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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1263397 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856361. Published by Avery Lynn Jordan (A0.1263397). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
Lullaby by Brahms for TTBB Choir
Chorale TTBB
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices This offers flexibility for practicing, studying, or performing the music anywhere, anytime
$3.99 3.48 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1263405 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856368. Published by Avery Lynn Jordan (A0.1263405). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir and Piano with Choir. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
Lullaby by Brahms for TTBB Choir and Piano
Chorale TTBB
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices This offers flexibility for practicing, studying, or performing the music anywhere, anytime
$4.99 4.35 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1263399 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856363. Published by Avery Lynn Jordan (A0.1263399). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir with Choir. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
Lullaby by Brahms for TTBB Choir
Chorale TTBB
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices This offers flexibility for practicing, studying, or performing the music anywhere, anytime
$3.99 3.48 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1263402 Composed by Johannes Brahms. Arranged by Langanho. 19th Century,Children,Classical,Romantic Period. Octavo. 2 pages. Avery Lynn Jordan #856365. Published by Avery Lynn Jordan (A0.1263402). Experience the timeless charm of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, in a unique arrangement for TTBB choir and Piano. This delightful song has been carefully adapted to suit the vocal range of the performers, making it ideal for vocal students, teachers looking for instructional material, and parents wishing to encourage their children to explore classical music. This arrangement is incredibly accessible and easy to perform, making it perfect for academic studies as well as formal concerts. The sheet music has been meticulously transcribed to ensure accuracy and clarity in musical notation. The TTBB vocals intertwine smoothly, creating rich and melodic harmonies that resonate with delicacy and emotion. By purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices. This offers flexibility for practicing, studying, or performing the music anywhere, anytime. Our online sheet music store provides ease and convenience for musicians of all levels. Don’t miss the opportunity to add this beautiful piece to your choral repertoire. With our search engine optimized text, you will easily find this sheet music on top online search engines. Secure your digital copy of Brahms’ Lullaby, also known as Wiegenlied, in Opus 49, now and delight your audience with this unique arrangement.
Lullaby by Brahms for TTBB Choir and Piano
Chorale TTBB
purchasing this digital sheet music, you will gain immediate access to a high-quality PDF file that can be printed or used on electronic devices This offers flexibility for practicing, studying, or performing the music anywhere, anytime
$4.99 4.35 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.48 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1516691 By Mark R Lewis. By Mark R Lewis. Arranged by Mark R Lewis. Contemporary,Praise & Worship,Religious,Sacred. 11 pages. Mark R Lewis #1090864. Published by Mark R Lewis (A0.1516691). The text for “Where Is Hope?” is adapted from the Lamentations Chapter 3 and is an expression of hopelessness, almost depression. The text starts out with the singer feeling lost, alone, and in pain. As the song progresses, the singer remembers God’s promises to always help and be with us. By the end of the song, the singer has regained hope and is triumphant and comforted. First and foremost, the music is very much intended to support the lyrical content of this song.Throughout the song, the key switches from major to minor (both parallel and relative) quite frequently. The piece starts with a very free section with almost no tempo alternating between just voices and simple piano accompaniment. The middle sections have stricter tempo and more active piano accompaniment and the final section increases in speed and excitement with piano truly accompanying the voices instead of just mostly mirroring them. Throughout the piece, meter always follows word stress so there are a surprising number of time signature changes with lyrical clarity always being more important than strict meter. All that said, the rhythms are not too difficult throughout the song and while there are some dissonant harmonies, the musical lines themselves should be singable by most intermediate choirs. The most challenging voice part is probably the tenor 1 line which spends a lot of time in the higher ranges. There are a few optional parts for the tenor 1s that will truly test the range of the singers.
Where Is Hope? - TTBB Ensemble
Chorale TTBB
Mark R Lewis
$2.99 2.61 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.853832 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4638541. Published by Larry Wright (A0.853832). A MEN'S 4-part, a cappella, uptempo'd, barbershop arrangement of this Cheers TV show theme song; a fun tune; short, and probably contestable for BHS. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP... or whatever publisher controls the song licensing. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
Where Everybody Knows Your Name Theme from the Paramount Television Series CHEERS
Chorale TTBB

$15.00 13.07 € Chorale TTBB PDF SheetMusicPlus

SATB chorus and reciter - Digital Download SKU: BJ.1427 Das verlorene Paradies. Composed by Kjell Perder. A paradise lost – A choral work in honour of Beethoven. Secular. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1427. Published by Bo Ejeby Forlag - Digital (BJ.1427). 8.27 x 11.7 inches.In the symphony popularly known as the Pastoral, Beethoven delineates his deep love for nature, for the peace of the countryside along with the drama of a thunderstorm. Little could he know how industrialism, urbanisation, exploitation and a general lack of respect would come to be a threat to Mother Earth. When we hear the nightingale, the cuckoo, and the rumbling of thunder in Beethoven's sixth symphony, the aim of the composer is to express his emotions with regard to these sounds of nature rather than imitate them (Mehr Empfindung als Malerei!). Yet the Pastoral Symphony became a model for 19th century programme music composers who wished to renew the symphonic format with storytelling and a freer artistic idiom. The vocal work Det forlorade paradiset (The lost paradise) makes reference to Beethoven's ontologically anchored love for Creation, but also to the fundamental tension between the idyllic and encroaching threats, the very factors that give the Pastoral Symphony its richness and inevitability. The lyrics have nothing to do with John Milton's famous epos Paradise Lost, they foretell an approaching apocalypse created by mankind in this age of pollution and climate change. The choral text consists of fragments of Schiller's Ode an die Freude (used by LvB in his 9th Symphony). A few quotes by Beethoven will be recited as well.The basic principal of this composition is to present soothing parallel - tonally based - streams of nature sounds and idyllic surroundings with the gathering of ominous clouds of approaching disaster: ferocious fires, torrents of rain and stormy winds (where the singers make use of clusters, chanting, growl, stamping their feet, etc). Doch mehr Empfindung als Malerei! (emotion rather than mere imitation). A nod or two to Mr. Beethoven by way of droning and using chromatic runs. The performance can be choreographed for extra impact, but it is equally possible to perform the music as a concert piece. - Kjell Perder.
Det förlorade paradiset
Chorale TTBB

$6.40 5.58 € Chorale TTBB PDF SheetMusicPlus

TTBB divisi chorus - Digital Download SKU: BJ.1351 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351). 8.27 x 11.7 inches.In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.Also available for mixed choir.Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
Son to Mother
Chorale TTBB

$5.40 4.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1373444 By Various Artists. By Marc Shaiman and Scott Wittman. Arranged by Pax Ressler. Broadway,Musical/Show. 25 pages. Pax Ressler #957809. Published by Pax Ressler (A0.1373444). This is an intermediate arrangement of “I Know Where I've Been“ (from HAIRSPRAY) for TTBB chorus, piano, electric bass and drums. Full score and parts are included.Pax Ressler (they/she) is a Philadelphia-based theatre and music artist composing and arranging soul-stirring choral music for ensembles across the United States and beyond. To see more of Pax's work, search “Pax Ressler†on Sheet Music Direct, Sheet Music Plus, or visit their website, paxressler.com.
I Know Where I'VE Been
Chorale TTBB
Various Artists
$1.99 1.73 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.512649 Composed by Marc Shaiman. Arranged by Theodore Hicks. Contemporary. Octavo. 10 pages. Theo Hicks Music #4628551. Published by Theo Hicks Music (A0.512649). The powerful ballad from the musical Hairspray. This arrangement was originally premiered by the 2018 Silver Medalist Quartet Signature. This piece works well for small ensemble (quartet minimum) or a large choir. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.You can see a performance of this arrangement on the Barbershop Harmony Society's YouTube channel.For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/Learning Tracks for this arrangement can be purchased through Kohl Kitzmiller at www.kksounds.com. For more information on Signature Quartet, visit https://www.facebook.com/SignatureQt/
I Know Where I've Been
Chorale TTBB

$4.00 3.49 € Chorale TTBB PDF SheetMusicPlus


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