Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.882484 Composed by Nick Glennie-Smith. Arranged by Charles A. Gravenhorst. Contemporary. Octavo. 10 pages. CG Publications #4799021. Published by CG Publications (A0.882484). A rich, full-bodied treatment of the stirring anthem, from the Paramount Motion Picture “We Were Soldiers,� that includes the haunting “Sgt. MacKenzie� lament, as well as the lyrical prayer themes. Movingly arranged for 4-part Men’s Chorus with supportive Piano Accompaniment. An optional Cello Part Score is included that adds a full orchestral feel to performance with only minimal added instrumentation. Though the work, in the original key of A-flat, is challenging, optional cuts, as well as optional Substitute Instrumental Part (Violin or other C Instrument), are provided to allow the best experience for groups that may have more limited available resources.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1350517 Composed by Bruce Springsteen. Arranged by Bob Eggers. Blues,Contemporary,Rock. 15 pages. ROBERT J EGGERS #935324. Published by ROBERT J EGGERS (A0.1350517). Wild Billy, Hazy Davy, Crazy Janey, Killer Joe, G-Man and Mission Man take a trip up to Greasy Lake for a wild night of fun and freedom in this Bruce Springsteen hit from the 1972 album, Greetings From Asbury Park. It's all temendous fun, and the beauty of the driving rock/gospel treatment is the audience gets to participate in the rockin' call and response of the chorus. Nothing like that to bring an audience to its feet!This arrangement features a tenor solo and TTBB voices singing an active background, so the entire choir participates in furthering Mission Man's narrative of wild times on Saturday night. The style is an educated doo-wop with influences classical choral arranging. While not perfectly suited to average church social, the song's redeeming qualities are the straight up blues and gospel influences of the early 1970s while the content is safely PG-13.The difficulty level is Intermediate with a desire to tear the house down. A strong tenor soloist is required. This is a showstopper!Duration: 4:40.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1160801 By Various. By Traditional Newfoundland folk song. Arranged by Bob Eggers. Celtic,Folk,Irish. Octavo. 18 pages. ROBERT J EGGERS #761111. Published by ROBERT J EGGERS (A0.1160801). In this arrangement, each verse presents a different harmonic and rhythmic treatment, each uniquely tailored to the narrative. Arranged for TTBB chorus, it's an exciting telling of the age-old story of a maiden spurned. It is at times hopeful, contemplative, angry, dark, and driving, and makes a powerful statement about a classic folk theme, concluding with an inspirational statement of the young woman's spiritual victory.Great for school or collegiate ensembles, and a transformative experience for audiences.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1148639 By Roger Miller. By Roger Miller. Arranged by Matt Swann. A Cappella,Barbershop,Blues,Country. Octavo. 4 pages. Matt Swann Music #748778. Published by Matt Swann Music (A0.1148639). A simple-but-creative upbeat treatment of the classic 1960s tune.

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1466777 Composed by Isaac Watts and Lowell Mason. Arranged by Kevin Keller. A Cappella,Barbershop,Religious. 3 pages. Kevin Keller #1045310. Published by Kevin Keller (A0.1466777). TTBB arrangement primarily in the barbershop style (melody in T2) - a cappella treatment.

Choral Choir,Choral,TTBB Chorus - Level 5 - Digital Download SKU: A0.1466194 Composed by Fred Ebb and John Kander. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop,Broadway,Musical/Show. 6 pages. Kevin Keller #1044816. Published by Kevin Keller (A0.1466194). TTBB a cappella treatment of this song in the barbershop style (melody in T2).  Suitable for competition in BHS.

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1285304 By Carolyn Goates. By Carolyn Goates. Arranged by Carolyn Goates. A Cappella,Folk. 5 pages. Carolyn Goates #876420. Published by Carolyn Goates (A0.1285304). This arrangment has 3 verses and each has different treatment as the song progresses.  It includes a piano part for rehearsal.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!

Composed by Traditional Austrian Carol. Arranged by Richard Cook. For Choir - other voicings, TTBB with Tenor Solo. Classical Period, Sacred, Christmas. Octavo. Sing Sacred #ACA101. Published by Sing Sacred

Composed by Antonio Vivaldi (1678-1741). Arranged by Richard Cook. For Choir - other voicings,TTBB. Baroque Period,Christian,Spiritual,Sacred,Christmas. Early Intermediate. Octavo. 8 pages. Published by Sing Sacred

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.969177 Composed by Thomas Giles Robinson. Arranged by Andrew Bulleyment. Contemporary. Octavo. 10 pages. Andrew Bulleyment #5955167. Published by Andrew Bulleyment (A0.969177). Tom Robinson's 1978 protest song about the treatment of gay men in the UK in the 1970s. This easy, but very effective, two part arrangement for male chorus accompanied by piano with guitar chords, maintains the style and tone of the original.

Choral Choir,Choral (TTBB) - Level 5 - Digital Download SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.

Choral Choir,Choral (TTBB) - Level 2 - Digital Download SKU: A0.1303426 By Benny Goodman. By Irving Berlin. Arranged by Anastasio Rossi. A Cappella,Barbershop,Broadway,Contest,Festival,Holiday,Musical/Show. 5 pages. Anastasio Rossi #887752. Published by Anastasio Rossi (A0.1303426). Great for developing diction and harmonic skills. I've Got My Love to Keep Me Warm - The cold wind may be blowing, but your audiences will weather the storm with this warm and cozy classic by Irving Berlin. Set in an easy swing, this is a great feature number for holiday concerts. From the MGM film comes this song sung by the great Judy Garland. This arrangement has a casual swing, making it appealing to many ages and perfect for any holiday program.  SINGERS.COM says, Anastasio Rossi's treatment of Irving Berlin's I've Got My Love To Keep Me Warm is a treat.Learning tracks are available from the arranger: AAR@prodigy.net.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1043393 By Dean Martin. By Irving Taylor and Ken Lane. Arranged by Kevin Keller. 20th Century,A Cappella,Barbershop. Octavo. 5 pages. Kevin Keller #648068. Published by Kevin Keller (A0.1043393). TTBB a cappella chart in the barbershop style (melody in T2) - SWING Treatment - there is a different chart for a ballad treatment - Suitable for BHS contest.