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Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.8 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download

SKU: A0.774723

Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723).

Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. 

Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. 

In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. 

The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.

Brisbane Ladies (Augathella Station)
Chorale TTBB

$2.20 2.09 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.730509

Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509).

A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland.  Arranged for four part a capella men's chorus with reduced piano for easy rehearsal.  Tenor 1 and 2, Baritone, Bass choir.
Lyrics:
When I think of my home,
There's no other place I see,
Than that land with its broad rolling hills,
And it's mist that creeps up,
Every blue, warm summer night.
That is home, no matter where, that's home to me.
Seasons Spring, Summer, Fall, even Winter sings so brightly
With your hills and your green fields of corn.
In that way do not change,
But keep faith as time passes,
That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)
Here's to you, Indiana,
Though we change, my Indiana,
You will always be that home sweet home to me! (My Indiana home.)
Duration: 3:22 minutes.

Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
Chorale TTBB

$4.50 4.28 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Digital Download

SKU: A0.1405238

By Billy Joel. By Billy Joel. Arranged by Brandon C Stanley. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show,Rock. 15 pages. Brandon C Stanley #987675. Published by Brandon C Stanley (A0.1405238).

In 1983 Billy Joel released his 9th studio album, “An Innocent Manâ€. This concept album pays tribute to the popular music of Joel’s teenage years in the 50’s and 60’s. Side One, Track #3 of that album is “The Longest Timeâ€, which pays homage to doo-wop groups such as The Teenagers. This song has become a time-less classic sung by barbershop quartets around the world.

Duration: 4 minutes

This arrangement for barbershop quartet matches the original piece in length and key (Eb Major). Note that if no bass guitar is present, the Bass 2 (opt.) part can be sung in it’s place.

ARRANGEMENT:
Tenor 1 (Male Alto)
Tenor 2
LEAD (Soloist)
Baritone
Bass
Bass 2 (optional)
Bass Guitar

WHAT IS INCLUDED:
Score (in C)
Choir
Bass Guitar

The Longest Time
Chorale TTBB
Billy Joel
$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.865849

By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Rock. Octavo. 15 pages. Charliebmusic #4988499. Published by charliebmusic (A0.865849).

This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie’s arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world. Anthemic, triumphant and celebratory, ‘Home’ is a country rock medium tempo hit, originally sung on 'America's Got Talent'.

The song tells the world (and the audience!) not to be afraid in dark times. It asserts that ‘this is my home’, this is the safe place where I have the right to belong.

4 parts, medium difficulty, involves some fun falsetto to 'oo'.


Home
Chorale TTBB
Phillip Phillips
$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Digital Download

SKU: A0.762526

By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3627203. Published by Carolyn Goates (A0.762526).

This chart-topping song has been covered many times. I hope you like this arrangement for 4 voices. It is in the original key of Eb major, so if you already know the song it is a very familiar sing-along in a familiar place for the voice.  

The melody starts with Tenors while Baritones and Basses provide rhythmic accompaniment. As the song develops the melody splits into 3 and then 4 part harmony, with the tune taken by different parts here and there. Tenor 1s have a soaring descant over the tune towards the end. (Top note G a twelfth above middle C for a short while).

Demons
Chorale TTBB
Imagine Dragons
$2.49 2.37 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.1213360

Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360).

What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.

This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.

What Wondrous Love Is This - TTBB Ensemble
Chorale TTBB

$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.774735

By Midnight Oil. By James Moginie, Peter Garrett, and Robert Hirst. Arranged by Sandra Milliken. Contemporary. Octavo. 18 pages. Sandra Milliken #4404582. Published by Sandra Milliken (A0.774735).

Beds are Burning is a powerful and immediately recognisable song by the Australian band Midnight Oil. It was written by band members Peter Garrett, Jim Moginie and Rob Hirst in 1987 following the band’s Blackfella-Whitefella tour of indigenous communities in outback Australia during 1986.

Following its release, the song peaked at No. 1 in Canada, New Zealand and South Africa, at No. 6 in Australia and the UK, and reached the top 20 in America.

in 1988 Beds are Burning was named ARIA Song of the Year and remains a powerful and recognisable anthem three decades after its release. Its enduring appeal was also recognised when the Australian Performing Rights Association (APRA) placed it third in their Top 30 Australian Songs of all time poll, revealed in 2001 to celebrate the copyright agency’s 75th anniversary.

Beds are Burning focused on the issue of Aboriginal land rights. The words it belongs to them, let’s give it back put reconciliation front and centre on the domestic agenda as Australia prepared to mark its Bicentenary in 1988.

This arrangement of Beds are Burning, features piano accompaniment, guitar chords and body percussion

Beds Are Burning
Chorale TTBB
Midnight Oil
$2.30 2.19 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download

SKU: A0.1422408

By Pink. By Benj Pasek and Justin Paul. Arranged by Matthew Nash. Broadway,Contemporary,Film/TV,Musical/Show. 20 pages. Matthew Nash #1003747. Published by Matthew Nash (A0.1422408).

This TTBB arrangement of A MILLION DREAMS delivers all of the drama, excitement and suspense associated with THE GREATEST SHOWMAN, and promises to be a popular hit for both audiences and choir members alike.

The tune is featured in all parts of the choir at various points throughout, featuring interesting, and sometimes challenging, vocal accompaniments.  

Both vocal and piano parts are best placed in an Intermediate / Difficult level.

Matthew Nash has a BA (Hons) in Music and an MA (Dist) in Composition, meaning you can expect an exceptionally high quality of music writing for all his arrangements.

A Million Dreams
Chorale TTBB
Pink
$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus






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