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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477345 By Boyz II Men. By Brian McKnight and Wanya Morris. Arranged by James Morgan. A Cappella,Barbershop,Holiday,Jazz,R & B. 9 pages. Modern Vocals Online - James Morgan #1054769. Published by Modern Vocals Online - James Morgan (A0.1477345). Bring the warmth and soul of the holiday season to your performance with this a cappella arrangement of Boyz II Men and Brian McKnight’s “Let It Snow.” This contemporary Christmas classic, arranged for a male TTBB quartet, captures the rich R&B stylings and intricate harmonies of the original song.This arrangement features complex jazz and R&B-style harmonies, presenting an exciting challenge for skilled quartets. The intricate vocal lines and lush chord progressions provide a perfect showcase for your ensemble’s technical precision and expressive capabilities.Although not suitable for traditional barbershop contests, this chart is ideal for holiday concerts, festive events, and special performances. The smooth, emotive delivery and rhythmic sophistication will resonate with audiences, making it a standout piece in your holiday repertoire.Embrace the challenge and joy of singing this unique Christmas classic. With its captivating harmonies and rhythmic flair, “Let It Snow” promises to add a touch of modern elegance to your holiday season.
Let It Snow
Chorale TTBB
Boyz II Men
$3.99 3.45 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.809841 Composed by Joseph H. Gilmore (lyrics) and William B. Bradbury (music). Arranged by Robert E. Proctor. Christian,Contemporary,Pop,Sacred. Octavo. 58 pages. R. E. Proctor #3557611. Published by R. E. Proctor (A0.809841). A classic hymn of the Christian faith by Joseph H. Gilmore (lyrics) and William B. Bradbury (music) arranged here for two tenors, baritone, and bass with accompaniment.  The 1st tenor part is relatively high, so an alto part is included if needed.  Although conceived as a vocal quartet it could also be performed by a choir.  Similarly, a quintet or string orchestra can play the strings parts.  The double bass part could also be played on electric bass if needed.  As in all my arrangements, the drum part is a suggested pattern to be improvised on by the percussionist.
He Leadeth Me - Vocal Quartet with Accompaniment
Chorale TTBB

$5.95 5.14 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.45 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Digital Download SKU: A0.1454930 Composed by Wolfgang Amadeus Mozart. Arranged by L. Müller. Chamber,Classical,Religious,Renaissance,Sacred. 16 pages. Müller Publishing company #1034001. Published by Müller Publishing company (A0.1454930). LACRIMOSA - From Requiem KV. 626 - For Choir T.T.B.B. (With chords)Immerse your men's choir in the timeless beauty of Mozart's Lacrimosa with this T.T.B.B. arrangement by L. Müller. This high-resolution digital sheet music includes versions with chords, offering flexibility for different performance settings. The file features both the full conductor's score and a separate choral part to facilitate rehearsals. Elevate your choir's performance with this exquisite arrangement of a classic masterpiece.
LACRIMOSA - From Requiem KV. 626 - For Choir T.T.B.B. (With chords)
Chorale TTBB

$1.99 1.72 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Digital Download SKU: A0.1454932 Composed by Wolfgang Amadeus Mozart. Arranged by L. Müller. Chamber,Classical,Religious,Renaissance,Sacred. 16 pages. Müller Publishing company #1034003. Published by Müller Publishing company (A0.1454932). LACRIMOSA - From Requiem KV. 626 - For Choir T.T.B.B.Immerse your men's choir in the timeless beauty of Mozart's Lacrimosa with this T.T.B.B. arrangement by L. Müller. This high-resolution digital sheet music includes versions without chords, offering flexibility for different performance settings. The file features both the full conductor's score and a separate choral part to facilitate rehearsals. Elevate your choir's performance with this exquisite arrangement of a classic masterpiece.
LACRIMOSA - From Requiem KV. 626 - For Choir T.T.B.B.
Chorale TTBB

$1.99 1.72 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.563719 Composed by Bob Heatlie. Arranged by Austin Ralphson. Christmas,Contemporary,Pop. Octavo. 15 pages. Austin Ralphson #4775669. Published by Austin Ralphson (A0.563719). This song is played many times every year in the festive season and is one of the 'staples' in the genre. It is presented here as an exciting arrangement for TTB with piano, keeping the original jive feel whilst adding some extra vocal sparkle as well. The original tenor sax solo is combined within the piano part, but is also provided additionally for an E flat or B flat soloist (alto or tenor sax, trumpet etc.) if available. An essential addition to any Christmas programme, this is for groups of an intermediate level such as school, amateur or professional choral groups. It is a great crowd-pleaser!
Merry Christmas Everyone
Chorale TTBB

$2.49 2.15 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1375943 Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960495. Published by Müller Publishing company (A0.1375943). Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for TTBB choir in the key of B-flat Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.For a meaningful and resonant addition to your Men's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for TTBB. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.
The Lord's Prayer
Chorale TTBB

$1.99 1.72 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
Facetime With My Mom Tonight
Chorale TTBB

$2.49 2.15 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1121353 By New Order. By Bernard Sumner, Gillian Gilbert, Peter Hook, Stephen Hague, and Stephen Morris. Arranged by Austin Ralphson. Pop. Octavo. 23 pages. Austin Ralphson #722526. Published by Austin Ralphson (A0.1121353). Classic dance track from 1987, presented here as an exciting and creative arrangement for TTB with piano. As is the case for many New Order songs of this period, the words in the title do not appear anywhere in the lyrics. There is an optional solo section for any instrument pitched in C, E flat or B flat (violin, alto or tenor sax, trumpet etc.) if available. An essential addition to any programme, this is for groups of an advanced-intermediate level such as school, amateur or professional choral groups. It is a great crowd-pleaser!
True Faith
Chorale TTBB
New Order
$2.49 2.15 € Chorale TTBB PDF SheetMusicPlus


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