Choral Choir (TTBB) - Digital Download SKU: A0.960939 Composed by Joseph Virgilio. Contemporary. Octavo. 18 pages. Mr Joe's Music Company #6531239. Published by Mr Joe's Music Company (A0.960939). A whimsical piece for men's choir.  There is some sporadic divisi so a choir of at least 8 would be best to perform the work.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.596856 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Steve Milloy. Contemporary. Octavo. 35 pages. Steve Milloy #5795921. Published by Steve Milloy (A0.596856). Instrumental pack for the TTBB arrangement by Steve Milloy

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776586 By John Denver. By Bill Danoff and Taffy Nivert Danoff. Arranged by Tom Gentry. Rock. Octavo. 4 pages. Tom Gentry #5954693. Published by Tom Gentry (A0.776586).

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.826389 By Steven Universe Future. By Aivi Tran, Rebecca Rea Sugar, and Steven Velema. Arranged by Ryan Waddy. A Cappella. Octavo. 3 pages. Ryan Waddy #433208. Published by Ryan Waddy (A0.826389). TTBB acapella arrangement with male lead, from Steven Universe Future.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.596855 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Steve Milloy. Contemporary. Octavo. 18 pages. Steve Milloy #5795919. Published by Steve Milloy (A0.596855).

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.871687 Composed by Johann Naegeli Walter Latzko. Arranged by Walter Latzko. Traditional. Octavo. 2 pages. Latzko Muzic #5318371. Published by Latzko Muzic (A0.871687). 18TH CENTURY COMEDY TUNE PERFECT FOR AN AUDIENCE PLEASER.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1244617 Composed by Erik Meyer. 21st Century,A Cappella,Contemporary. Octavo. 3 pages. Erik Meyer #839570. Published by Erik Meyer (A0.1244617). Arranged for TTBB with divisi (originally SATB +div), this short setting of Socrates' words from Plato's Gorgias encourages all of us to be our true, authentic selves: I would rather my lyre be out of key, or that there should be no beauty in my music, or that all the world despise me, rather than that I should despise myself, and be discordant or inharmnious in my soul.Questions? Suggestions? Requests? contact me at aemeyer.com.

SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1045440 Composed by Irish Folk Song. Arranged by Mark R Lewis. Celtic,Folk,Irish,Traditional. Octavo. 26 pages. Mark R Lewis #650020. Published by Mark R Lewis (A0.1045440). This fun Irish folk song has been arranged by Mark R Lewis for TTBB ensemble with an accompanying solo instrumental line. The song uses the hymn tune Kingsfold and the lyrics are thought to have been written by Cathay MacGarvey in the late 1800s. Each part gets the melody for a verse and there is a fun diversion into 6/8 for the Tenor 1s in the 3rd verse. This score comes with options to play the instrumental line on C, Bb, or Eb instruments. The vocal parts are not too difficult but the instrumentalist will need to be moderately advanced, especially if they choose to take the optional ad lib verse instead of the written out solo, which is already rather towards the extreme of the instrument's range.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1128792 By Bea Miller. By Freddy Wexler, Jarrad Rogers, and Nolan Winfield Sipe. Arranged by BK Riha / Brandy Kay Riha. A Cappella,Pop. Octavo. 16 pages. BK Riha #729319. Published by BK Riha (A0.1128792). There is also a version available with just a solo, rather than a duet. Feel free to adapt the arrangement to suit the needs of your ensemble. If there is another arrangement of mine you'd like me to adapt for TTB/TTBB, please email me at bkriha17@gmail.com and I'll be glad to publish it! Find more arrangements at http://bkmakesmusic.

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1304538 By Herman's Hermits. By Carole King and Gerry Goffin. Arranged by Kyrre Bjørdal Sæther. 20th Century,A Cappella,Barbershop,Pop. 2 pages. Kyrre Bjørdal Sæther #894008. Published by Kyrre Bjørdal Sæther (A0.1304538). It is a great, catchy classic arranged for the male voice choir (TTBB). This a rather simple arrangement, focusing on the melodic elements and the rhythmic playfulness. This is a sure winner for a variety of concert situations. It can also easily and effectively be accompanied by a ukulele or guitar.

Choral Choir,Choral,TTBB Chorus - Level 1 - Digital Download SKU: A0.1492371 Composed by Dylan Thomas and George Henry Martin. Arranged by Kirstie Smith. Chamber,Multicultural,Religious,Spiritual,Traditional,World. 4 pages. Kirstie Smith #1069042. Published by Kirstie Smith (A0.1492371). The Rev. Eli Jenkins' Prayer, from Under Milk Wood' by Dylan Thomas. Often referred to as 'The Sunset Poem', and set to the music of an Anglican chant by A.H.D.Troyte.A bespoke Level 1 arrangement lovingly crafted for Male Voice Choirs in TTBB format (not divisi) scored in consideration of beginners' ranges and abilities for greater inclusion. It should be sung without strict measure in the style of a lyrical Welsh poem, rather than a hymn with set pulse. A traditional Male Voice Choir piece lovingly arranged to delight singers and audiences alike.