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Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download

SKU: A0.522333

Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333).

This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes:   I am a poor, wayfaring stranger Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger.   Wandering through this world of woe Matthew 18:7: Woe to the world because of the things that cause people to sin!  Such things must come, but woe to the man through whom they come!
 And there's no sickness, toil or danger John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it.   Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me.  Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God,  In that bright land to which I go James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.
I'm going home to see my Father John 6:40 -  For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day.   I'm only going over Jordan Joshua 22:4:  Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD  gave you on the other side of the Jordan.   Yet though dark clouds will gather round me -  2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak,  then I am strong.   I know my way is rough and steep Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.   Proverbs 15:24:  The path of life leads upward for the wise to keep him from going down to the grave.
But beauteous fields lie just before me Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey.   Where God's redeemed their vigil's keep - Exodus12:42:  Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD  for the generations to come.  I'm going home to see my mother Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me  and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.

WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB

$4.59 4.35 € Chorale TTBB PDF SheetMusicPlus

SATB Chorus & Piano - Digital Download

SKU: IZ.VMW2210

Composed by Daniel Baldwin. Octavo. 12 pages. Imagine Music - Digital #VMW2210. Published by Imagine Music - Digital (IZ.VMW2210).

9 x 12 inches.

America, the Land of Liberty celebrates immigration, freedom, and liberty in America.

Verses from the poem on the pedestal of the Statue of Liberty, “Give me your tired, your poor… are set to music and then combined with My Country ‘Tis of Thee and Home on the Range. This piece of music weaves in a fresh new setting of the timeless poetry of Emma Lazarus along with patriotic music and a classic folk song, giving a sense of the contemporary and traditional importance of American immigration.

“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!

- From “The New Colossus by Emma Lazarus.

The Waking
Chorale TTBB

$2.25 2.13 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1491217

Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1067954. Published by Müller Publishing company (A0.1491217).

Das Gebet des Herrn (The Lord's Prayer)
Composed by C. G. Mühle (1792-1847)
Arranged for Men's Choir TTBB by L. Müller

Dive into the profound spirituality of Das Gebet des Herrn (The Lord's Prayer), composed by Carl Gottlieb Mühle and arranged for Men's Choir TTBB by L. Müller. This sacred piece brings to life the words of The Lord's Prayer, from “Our Father, who art in heaven” to the resounding “For thine is the kingdom, and the power, and the glory forever.”

This special edition of the TTBB score features separate staves for each vocal line, offering greater clarity during rehearsals and performances. Each voice part—Tenor 1, Tenor 2, Bass 1, and Bass 2—is clearly laid out, making it easier for choirs to practice and for conductors to guide them through this moving and reflective composition.

Whether for worship services or religious concerts, this high-resolution digital score is a practical and beautiful addition to any men’s choir repertoire.

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Das Gebet des Herrn (Das Vaterunser)
Komponiert von C. G. Mühle (1792-1847)
Für Männerchor TTBB arrangiert von L. Müller

Tauchen Sie ein in die tiefe Spiritualität von Das Gebet des Herrn (Das Vaterunser), komponiert von Carl Gottlieb Mühle und arrangiert für Männerchor TTBB von L. Müller. Dieses sakrale Werk erweckt die Worte des Vaterunsers zum Leben, von „Unser Vater, der du bist im Himmel“ bis zu dem kraftvollen „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“.

Diese besondere Ausgabe der TTBB-Partitur enthält getrennte Notenzeilen für jede Stimme, um die Proben und Aufführungen zu erleichtern. Jede Stimme—Tenor 1, Tenor 2, Bass 1 und Bass 2—ist übersichtlich dargestellt, was den Chören die Einstudierung erleichtert und den Dirigenten eine bessere Führung durch dieses bewegende und nachdenkliche Werk ermöglicht.

Ob für Gottesdienste oder religiöse Konzerte, diese hochauflösende digitale Partitur ist eine praktische und schöne Ergänzung für jedes Männerchor-Repertoire.

Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.83 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1244634

By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Holiday,Religious. Octavo. 17 pages. John van Gulik #839588. Published by John van Gulik (A0.1244634).

A simple setting to an original text by John van Gulik, this is arranged for 4 part men's choir. Suitable for Christmas concerts

O come to the stable, O come to the Babe
See there in a manger, The Holy One is laid.
O come to the stable, O come to the Babe
A child like no other, A message of love
Singing Gloria in Excelcis, On a cold winter's breeze
Angels guided the shepherds, To fall on their knees
O come to the stable. Whisper softly to find
His mother now resting, Sleeping Saviour of man
The wise men from asia, Being led by a star
A call to come worship, The King of heaven's Son
The prophets of old days, Spoke a message of love
And mercy for all man, The Messiah has come

For additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.

O Come to the Stable
Chorale TTBB
John van Gulik
$2.00 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1373895

Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #958371. Published by Müller Publishing company (A0.1373895).

Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for For Men's Choir TTBB choir in the key of D major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.

The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for For Men's Choir TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.

Immerse your Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.

Whether your Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.

For a meaningful and resonant addition to your Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for For Men's Choir TTBB . Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.

The Lord's Prayer
Chorale TTBB

$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1375943

Composed by Matthew 6:9-13 and Ruth Elaine Schram. Arranged by L. Müller. Chamber,Christian,Classical,Religious,Sacred. 7 pages. Müller Publishing company #960495. Published by Müller Publishing company (A0.1375943).

Embark on a musical journey with our meticulously arranged sheet music for Men's Choir, featuring the touching composition The Lord's Prayer by Ruth Elaine Schram. This arrangement, expertly crafted by L. Müller for TTBB choir in the key of B-flat Major, promises an exquisite rendition of Schram's masterpiece, available in high-resolution digital format.

The Lord's Prayer stands as a remarkable piece, showcasing Ruth Elaine Schram's artistry in evoking a sense of reverence and spirituality through her musical genius. This arrangement, thoughtfully tailored for TTBB vocal ensembles, pays homage to the enduring beauty and profound sentiments encapsulated in Schram's creation.

Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this arrangement. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.

Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord's Prayer. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.

For a meaningful and resonant addition to your Men's Choir's repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord's Prayer arranged for TTBB. Revel in the harmonious blend of voices as your choir breathes life into this sacred message, beautifully preserved in Ruth Elaine Schram's timeless composition.

The Lord's Prayer
Chorale TTBB

$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.522399

Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399).

This arrangement is for 4 part male harmony (TTBB) a cappella.
Here is a synopsis by Wikipedia of Rusty Goodman's musical background
. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.
Charles F.
 Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.




Standing In The Presence Of The King
Chorale TTBB

$4.59 4.35 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1491215

Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215).

Das Gebet des Herrn (The Lord's Prayer)
Composed by C. G. Mühle (1792-1847)
Arranged for Men's Choir TTBB by L. Müller

Discover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.

This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.

This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.


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Das Gebet des Herrn (Das Vaterunser)
Komponiert von C. G. Mühle (1792-1847)
Für Männerchor TTBB arrangiert von L. Müller

Entdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.

Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.

Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.

Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.83 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1244630

By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630).

A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.

The leaves on the ground are all broken and gray
Their color has gone taking glory away
Onset of winter will bury them all
Such is the season, the season of fall

   Leaves of autumn, leaves of the fall
   Millions of discarded parts of us all
   Time will forget them, forget them it will
   And yet they have fallen... The season of fall

The dead all all gone, we remember them still
Lives given freely, buried under a hill
Resting in fields where the red poppies grow
Markings are fading for those down below

Cold sleeping life lays under the snow
Slumbering gently while winter winds blow
Waiting for springtime to finally come
Melting the cover, at last feel the sun

Visions of future beyond paths of war
Hope that the world will see it no more
The dead are not gone, just sleeping away
To rise once again on that last day

Less now remembered except once a year
Memories are fading to soon disappear
Resting and waiting beneath the sod
Forgotten by living but still known to God

For additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.

The Leaves of the Fall
Chorale TTBB
John van Gulik
$2.00 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1325977

Composed by Peter C. Lutkin. Arranged by Alex E. 20th Century,A Cappella,Chamber,Religious,Sacred. 4 pages. Müller Publishing company #914174. Published by Müller Publishing company (A0.1325977).

Embark on a musical odyssey with our meticulously crafted sheet music for Men's Choir, featuring the poignant composition The Lord Bless You and Keep You by Peter C. Lutkin. This adaptation for TTBB male voices promises an exquisite rendition of Lutkin's masterpiece, presented in high-resolution digital format.

The Lord Bless You and Keep You stands as a remarkable hymn, showcasing Peter C. Lutkin's mastery in evoking a sense of reverence and spirituality through his musical genius. This adaptation, thoughtfully tailored for TTBB male vocal ensembles, pays homage to the timeless beauty and profound sentiments encapsulated in Lutkin's creation.

Immerse your Men's Choir in harmonious voices as you embark on a musical journey accompanied by this adaptation. The rich harmonies and captivating melodic lines are designed to contribute to a powerful and impactful experience, resonating deeply with both performers and listeners alike.

Whether your Men's Choir comprises seasoned singers or those just beginning their musical voyage, this digital sheet music beckons exploration into the harmonies of The Lord Bless You and Keep You. Clear markings and accessible notation empower the choir to express the music with interpretive depth and emotional resonance.

For a meaningful and resonant addition to your Men's Choir repertoire, don't miss the opportunity to acquire this high-resolution sheet music for The Lord Bless You and Keep You adapted for TTBB. Revel in the harmonious blend of male voices as your choir breathes life into this sacred message, beautifully preserved in Peter C. Lutkin's timeless composition.

The Lord Bless You and Keep You - For Men's Choir
Chorale TTBB

$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.928974

By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974).

In My Room, by The Beach Boys. 

This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies.

This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in.

From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me.

Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true.

In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

In My Room
Chorale TTBB
The Beach Boys
$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

TTBB divisi chorus - Digital Download

SKU: BJ.1351

Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351).

8.27 x 11.7 inches.

In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words.

I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry.

So, I decided to build the piece on silence.
Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra.

Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words.
Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.
Also available for mixed choir.
Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.

Son to Mother
Chorale TTBB

$5.40 5.11 € Chorale TTBB PDF SheetMusicPlus


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