Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.915447 Composed by W. W. FOSDICK, GEORGE POULTON. Arranged by Clay Boland Jr. Folk,Traditional. Octavo. 5 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #3532677. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.915447). ARRANGEMENT OF THE ORIGINAL OLD-TIME SERENADE THAT WAS ADOPTED WITH NEW TITLE AND LYRICS BY ELVIS PRESLEY IN 1956 AS LOVE ME TENDER. THIS ARRANGEMENT IS BASED ON THE ORIGINAL 1861 VERSION AND INCLUDES SOME REVISED AND ALSO SOME NEW LYRICS -- AND IS ARRANGED TO IMITATE A COLLEGIATE GLEE CLUB OF THE LATE 1800’S. LYRICS BY W. W. FOSDICK WITH REVISIONS AND ADDITIONS BY CLAY BOLAND JR. MUSIC BY GEORGE POULTON.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.719076 Composed by R. W. Lowry. Arranged by Andrew Emmet. A Cappella,Christian,Folk,Multicultural,Spiritual,World. 3 pages. Andrew J Emmet #5336053. Published by Andrew J Emmet (A0.719076). TTBB A Cappella arrangement.Original Christian lyrics.

Solo voice, male chorus (TTBB) and piano - Digital Download SKU: XB.DNLB01475D Composed by Stephen Foster. Octavo. 3 pages. Bells Publishing #DNLB01475D. Published by Bells Publishing (XB.DNLB01475D). Original key. D major [Solo vocal range: D4-B4].

TTBB choir, a cappella - Digital Download SKU: MQ.41-96640-E Composed by Gary R. Schwartzhoff and Timothy C. Takach. Octavo. 12 pages. Colla Voce Music - Digital #41-96640-E. Published by Colla Voce Music - Digital (MQ.41-96640-E). Featured at: 2016 SW ACDA Convention

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522305 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. Christian,Gospel,Praise & Worship,Sacred. Octavo. 3 pages. Paul A. Jorg #5770917. Published by Paul A. Jorg (A0.522305). The musical portion is easy to sing; the lyrics attempt to show the mind of God in why He created man as He did, and how great the gift of His love is.

Men's choir (TTBB) - intermediate - Digital Download SKU: S9.Q8444 Wem Gott will rechte Gunst erweisen. Composed by Felix Bartholdy Mendelssohn. This edition: choral score. Schott Choral Music. Der berühmte Eichendorff-Text in der beliebten kunstvollen Originalkomposition anstelle einer weiteren Volksliedbearbeitung. Ein Muss für alle Männerchöre! Downloadable, Choral score. Op. 75/1. Schott Music - Digital #Q8444. Published by Schott Music - Digital (S9.Q8444). Key: E major. German.Mendelssohn vertont den berühmten Eichendorff-Text Wem Gott will rechte Gunst erweisen mit einer eigenen Melodie, als schwungvollen vierstimmigen Chorsatz mit vielen punktierten Rhythmen und bewegten Achteln im Dreivierteltakt. So entsteht eine wirkungsvolle romantische Originalkomposition, die sich in Chorkonzerten sehr gut mit einem beliebigen Volksliedsatz über den gleichen Text kombinieren lässt und so einen interessanten Vergleich ermöglicht. Sehr eindrucksvoll, wie Mendelssohn die Textstelle Den lieben Gott lass ich nur walten ausdeutet: er ändert die Taktart (4/4-Takt) und zitiert den Choral Wer nur den lieben Gott lässt walten. Interessante Repertoire-Ergänzung für alle Männerchöre.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865862 By Bruce Dickinson. By David Bowie. Arranged by Charles Beale. Contemporary. Octavo. 13 pages. Charliebmusic #5294095. Published by charliebmusic (A0.865862). 'All the Young Dudes' is a fun period piece and a mid-tempo glam rock classic from the early 1970s, originally sung by Mott the Hoople but made more famous by David Bowie. The lyric is partly about being young and free, and partly about gender. and being a ‘dude’. It tells the story of several 'dudes' and celebrates what they get up to. Like many Bowie lyrics, it is double-edged, and the melody is catchy and fun to sing. Originally sung by the New York City Gay Men's Chorus, the arrangement sticks closely to the original groove and form, and is designed for an intermediate level group. There is also a solo for a Baritenor with pop sound.

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.928364 By The Searchers. By Jerry Leiber and Mike Stoller. Arranged by Thomas J. West. A Cappella,Pop. Octavo. 6 pages. Thomas J. West #5871607. Published by Thomas J. West (A0.928364). This arrangement was originally written for The Dreamers of Phi Mu Alpha a cappella group at Penn State University. It is a TTBB arrangement with a tenor lead vocal written in the style of the original 1959 recording of the song by The Clovers. It is extremely accessible for singers new to doo wop or contemporary a cappella singing. There is an optional improvised vocal saxophone solo during the second bridge that could be simply sung with the original lyrics instead. Bass range is E2 to A4. Tenor 1 range is C4 to G#4 (falsetto). www.thomasjwestmusic.com

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.774735 By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735). Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.793921 Composed by Franz Liszt. Arranged by Ivana Tuskan. A Cappella,Concert,Holiday,Love,Romantic Period,Standards. Octavo. 10 pages. Ivana Tuskan #4111149. Published by Ivana Tuskan (A0.793921). This arrangement is based (some parts are reduced) on one of most popular Liszts pieces for solo voice and piano. It's written in G major, with modulation in B flat major (also available inoriginal key: F-major, and modulates in A flat major.) An arrangement is written for male four-part ensemble (TTBB), a cappella (also available for SATB and SSAA).Lyrics: english (available in german, too) Duration: ca. 2:45The score contains 10 pagesThe sound sample is an electronic preview

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.945779 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Yumiko Matsuoka. A Cappella,Rock. Octavo. 12 pages. Yumiko Matsuoka #6233059. Published by Yumiko Matsuoka (A0.945779). Originally written for Boston Jazz Voices and modified for a male ensemble the Hong Kong Luckys of Tokyo, Japan, the Coldplay megahit opens with the original mood intact, then blossoms into a tapestry of counterpoint, building in intensity. Suitable for a well-rehearsed medium size ensemble/choir. Approx. performance time: 4:00.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.500712 By The Beatles. By John Lennon. Arranged by G. M. Morley. A Cappella,Rock. Octavo. 7 pages. G. M. Morley #5990205. Published by G. M. Morley (A0.500712). In 2014 John Lewis launched a Christmas advertising campaign that melted hearts worldwide, featuring a song written by John Lennon performed by Tom Odell, Real Love. The song was originally recorded by Lennon in 1979 and 1980 and released posthumously in 1988. His demo recording was completed by his former Beatles bandmates (Paul McCartney, George Harrison, and Ringo Starr) as part of the Beatles Anthology project released in 1995. It is the last single by the Beatles to become a top 40 hit in the US, the last released record of new material credited to the Beatles, and the last to originate and be included on an album. This arrangement is faithful tribute to both versions, building on the emotional textures of the Odell version by including the additional second and third verses of the original.  If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.