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Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.58 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.856193

Composed by Don Irwin Robertson and Donald Robertson. Arranged by Liz Garnett. Contemporary. Octavo. 4 pages. Liz Garnett #4265619. Published by Liz Garnett (A0.856193).

This song was the b-side to Elvis Presley's 'One Broken Heart for Sale', and as such is something of a hidden gem in his oeuvre. It is a song of lost love that starts off with wistfulness, moves through anguish, and ends with feeling that hope is not all lost. 
The arrangement features an original verse, crafted to link the song to another in a barbershop contest set, but the narrative works just as well as a stand-alone piece.

Vocal Ranges:
Tenor: B flat 3 - B flat 4
Lead: B blat 2 - F4
Bari: E flat 3 - F4
Bass: A flat 3 - C4

www.HelpingYouHarmonise.com

They Remind Me Too Much Of You Chorale TTBB

$2.99 2.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.522451

Composed by J.R. Baxter, Jr. and Rev. W.B. Stevens. Arranged by Paul A. Jorg. A Cappella. Octavo. 3 pages. Paul A. Jorg #6184003. Published by Paul A. Jorg (A0.522451).

William B. Stevens was born in 1862 in the Lawnridge community of Scotland County, Missouri.  
All through his life, he suffered many hardships including his father being falsely arrested and serving some prison time during his teens. He became a minister of the gospel until death, dying a year after his wife in the early 1940s. All of their babies died before them, some as small children, one Waldo at 19, and a daughter who may have lived a little longer. This may have shaped the feelings expressed in this song. 
This arrangement is for 4 part male harmony (TTBB) a cappella.

Farther Along
Chorale TTBB

$4.59 4.11 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1375943

Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960495. Published by Müller Publishing company (A0.1375943).

Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for TTBB choir in the key of B-flat Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.

The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.

Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.

Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.

For a meaningful and resonant addition to your Men's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for TTBB. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.

The Lord's Prayer
Chorale TTBB

$1.99 1.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1240952

By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. 4 pages. Anastasio Rossi #836343. Published by Anastasio Rossi (A0.1240952).

Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.

Learning tracks are available at no cost from the arranger: AAR@prodigy.net.

The Christmas Waltz
Chorale TTBB
Frank Sinatra
$2.00 1.79 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1240040

By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Pop. 4 pages. Anastasio Rossi #835405. Published by Anastasio Rossi (A0.1240040).

Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.

Learning tracks are available at no cost from the arranger: AAR@prodigy.net.

The Christmas Waltz
Chorale TTBB
Frank Sinatra
$2.00 1.79 € Chorale TTBB PDF SheetMusicPlus

Voice (TTBB) - Level 2 - Digital Download

SKU: A0.1240950

By Frank Sinatra. By Jule Styne and Sammy Cahn. Arranged by Anastasio Rossi. A Cappella,Barbershop,Christmas,Holiday,Pop. Barbershop Quartet. 4 pages. Anastasio Rossi #836345. Published by Anastasio Rossi (A0.1240950).

Lyricist Sammy Cahn recalls, One day during a very hot spell in Los Angeles the phone rang and it was comoser Jule Styne to say, 'Frank wants a Christmas song.' Cahn resisted. Jule, we're not going to write any Christmas song. After Irving Berlin's 'White Christmas'? The idea's just ridiculous. Styne was emphatic, however. 'Frank wants a Christmas song.'  So they sat down and wrote one for the B-side of Sinatra's White Christmas. Ever since, (1954), The Christmas Waltz has been covered dozens of times over the years by a wide variety of artists, too numerous to include here, and has become a Holiday Standard.

Learning tracks are available at no cost from the arranger: AAR@prodigy.net.

The Christmas Waltz
Chorale TTBB
Frank Sinatra
$12.99 11.64 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 5 - Digital Download

SKU: A0.856210

By Meat Loaf. By Jim Steinman. Arranged by Liz Garnett. A Cappella,Rock. Octavo. 14 pages. Liz Garnett #4313721. Published by Liz Garnett (A0.856210).

This is an extended drama in rock 'n' roll. Meatloaf's story tells of young love, young lust, hasty decisions and adult regret in a multi-sectioned song that verges on the operatic in its narrative urgency and expressive range.

The arrangement features a female soloist, and an optional spoken narrative section in the middle. It is shorter than Meatloaf's version, but still a full five minutes in length. It was originally commissioned along with my other two Meatloaf arrangements, but the three together are just two expressively huge to work as an a cappella show set. This one would work as a strong statement-piece, either as a closer, or the penultimate number followed by something shorter and lighter.

Vocal Ranges:

Tenor: B flat 3 - C5
Lead: D3 - G4
Bari: B flat 2 - G4
Bass: G2 - A flat 3
Solo: G3 - B flat 4

www.HelpingYouHarmonise.com

Paradise By The Dashboard Light
Chorale TTBB
Meat Loaf
$3.99 3.58 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.730416

Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416).

A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland.   Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.

Beautiful and bright as the Red Rose;
With only one hope: 'You'll remember me.'
Know that I'll always love you,
And that this love will not fade.
Fresh, so sweet, the fragrance,
Of those happy times, wonderful, sublime, we once shared.
If I should dare, say you still care!
Think of my love as a Rose.
(Brief music interlude)
I wish you nothing but gladness,
And a life filled with Joy!
Seasons may come;
Years, they may go,
Love can survive,
Through Winter's snow.
And so this love will for you,
Think of my love as a Rose.
As Seasons fly; Years, as they go,
Think of my love as a Rose!
J.N. Holland

(Duration: 6 minutes)

YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8
Facebook page:  https://www.facebook.com/jamesnathanielholland/.

Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
Chorale TTBB

$4.25 3.81 € Chorale TTBB PDF SheetMusicPlus


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