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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.42 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1273615 Composed by Jerry Livingston and Mack David. Arranged by Theodore Hicks. A Cappella,Barbershop,Contest,Festival,Film/TV,Historic. Octavo. 11 pages. Theo Hicks Music #865757. Published by Theo Hicks Music (A0.1273615). This a cappella arrangement in the barbershop style is a clever reimagining of the classic tune by the Mills Brothers.  It was even covered by the Muppets version of the Mills Brothers, the Gills Brothers.  With a fun swing, exciting rhythms, and classic harmonies, this song is sure to be an audience favorite!This arrangement is contestable for the Barbershop Harmony Society, Sweet Adelines International, and Harmony Incorporated. Ask before you sing. For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com.
Sixty Seconds Got Together
Chorale TTBB

$4.00 3.43 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes:   I am a poor, wayfaring stranger -  Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger.   Wandering through this world of woe -  Matthew 18:7: Woe to the world because of the things that cause people to sin!  Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger -  John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it.   Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me.  Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God,  In that bright land to which I go -  James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father -  John 6:40 -  For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day.   I'm only going over Jordan -  Joshua 22:4:  Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD  gave you on the other side of the Jordan.   Yet though dark clouds will gather round me -  2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak,  then I am strong.   I know my way is rough and steep -  Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.   Proverbs 15:24:  The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me -  Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey.   Where God's redeemed their vigil's keep - Exodus12:42:  Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD  for the generations to come.  I'm going home to see my mother -  Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me  and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB

$4.59 3.94 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1260792 By Will Martin. By Angela Lupino, Michael Korb, and Uli Roever. Arranged by Lorraine Forsdick. Contemporary,Patriotic,Traditional. Octavo. 7 pages. Lorraine Forsdick #853935. Published by Lorraine Forsdick (A0.1260792). This is male voice choir arrangement of 'Highland Cathedral' to the words' I Am My Country'. These words make it more applicable to sing for male voice choirs as they don't have quite such a Scottish connection as some other versions and can be easily applied to other locations. Until the last couple of bars it is in two parts with the 1st and 2nd tenors together and the baritones and basses together with easy harmonies.
I Am My Country (highland Cathedral)
Chorale TTBB
Will Martin
$1.99 1.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1477136 Composed by Jerry Livingston and Mack David. Arranged by Julie Hinton. A Cappella,Barbershop,Children,Film/TV,Halloween. 5 pages. Red Tape Productions #1054569. Published by Red Tape Productions (A0.1477136). TTBB acapella.  This boogie version of the popular children's cartoon theme song brings an exciting energy to any group who performs it.  The bass sticks with a boogie line throughout the piece (vocal percussion encouraged) while the other parts form a trio around the melody line.  The verses are separated by exclaimed Casper!s to break it up.  There is an optional repeat of the last verse to lengthen the tune - with the repeat the runtime is approximately 2:21.  Great for men's acapella choirs, Barbershop groups, Halloween carolers and television afficionados!Also available in SATB and SSAA.  The demo audio is from the bridge and final verse of the piece.
Casper The Friendly Ghost
Chorale TTBB

$2.25 1.93 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1491215 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067952. Published by Müller Publishing company (A0.1491215). Das Gebet des Herrn (The Lord's Prayer)Composed by C. G. Mühle (1792-1847)Arranged for Men's Choir TTBB by L. MüllerDiscover the spiritual grandeur of Das Gebet des Herrn (The Lord's Prayer), a masterful composition by 19th-century composer Carl Gottlieb Mühle, now beautifully arranged for Men's Choir TTBB by L. Müller. Mühle’s work is known for its delicate interplay of reverence and melody, offering a powerful interpretation of the sacred text.This TTBB arrangement for men’s choir emphasizes the rich harmonies and depth of Mühle’s composition, making it an evocative choice for religious performances and services. The vocal arrangement follows the classic prayer, from Our Father, who art in heaven to the resounding conclusion of For thine is the kingdom, and the power, and the glory forever. Each voice part has been crafted to allow for clarity and balance, ensuring an impactful and moving performance.This digital sheet music is available in high-resolution, ideal for church performances, religious ceremonies, and concerts, providing choirs with an opportunity to delve into a profound and meditative expression of faith.======Das Gebet des Herrn (Das Vaterunser)Komponiert von C. G. Mühle (1792-1847)Für Männerchor TTBB arrangiert von L. MüllerEntdecken Sie die spirituelle Größe von Das Gebet des Herrn (Das Vaterunser), eine meisterhafte Komposition des Komponisten des 19. Jahrhunderts, Carl Gottlieb Mühle, nun wunderschön für Männerchor TTBB arrangiert von L. Müller. Mühles Werk ist bekannt für seine feinsinnige Verbindung von Ehrfurcht und Melodie und bietet eine kraftvolle Interpretation des heiligen Textes.Dieses TTBB-Arrangement für Männerchor hebt die reichen Harmonien und die Tiefe von Mühles Komposition hervor und macht es zu einer ergreifenden Wahl für religiöse Aufführungen und Gottesdienste. Das vokale Arrangement folgt dem klassischen Gebet, von „Unser Vater, der du bist im Himmel“ bis zum ergreifenden Abschluss „Denn dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit“. Jede Stimmführung wurde so gestaltet, dass sie Klarheit und Ausgewogenheit ermöglicht und eine eindrucksvolle und bewegende Darbietung sicherstellt.Diese digitale Partitur ist in hochauflösender Qualität erhältlich und ideal für kirchliche Aufführungen, religiöse Zeremonien und Konzerte, und bietet Chören die Möglichkeit, in einen tiefgründigen und meditativen Ausdruck des Glaubens einzutauchen.
Das Gebet des Herrn (The Lord's Prayer) - For Men's Choir
Chorale TTBB

$2.99 2.57 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449265 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028411. Published by Rodrigo Faleiros (A0.1449265). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB

$1.99 1.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449264 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028410. Published by Rodrigo Faleiros (A0.1449264). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??
Lascia ch'io pianga (for TTBB choir - with piano accompaniment)
Chorale TTBB

$1.99 1.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449263 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028408. Published by Rodrigo Faleiros (A0.1449263). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??
Lascia ch'io pianga (for TTBB choir)
Chorale TTBB

$1.99 1.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1449262 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028407. Published by Rodrigo Faleiros (A0.1449262). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate TTBB choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of 2 tenors and 2 basses to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. TTBB Choir: Each voice part - 2 tenors and 2 basses - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any TTBB ensemble. ?? Check out my other choir arrangements by clicking here ??
Lascia ch'io pianga (for TTBB choir)
Chorale TTBB

$1.99 1.71 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.927222 Arranged by Brad Meader. A Cappella,Celtic,Folk,Holiday,Pop,World. Octavo. 10 pages. Brad Meader #3568027. Published by Brad Meader (A0.927222). An all-male (TTBB with divisi) a cappella arrangement of the traditional Irish song The Parting Glass. This piece is designed for larger groups and the high tenor part even lends itself to female voices if desired. The entire piece continually builds to a powerful chord in the last verse, with creative dissonances and driving rhythms sprinkled in throughout. A full vocal demo of the arrangement can be found at https://soundcloud.com/brad-meader/the-parting-glass-a-cappella-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.
The Parting Glass
Chorale TTBB

$4.99 4.28 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1507607 By Linda Ronstadt & James Ingram. By Barry Mann, Cynthia Weil, and James Horner. Arranged by David Maddux. A Cappella,Pop. 5 pages. David Maddux #1083011. Published by David Maddux (A0.1507607). NOTE: This PDF file contains the piano-vocal part. The orchestration is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. After a brief instrumental opening to set the tone, this tender ballad from the 1986 animated feature An American Tail soars off into heartfelt, a cappella lullabye of lush dreaminess full of emotion and hope. This arrangement brings to life the classic Ronstadt-Ingram duet with rich harmonies and a gentle melody, evoking the universal themes of separation and the enduring belief in reunion. Perfect for choirs looking to perform a piece that resonates with audiences of all ages, this song remains a touching ode to love and the power of dreams.
Somewhere Out There
Chorale TTBB
Linda Ronstadt & James Ingram
$5.25 4.51 € Chorale TTBB PDF SheetMusicPlus






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