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Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1408802 By John Legend. By John Stephens and Toby Gad. Arranged by Stephan Carlson. A Cappella,Barbershop,Classical,Pop,R & B. 10 pages. Dr. SJ Carlson #991402. Published by Dr. SJ Carlson (A0.1408802). John Legend's beloved ballad, All of Me, is blended with a 17th-century motet by Claudio Monteverdi: Luci Serene e Chiare, eyes serene and clear. Historical moments seperated by hundreds of years are brought together through the interweaving of their musical idioms-- All of Me's soulful and lyrically syncopated melody, and the raw, vulnerable quality of its lyrics; Luci Serene e Chiare's complex contrapuntal textures sharply contrasted by its reserved homophonic sections, and the spirit of late Italian Renaissance conceptions of love preserved in Arlotti's equally expressive poetry. These all work together to create a unique dialogue about the power of romantic love to inspire abandon, sacrifice, and rebirth.
All Of Me
Chorale TTBB
John Legend
$3.99 3.46 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Chorale TTBB

$2.19 1.9 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Chorale TTBB

$2.19 1.9 € Chorale TTBB PDF SheetMusicPlus

TTBB choir divisi (a cappella) - Difficult - Digital Download SKU: MQ.8049-E Composed by Sergei Rachmaninoff and Stanley M. Hoffman. Score & instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8049-E. Published by E. C. Schirmer Music Company - Digital (MQ.8049-E). The arranger condenses the piano accompaniment into a cappella choral parts. The TTB/TBB/TTBB version was arranged for Adam Reinwald and the Cantus Vocal Ensemble for their call for scores On the Shoulders of Giants. Russian music expert Vladimir Morosan then suggested the idea of an SATB version. Both versions were performed in a joint concert called Sanctus: Spirit of Music presented by the Cantus Vocal Ensemble and the National Lutheran Choir conducted by Dr. David Cherwien, on May 5 and 6, 2012, in Edina and Woodbury, Minnesota.**Demo recording is of the SATB version, #8050
Vocalise
Chorale TTBB

$2.25 1.95 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1272741 By Traditional. By Stephanie K. Andrews. 21st Century,A Cappella,Chamber,Classical,Sacred. Octavo. 7 pages. Stephanie K Andrews #864937. Published by Stephanie K Andrews (A0.1272741). O Salutaris Hostia was composed in late summer 2019 as a companion piece to O Sacrum Convivium, which Dr. Andrews wrote for treble voices in the spring of 2019. The text of O Salutaris Hostia was written by St. Thomas Aquinas in the 13th century and is the last two stanzas of a larger hymn that St. Thomas wrote about Christ's institution of the Eucharist at the Last Supper. Traditionally, this text is sung during Eucharistic services.It is my prayer that, as with O Sacrum Convivium, those who hear this work may find respite, grace, and peace in the midst of a troubled world.
O Salutaris Hostia
Chorale TTBB
Traditional
$2.00 1.74 € Chorale TTBB PDF SheetMusicPlus






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