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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.47 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Digital Download SKU: A0.1001562 Composed by Lorne Balfe. Arranged by Mark R. Lewis. A Cappella. Octavo. 8 pages. Mark R Lewis #6885085. Published by Mark R Lewis (A0.1001562). In the fall of 2021, Amazon Prime introduced the first season of the television adaptation of Robert Jordan's iconic Wheel of Time book series. The series included a lot of wonderful music composed by Lorne Balfe, including The Song of Manetheren in episode 2. It is presented as a folk song performed by the character Mat and joined by the other main characters as they travel on horseback through the countryside.This arrangement of the piece is arranged by Mark R Lewis for a cappella TTBB ensemble with additional lyrics added by Mark R Lewis. The baritones have the melody the whole time with the basses providing a lower, drone-like harmony and the tenors providing upper harmonies. The arrangement also includes body percussion in the form of foot stomps and hand claps. The piece is not particularly difficult but does have some rather quick, atypical rhythms and may test the ranges of younger singers. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
Story Of Manetheren
Chorale TTBB

$1.99 1.73 € Chorale TTBB PDF SheetMusicPlus

TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
Son to Mother
Chorale TTBB

$5.40 4.69 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1031323 Composed by John Plant. 20th Century,Contemporary,Halloween. Octavo. 26 pages. JWP Music #3108015. Published by JWP Music (A0.1031323). This setting of Lawrence Raab's poem 'Voices Answering Back: The Vampires' was commissioned and first performed by Coastal Voices Men's Choir, under the direction of Janet Gaskin.  Approximate duration: 7 minutes.   The text is used by permission of the poet.   Coastal Voices is an unauditioned but very hard-working choir; my commission was to write a work which would be challenging, but feasible for them, and they responded splendidly to the occasion. I made MIDI soundfiles of the individual parts for the singers to rehearse with, and I would be happy to provide these to choirs who plan to perform the work. Voices Answering Back requires a skilled pianist.  You can reach me through my website at www.johnplantmusic.com.  My performing rights organization is SOCAN. Please note: 2017 Choral Contest Entry.
Voices Answering Back: The Vampires
Chorale TTBB

$4.00 3.47 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.552895 By Cassidy Feat. Jessie J Alex Newell. By Akil King, Cassidy Podell, Cassidy Powell, Greg Cohen, Gregory Peter Cohen, Jaramye Daniels, Jeramy Daniels, John R Lardieri, Kyle Henry Bailey, and Kyle Owens. Arranged by Timorell. A Cappella,Contemporary,Pop,Rock. 21 pages. Timorell #162578. Published by Timorell (A0.552895). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com. An advanced intermediate a cappella cover of Jess Glynn’s Kill The Lights performed by DJ Cassidy/Alex Newells. Meant to have a 70s Bee Gees vibe, it's high energy, a good show opener, and lends itself to choreography. Vocal Percussion is considered a key component and is highly encouraged. Range: low - (tessitura) - highT1: Ab4 - (Bb4) - Eb5T2: Eb4 - (Gb4) - Bb4T3: Ab3 – (Db4) – Gb4Bari: Db3 - (Ab3) - Eb4Bass: Ab2 - (Eb3) - Eb4
Kill The Lights
Chorale TTBB
Cassidy Feat Jessie J Alex Newell
$2.00 1.74 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1315709 By Christopher Alexander. By Christopher Alexander. A Cappella,Christmas. 8 pages. Christopher Alexander #904456. Published by Christopher Alexander (A0.1315709). This deceptively simple Christmas tune is rich with its nontraditional key signature, homophonic texture, and harmonic suspensions.  It can be performed with or without piano accompaniment, making it accessible for singers to perform anywhere.  Set like a benediction, this work would be perfect as a concert closer for your entire choir department to sing together at the end of your holiday concert.  The text by John Whittier reminds us to be thankful for the Christmas season and share that same sentiment with others “all the year throughâ€.Also available in: SATB, SAB, SSAA, and Unison/Two-Part.
The Joy of Giving (TTBB)
Chorale TTBB
Christopher Alexander
$2.25 1.95 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853861 By Sour. By Michael John Burkett. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 5 pages. Larry Wright #4718405. Published by Larry Wright (A0.853861). A MEN'S 4-part, a cappella, barbershop arrangement of this popular tune. To be performed with Kids Choir of 4 to 10 kids singing a simple melody. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent Vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased my vocal learning trax from my website and the per-copy pricing on the SMP website is a problem, email me. SMP requires a minimum purchase of 10 copies for all choral selections <larry@larrywrightmusic.com>.
What's The Matter With Kids Today?
Chorale TTBB
Sour
$15.00 13.03 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.512676 Composed by Marvin Hamlisch. Arranged by Theodore Hicks. Film/TV. Octavo. 6 pages. Theo Hicks Music #6355435. Published by Theo Hicks Music (A0.512676). A bold and powerful ballad speaking to the passion and dedication to one's art, from the musical A Chorus Line. Originally performed by the internationally ranked quartet, Late Shift, this piece works well for small ensemble (quartet minimum) or a large choir.For SSAA or SATB voicings, please reach out to the arranger through the website listed below.This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/Learning Tracks are available through Kohl Kitzmiller Music (www.kohlkitzmillermusic.com).
What I Did For Love
Chorale TTBB

$4.00 3.47 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1050201 Composed by Alan Bullard. 20th Century,Classical. Octavo. 31 pages. Colne Edition / BullardMusic #654578. Published by Colne Edition / BullardMusic (A0.1050201). These three dramatic but humorous episodes in the life of the great king, to texts by Thackeray and the composer, tell us first of all how the elderly King Canute was tiring of life as, no longer young, he even yawned while his favourite male voice choir was performing. The second movement tells of all the victories he had won - but, as the third movement tells us, there was one thing left to do - conquer the sea!  Sadly, however, the sea disobeyed his commands, and 'King Canute is dead and gone, but the legend still lives on'. The story is untrue, of course, but if it happened, though it probably didn't, it would have been in the vicinity of the Battle of Ashingdon, near to the town of South Woodham Ferrers, Essex, UK - where the songs were first performed by the South Woodham Ferrers Male Voice Choir. A specimen copy of the songs is available at www.alanbullard.co.uk Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
A Song of Canute (male voice choir and piano)
Chorale TTBB

$2.99 2.6 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1212359 Composed by John Newton. Arranged by Tehillah Alphonso. A Cappella,Christian,Contemporary,Jazz,Traditional. Octavo. 5 pages. Tehillah Alphonso #809860. Published by Tehillah Alphonso (A0.1212359). This rendition of Amazing Grace features all four voices in the TTBB arrangement. Staying true to choral voicings while implementing pop sounds, jazz harmony, and gospel influences, this piece is challenging yet rewarding for any sized ensemble and accessible for all audiences and events. Add Amazing Grace to your repertoire today!As performed by the internationally acclaimed men's quartet, Kings Return, arranged by Tehillah Alphonso. Arranged for 4+ voices with a moving solo in TTBB (easily adaptable to SATB).
Amazing Grace
Chorale TTBB

$10.00 8.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1429061 By The B 52 S. By Catherine Pierson, Cathy Dennis, Christian Lars Karlsson, Cynthia Wilson, Frederick Schneider, Henrik Jonback, Julian Keith Stickland, and Pontus Johan Winnberg. Arranged by Timorell. 20th Century,A Cappella,Contemporary,Pop,Rock. 17 pages. Timorell #1009821. Published by Timorell (A0.1429061). As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc https://linktr.ee/tonewallnyc #queeracappella . Questions for the arranger? Contact Timorell at tonewallnyc@gmail.com.- Intermediate a cappella cover with a unique twist on The B52's classic. - TTBB with some divisi. 6-part at times. - Speaking soloist, a la Fred Schneider. - Incorporates Britney Spears' Toxic as a reoccuring musical motif. - High energy, vocally interesting- Great build to big finish suitable for show finale.- Vocal Percussion is notated and strongly encouraged.
Love Shack Dj Cummerbund Tik Toxic Remix
Chorale TTBB
The B 52 S
$2.00 1.74 € Chorale TTBB PDF SheetMusicPlus






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