sound.

The accompaniment, skillfully woven into the piano part, provides a solid foundation for the voices, with intricate melodies and harmonies adding depth and emotion. This thoughtful arrangement supports singers in delivering a heartfelt performance that truly connects with listeners.

For added versatility and beauty, 'We Thank You, Lord' offers the option to include a C instrument such as violin, flute, or oboe, enhancing the overall texture and adding richness to the musical tapestry. Moreover, parts for brass quintet are included, further expanding the ensemble possibilities.

This anthem is very accessible for intermediate level men's choirs, making it perfect for Sunday worship or any other performance occasion. With its striking harmony, lyric melody and compelling message of gratitude, 'We Thank You, Lord' is ready to uplift and inspire all who experience it!

Don't miss the opportunity to share the message of thankfulness and appreciation with 'We Thank You, Lord' – a heartfelt choral piece that will touch the hearts of all who hear it!

Sacred Music for Men's Choir - We Thank You, Lord
Chorale TTBB
Michael A Schmid
$2.10 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1491215

Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215).

Das Gebet des Herrn (The Lord's Prayer)
Composed by C. G. Mühle (1792-1847)
Arranged for Men's Choir TTBB by L. Müller

Discover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.

This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.

This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.


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Das Gebet des Herrn (Das Vaterunser)
Komponiert von C. G. Mühle (1792-1847)
Für Männerchor TTBB arrangiert von L. Müller

Entdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.

Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.

Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.

Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1491217

Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217).

Das Gebet des Herrn (The Lord's Prayer)
Composed by C. G. Mühle (1792-1847)
Arranged for Men's Choir TTBB by L. Müller

Dive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”

This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.

Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.

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Das Gebet des Herrn (Das Vaterunser)
Komponiert von C. G. Mühle (1792-1847)
Für Männerchor TTBB arrangiert von L. Müller

Tauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.

Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.

Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.

Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1449262

Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028407. Published by Rodrigo Faleiros (A0.1449262).

Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies.

Key Features:

  • Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs.
  • TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble.
  • Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots.
Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble.

?? Check out my other choir arrangements by clicking here ??

Lascia ch'io pianga (for TTBB choir) Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1449265

Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265).

Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies.

Key Features:

  • Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs.
  • TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble.
  • Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support.
  • Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement.
  • Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots.
Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble.

?? Check out my other choir arrangements by clicking here ??

Lascia ch'io pianga (for TTBB choir - with piano accompaniment) Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1449264

Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264).

Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies.

Key Features:

  • Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs.
  • TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble.
  • Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement.
  • Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots.
Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble.

?? Check out my other choir arrangements by clicking here ??

Lascia ch'io pianga (for TTBB choir - with piano accompaniment) Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1449263

Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028408. Published by Rodrigo Faleiros (A0.1449263).

Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies.

Key Features:

  • Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs.
  • TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble.
  • Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support.
  • Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots.
Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble.

?? Check out my other choir arrangements by clicking here ??

Lascia ch'io pianga (for TTBB choir) Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download

SKU: A0.1503598

Composed by Anonimous. Arranged by L. Müller. Christian,Classical,Religious,Sacred,Spiritual. 6 pages. Müller Publishing company #1079062. Published by Müller Publishing company (A0.1503598).

Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment

Explore the profound beauty of Psalm 42 with this specially arranged piece for Men’s Choir (TTBB) with organ accompaniment by L. Müller. Designed to capture the deep longing and spiritual yearning expressed in the original psalm, this adaptation brings a powerful and moving choral performance to life, enhanced by the rich tones of the organ.

Lyrics Adaptation by L. Müller:

As seeks the hart for cooling streams,
When heated in the chase,
So longs our souls, O God, for Thee.
For Thee, our God, the living God,
Our thirsty soul doth pine;
When shall we behold Thy face?

The tears at all times are our repast,
When wicked men cry out too fast,
“Where now is God our guide?”

Why restless, why cast down, our souls?
Why such disquiet and distress?
O Trust in God, for we will yet see Your face.

As seeks the hart for cooling streams,
So we sigh for Thee, our God.

This arrangement is perfect for choirs looking to add a touch of spiritual depth and emotional resonance to their repertoire. The organ accompaniment provides a majestic and supportive foundation, making it ideal for concerts, worship services, or special events. This piece is sure to move both singers and listeners alike.

Key Features:

Composer: Anonymous
Arranger: L. Müller
Voicing: Men’s Choir (TTBB)
Accompaniment: Organ
Text: Adaptation of Psalm 42 by L. Müller
Ideal for lessons, concerts, or simply enjoying a musical journey through one of the most heartfelt psalms, this arrangement will bring a piece of spiritual history to life. Don’t miss the opportunity to bring this beautiful piece to your choir. Contact us today to purchase your copy and elevate your choral performances with this stunning arrangement of Psalm 42.

Psalm 42 for Men’s Choir (TTBB) with Organ Accompaniment
Chorale TTBB

$2.99 2.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 3 - Digital Download

SKU: A0.1310240

Composed by Franz Schubert. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 10 pages. Benzaiten Editions #899363. Published by Benzaiten Editions (A0.1310240).

Hey! Do you want to learn how to sing Schubert's Ave Maria for the SSTT choir? It's your lucky day! 🎵

Schubert Ave Maria • TTBB (tenor I • tenor II • bass I • bass II) choir sheet music with piano accompaniment


About the song

Ave Maria by Franz Schubert, composed in 1825, is one of his most famous pieces. It's often associated with the Catholic prayer, but it's actually based on a work by the Scottish poet Walter Scott.

Originally part of Ellens Gesang III, this gentle, melancholic melody with Latin lyrics invoking the Virgin Mary has been adapted for various instruments and choirs.

Schubert didn't anticipate it becoming widely known as Ave Maria; the original title was Ellens Gesang III: Hymn to the Virgin.

This beautiful composition is performed in various settings and continues to inspire listeners, showcasing Schubert's brilliance as a composer.

Schubert Ave Maria • TTBB choir sheet music with piano accompaniment
Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus


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