Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.841077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #841077. Published by Celebrating Grace - Digital (C6.841077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.846077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #846077. Published by Celebrating Grace - Digital (C6.846077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1467571 By Micah Edwards. By Micah Edwards. Arranged by Dan Wessler. A Cappella,Barbershop,Singer/Songwriter. 6 pages. Dan Wessler #1045852. Published by Dan Wessler (A0.1467571). Men's barbershop arrangement of I Never Like It When You Leave by Dan Wessler.

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1361809 By Chic. By Bernard Edwards and Nile Rodgers. Arranged by Charles Beale. Disco,Funk,Pop. 18 pages. Charliebmusic #946265. Published by charliebmusic (A0.1361809). Le Freak was composed by Nile Rodgers and Bernard Edwards in 1978, and features Rodgers' distinctive rhythm guitar work, which was brand new at the time, and defined so many disco and funk grooves of the 1970s.This TTBB arrangement sticks mostly to the form of the original 7 inch single. The lyrics feature 'Studio 54', the archetypal disco space in New York at the time. Studio 54 was also a special home and iconic space of celebration for the LGBTQIA+ community, at this key time in the developmetn of dance music. This foot-tapping, upbeat and very wellknown song is perfect for audience participation, and would be an excellent concert opener.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.831077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #831077. Published by Celebrating Grace - Digital (C6.831077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.836077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #836077. Published by Celebrating Grace - Digital (C6.836077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.833077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #833077. Published by Celebrating Grace - Digital (C6.833077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.834077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #834077. Published by Celebrating Grace - Digital (C6.834077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

SATB Chorus, opt. Congregation, opt. Handbells - Digital Download SKU: C6.832077 Composed by Melchior Teschner. Arranged by Mark Edwards. Palm Sunday, Holy Week, Lent, Christian. MP3. Celebrating Grace - Digital #832077. Published by Celebrating Grace - Digital (C6.832077). Arranged for SATB Choir, Handbells, and optional congregation, this setting by Mark Edwards is sure to be a Palm Sunday paean of praise. A driving accompaniment characterizes the first stanza with standard hymn-like harmonies. The second stanza, with its bell-like accompaniment, allows women and men to shine independently on their own phrases, then combine into four-part harmony for choral texture. The dynamic accompaniment returns for the third stanza and a choral tag ends the piece with a high moment of praise. Handbell part for 4 octaves available separately. A brass orchestration for trumpets 1-3, horn in F, trombones 1-3, tuba, and percussion 1&2 is available separately.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.971219 Composed by Words by Will . Cobb, Music by Gus Edwards. Arranged by Arranged by Jim Shubert. Traditional. Octavo. 3 pages. James W. Shubert #6062407. Published by James W. Shubert (A0.971219). 4 part Male Barbershop Arrangement.  Easy/Intermediate level.  Would be excellent for a H.S. Chorus; lyrics lead to an obvious choreo package.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871614 Composed by Edward Madden Gus Edwards. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5302877. Published by Latzko Muzic (A0.871614). WELL-KNOWN STANDARD BARBERSHOP TUNE AS SUNG BY THE CHORDETTES

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1278350 By Dinah Shore. By Music by Gus Edwards. Lyrics by William D. Cobb. Arranged by Cathy Stamegna. A Cappella,Contest,Festival,Jazz,Ragtime,Traditional. Octavo. 13 pages. Cathy Stamegna #870068. Published by Cathy Stamegna (A0.1278350). This 1900 hit was originally recorded by Harry MacDonough, one of the most popular singers of the early twentieth century, with a later rendition by Dinah Shore.  It begins in the traditional 3/4 and repeats in 4/4 halfway through with a change in tempo and style.   Appropriate for a TTBB quartet as well as a larger men’s choral ensemble.  Performance Time: approximately 3:50.