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Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.78 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 5 - Digital Download

SKU: A0.1337977

By Ryan Gosling. By Andrew Wyatt and Mark Ronson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Pop. 13 pages. Jacob Klingsten #923723. Published by Jacob Klingsten (A0.1337977).

I'm Just Ken from Barbie is a show-stopping broadway style song with key changes, flare, pink, and just Ken all over. This arrangement is for TTBB Acapella groups. While there isn't a Vocal Percussionist part in the score, it is recommended to perform this arrangement with one, as there is a VP Solo/Feature in this piece!

This arrangement features a soloist, Ken, who is highly encouraged along with the rest of the ensemble to be as theatrical as possible. The harmonies are full in texture, making every part of the piece over-the-top while being comical at the same time. As mentioned, this piece features a Vocal Percussionist Solo, where the soloist gets 'carried away,' which distracts the ensemble and causes them to stop and give the VP the stage. Once they finish, they 'realize' that they went a bit too far and pitch is given for the new, final key of the song. You can't go wrong with just a little bit of Ken!

Additional Details:
Keys: F# Major (with b7), Db Minor, Ab major (with b7), E minor, C minor/Eb Major
13 Pages
Length: 3m 40s
Range (All Parts): Eb2-B4(C5).

I'm Just Ken
Chorale TTBB
Ryan Gosling
$2.99 2.83 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.940462

By Jimmy Buffett. By Leon Russell. Arranged by Bob Eggers. A Cappella,Rock. Octavo. 12 pages. ROBERT J EGGERS #6501439. Published by ROBERT J EGGERS (A0.940462).

Looking for something easy, light hearted and fun? This song is laid back and has a humorous and sweet message that everyone can identify with. The solo is very approachable, and the singer can really take the audience to another world while your backup singers will have a easy time supporting his efforts. My group uses this an an opener, because it quickly gets the audience on our side. Instantly, they know the rest of the program will be fun.

Orchestration: TTBB a cappella with tenor solo
Duration: 4:33.

Back To The Island
Chorale TTBB
Jimmy Buffett
$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 3 - Digital Download

SKU: A0.1372967

By Kylie Minogue. By Guy Chambers, Kylie Minogue, and Robert Peter Williams. Arranged by Charles Beale. Disco,Funk. 17 pages. Charliebmusic #957303. Published by charliebmusic (A0.1372967).

Kylie Minogue's career has had many phases, and this disco revival song kickstarted her early 2000s period of success. Thematically it is about how when times are hard adn the struggle is real, we should dance. Dance music in general, but especially the disco, is a palce of belonging, empowerment and celebration for the marginalized, and can indeed 'cure your lonely heart'. It is also slightly tongue in cheek in its use of 1970s disco gestures in a bombastic, super-gay and double-coded way.

This TTBB arrangement is suitable for many groups and designed asa show opener, with an opening fanfare. It also features a whole TTBB singing falsetto, and, rather than resolving,  finishes on a dramatic moment of tension, ready for the next song.

Band parts and other choral voicings are also available from the arranger at their website.

Your Disco Needs You
Chorale TTBB
Kylie Minogue
$1.99 1.88 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 1 - Digital Download

SKU: A0.1301680

By Marshmello & Bastille. By Dan Smith, Marshmello, and Steve Mac. Arranged by Lukas C Jaeger. 21st Century,A Cappella,Contemporary,Pop. 14 pages. Lukas C Jaeger #891292. Published by Lukas C Jaeger (A0.1301680).

A quick and easy arrangement of a great song that everyone loves! Marshmello's music generally lend's itself well to acappella due to its repetitive yet engaging structure. This song in particular has a polyryhtmic counter melody that helps to drive forward and energize a song that is otherwise fairly basic. This arrangement is made with quick achievability in mind for any beginner acappella group, but it also leaves a lot of room and space for more advanced groups to really let loose musically with whatever add-ins and adlibs they can think of! Not to mention that it's just a great song :).

Happier
Chorale TTBB
Marshmello & Bastille
$2.00 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.888994

Composed by Quinn McMath. 20th Century,Contemporary. Octavo. 16 pages. Quinn McMath #6130747. Published by Quinn McMath (A0.888994).

6.75 x 10.5 inches

A Bridge Between an Ocean is an experimental contemporary piece that deals with the elusive and sometimes damaging transition away from childhood. The premise behind the piece is that the first tenor represents a boy realizing that his childhood is fleeting away. The other sections represent his collective internal self in the form of past, present, and future, offering consoling words towards the boy. This piece is to be driven with passion and emotion, as the premise is something most listeners will find connections to in their own lives.

A Bridge Between an Ocean is a great piece for an advanced men's group and would work well in any classical contemporary performance setting. This piece may also be appropriate for advanced high school and collegiate level groups. It is suggested that a pianist sit in rehearsals (not for performance) to help the members of the choir learn their parts.

A Bridge Between an Ocean
Chorale TTBB

$3.50 3.31 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.931680

By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Max Addae. A Cappella,Rock. Octavo. 12 pages. Max Addae #3553453. Published by Max Addae (A0.931680).

TTBB contemporary a cappella arrangement of Imagine by John Lennon, with solo (and a few divisis in Tenor 2 and Baritone) - 7 voices needed at minimum. The uptempo, rhythmic arrangement contains a variety of syncopated lines within all voice parts, (especially the Tenor 2 and Baritone lines!) yet it is still repetitive enough to learn relatively quickly. A really fun and interesting arrangement for collegiate or advanced high school groups!  

Full Audio Sample can be found on my website:
http://cs.oberlin.edu/~maddae/compositions.html

Email me at maddae@oberlin.edu with any questions/concerns!






Imagine Chorale TTBB
John Lennon And The Plastic Ono Band
$2.25 2.13 € Chorale TTBB PDF SheetMusicPlus






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