Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.851134 By Die Prinzen. By Sebastian Krumbiegel and Tobias Kuenzel. Arranged by Sophia Transistor. A Cappella. Octavo. 25 pages. Sophia Transistor #6401511. Published by Sophia Transistor (A0.851134). Description mostly in German, because this song is also in german ;-):Ein Lied über Bipolartransistoren aus Siliziumkarbid in der Leistungselektronik. Ein A-Capella Arrangement des Songs mein Fahrrad von den Prinzen, umgedichtet von Sophia Transistor zu einer Elektrotechniker-Hymne.Lyrics:1. Strophe:Ja ich frag'mich immer wieder,warum gibt's so wenig Liederüber Leistungselektronikoder Halbleiterphysik.das sind Themen, die Bewegennen' Antrieb oder Strom.Betriebszustände: active, desat,failure, off and on.2. Strophe:Mein schöner Bipolartransistor,leitet vorwärts richtig gut,auch sein Steuerstrom ist kraftvoll,Treiber bauen kostet Mut.Soviel kann dabei passieren,wer soll das dann reparieren?Desatschutz und Bypass,sicheres Booting das macht Spaß!REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.3. Strophe:Diese Manager, die meinen:Transistorforschung darf nicht bleiben!Hör'n nicht die Physikerproteste:Unser Bipo ist der Beste!Ingenieure sollen's bauen:Ihr schafft das, hab't vertrauen!Zu spät, der Bipo ist vom Markt verbannt,obwohl zu recht total verkannt.REFRAIN:Jeder Popel schaltet MOSFETs,jeder Affe IGBT,jeder Blödmann schaltet JFETs,jeder Arsch verbaut ne Schottky,jeder Spinner setzt auf Silizium,jeder Depp nimmt Gallium Arsenid,nur Genießer schalten Biposaus Siliziumkarbid.Referenzen / Quellenangabe:https://de.wikipedia.org/wiki/SiliciumEigene alte Power Point Präsentationen von mir (Sophia Transistor)Power Semiconductor Deviceshttps://de.wikipedia.org/wiki/Gallium-Arsenidhttps://en.wikipedia.org/wiki/History_of_the_transistorEigene Aufnahmen aus meiner LaborarbeitszeitNotenreferenz (keine Sorge, dieses Stück ist Teil des SMP arrange-me Programmes, das bedeutet: Arrangieren erlaubt: Copyright © BMG RIGHTS MANAGEMENT GMBH (GERMANY) / LAKEWORTH MUSIC PUBLISHING): Gesangsstimmen:- Part: Solo Voice (Tenor oder Alt) einmal auf 2 Notenseiten und einmal kleiner auf nur einer Seite notiert- Part: 2nd Voice (Alt oder Tenor)- Part: 3rd Voice (Tenor)- Part: 4th Voice (Baritone)- Part: Percussive Baritone (optional)- Part: 5th Voice (Bass)Instrumente (optional):- Part: Piano; ausgeschriebene Klavierbegleitung mit zusätzlichen Akkordsymbolen auf 2 Seiten- Part: Basslinie notiert in C und im Bassschlüssel (Kontrabass, E-Bass, Posaune, Tenorhorn, etc.) notiert auf einer Seite + zusätzlichen Akkordsymbolen- Part: Percussive Bassline (optional zum Gesangspart), ebenfalls als Bassstimme notiert- Part: Drum Set; Schlagzeugnotation (Fahrradklingel steht auch drin)Ultimatives Chor Noten Arrangement von Mein Fahrrad - A Capella Version umgedichtet zu einem Transistor Song.Inhaltsangabe mit timestamps: 00:00 Intro mit Sophia an der Gitarre00:18 Das großartige Transistorlied02:15 Outro mit Gitarre und übertriebenen Laboreinsichten voller Elektronik03:34 Doppelseitig gekühltes package mit rosa Blümchen und SchmetterlingenVideo created, arranged, performed and edited by Sophia Transistor* Disclaimer: Ich habe einen Tonumfang von maximal 2 Oktaven und kann sehr tief singen. Die Bassstimme kann also auch von manchen Frauen komplett ausgefüllt werden.YouTube.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1101929 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Leanne Johnson. A Cappella,Comedy,Contemporary,Country,Pop. Octavo. 7 pages. Blokes Notes Music Director #705316. Published by Blokes Notes Music Director (A0.1101929). This TTBB acapella rendition has fun with the tenors envy of the basses Let's bring the treble back, and lower voices respond We've tried to tell them that they're just too high, also has an optional percussive beat. 6 pages. Difficulty: mostly Medium. The range for this piece has a few extreme options . If you have any tenors who happily sing falsetto theres a C5 moment, or any bass who can manage a low C thats how the piece would impressively end. Rest of piece is normal range. Youtube link is in the similar fun spirit, though not replica. All arrangements have been successfully performed by Blokes Notes a non-auditioned community mens choir in Port Macquarie Australia .

Voice (TTBB) - Level 5 - Digital Download SKU: A0.1194357 By Bjork. By Bert Reisfeld, Erich Meder, and Hans Lang. Arranged by Donya Metzger. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Donya I Metzger #793721. Published by Donya I Metzger (A0.1194357). Bjork meets Barbershop! Not for the faint of heart, this arrangement is quite demanding for the top two parts. Written as a TTBB chart, it could be sung by any combination of genders who can manage the notes.

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1496116 By Lou Christie. By Leo Robin, Richard A. Whiting, and W. Franke Harling. Arranged by Jay Dearling. 20th Century,A Cappella,Barbershop,Film/TV. 6 pages. Jay Dearling #1072648. Published by Jay Dearling (A0.1496116). This TTBB arrangement has the melody (printed in red) moving from Lead, to Bass, to Tenor and then to the Baritone which sings the harmonic version sung by Lou Christie in the movie 'Rainman' at the end credits. The Leads have a variety of harmonic styles to manage. A possible concept is to pre-warn the audience that the Baritones have a habit of misbehaving.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865872 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Charles Beale. Pop. Octavo. 12 pages. Charliebmusic #5309477. Published by charliebmusic (A0.865872). This 2009 worldwide hit (11 times platinum) by Lady Gaga was one of the early songs that established her as a superstar, and an experimental pop artist, beloved by the critics as well as the fans. The lyric is about relationships and dealing with fame, and it still excites singers and audiences alike.This TTBB arrangement is intermediate, taking T1s to top Ab, and captures the upbeat and at times outrageous spirit of this song, while keeping tessitura and vocal demand manageable. It could also work as a singalong.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1094790 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Lorraine Forsdick. Christmas,Pop. Octavo. 12 pages. Lorraine Forsdick #698859. Published by Lorraine Forsdick (A0.1094790). This is a manageable arrangement for male voice choir. A useful addition to the Christmas repertoire.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888084 By Elvis Presley. By Kuiokalani Lee. Arranged by Rich Hasty. Rock. Octavo. 3 pages. Ken Potter #6486943. Published by Ken Potter (A0.888084). This arrangement for male quartet was written by Rich Hasty This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Rich Hasty. As curator of his arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Rich wanted his charts to be used by the public legally. Please note that I do not receive compensation for managing his charts. Contact me directly if you need to speak to me about Rich Hasty's material. (310-702-5285).  .

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6460921. Published by Ken Potter (A0.888082). This arrangement originally for female quartet (SAI) was originally written by Ruby Rhea. This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285).  .

Choral Choir (TTBB) - Digital Download SKU: A0.998909 Composed by Traditional. Arranged by Richard Hoyle. Contemporary. Octavo. 14 pages. Richard Hoyle #4884057. Published by Richard Hoyle (A0.998909). A medley of well known Scottish songs, varied in tempo and style. Perfect for a concert celebrating Hogmanay or Burns Night but not exclusively so. Even Sassenachs and other non-Scots will enjoy this!

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871752 Composed by JAMES V. MANACO AND ROGER EDEN. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5334151. Published by Latzko Muzic (A0.871752).

Choral Choir (TTBB) - Digital Download SKU: A0.888087 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Ruby Rhea. Dance,Disco. Octavo. 6 pages. Ken Potter #6500599. Published by Ken Potter (A0.888087). This arrangement for male quartet was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me (Ken) about Ruby Rhea's material. (310-702-5285).  This arrangement includes a modified tag, which Ruby Rhea would approve of. .

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.856217 Composed by John Barry. Arranged by Liz Garnett. Film/TV. Octavo. 5 pages. Liz Garnett #4331257. Published by Liz Garnett (A0.856217). Shirley Bassey made the iconic recording of this song as the theme tune for the eponymous Bond movie. It charts a journey from mystery to strength, with the song's persona somehow managing to come over as simultaneously sympathetic and self-contained.This is a later, more texturally complex arrangement than my version for women's voices - different commissioning groups had different musical needs,Vocal Ranges:Tenor: C4 - B4Lead: D3 - F#4Bari: D3 - G4Bass: F2 - C4www.HelpingYouHarmonise.com