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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1294187 By Sia. By Greg Kurstin and Sia. Arranged by Rowena Harper. A Cappella,Barbershop,Christmas,Contemporary,Pop. 9 pages. Rowena Harper #884612. Published by Rowena Harper (A0.1294187). As cute as a bugs ear, this ultra-happy Christmas ditty by Sia is a true joy. Every theme seems unusually familiar, and they are presented by the lead one at a time, excepting the colour theme which is taken by the tenors. The four themes are then masterfully woven together in counterpoint in the last stretch of the arrangement. The tenors have the final post whilst the leads finish their theme and the tenors conclude with a very jazzy, very christmassy solo to polish the arrangement off. This is the perfect ear-worm for your Christmas season!Key = EbThis is a per copy price with a minimum order of 10 copies. Contact: acappellatenor@gmail.com.
Candy Cane Lane
Chorale TTBB
Sia
$3.00 2.87 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download SKU: A0.1450753 By Beyonce. By Atia Chade Chadeboggs, Beyonce, Beyonce Gisselle Knowles, Cam, Camaron Ochs, Dan Walsh, Darius Dixson, Derek Dixie, Ink, Jonathan Batiste, Khirye Tyler, Michael Price, No I.d., Shawn Carter, Stephen Stills, and Tyler Johnson. Arranged by Charles Beale. 21st Century,Pop,R & B. 2 pages. Charliebmusic #1030297. Published by charliebmusic (A0.1450753). This powerful 45 second anthemic song by Beyoncé is about change. It points out that for things to stay the same, they have to change again. It speaks both to the African American experience in the US, and has a universal message that is applicable to climate change, LGBTQIA+ life, and indeed anyone who is going through grief or a time of change.The song went viral in Spring 2024, and many versions appeared on social media done by teens and choirs large and small.This TTBB arrangement would suit the opening of a Pride concert, a school concert or any context where you want to pull an audience in with simple strong church harmonies.
Ameriican Requiem
Chorale TTBB
Beyonce
$1.99 1.9 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.623669 Composed by Aaron Lee. 20th Century,Classical,Contemporary,Jewish,Sacred. Octavo. 11 pages. J. Aaron Lee #232764. Published by J. Aaron Lee (A0.623669). This choral work draws from the Yiddish folksong, Zayt Gezunterheyt, as well as Psalm 41 to create a work that seeks to emphasize the importance of empathy and caring for our fellow humans. Suitable for both religious and secular settings, this work features a prominent piano part and could even be viewed as a duet between the chorus and the piano. Some chromatic harmony makes this work slightly more challenging, and would be suitable for an intermediate to advanced-intermediate choir. For more music from Aaron Lee, you can visit www.musicoflee.com.
Blessed Are They (Psalm 41, for TTBB Men's Chorus)
Chorale TTBB

$2.49 2.38 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.81 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
Togetherness
Chorale TTBB

$1.99 1.9 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1276542 By A Great Big World. By Chad Vaccarino, Ian Axel, and Maureen McDonald. Arranged by Matthew Harper. 21st Century,A Cappella,Barbershop,Broadway,Musical/Show,Pop. Octavo. 14 pages. Matthew Harper #868266. Published by Matthew Harper (A0.1276542). This is an arrangement for a TTBB A Cappella Group and a soloist.  It's fairly challenging to piece together due to the number of parts, but each part is pretty easy to learn, so your students should be able to pick it up pretty quickly.  Feel free to leave out any parts from a performance if you like the song but don't want to deal with reading all of them!For optimal performance, add a beat boxer or a drumset if they can play quietly enough for the balance to work.
Oasis
Chorale TTBB
A Great Big World
$1.99 1.9 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.1301680 By Marshmello & Bastille. By Dan Smith, Marshmello, and Steve Mac. Arranged by Lukas C Jaeger. 21st Century,A Cappella,Contemporary,Pop. 14 pages. Lukas C Jaeger #891292. Published by Lukas C Jaeger (A0.1301680). A quick and easy arrangement of a great song that everyone loves! Marshmello's music generally lend's itself well to acappella due to its repetitive yet engaging structure. This song in particular has a polyryhtmic counter melody that helps to drive forward and energize a song that is otherwise fairly basic. This arrangement is made with quick achievability in mind for any beginner acappella group, but it also leaves a lot of room and space for more advanced groups to really let loose musically with whatever add-ins and adlibs they can think of! Not to mention that it's just a great song :).
Happier
Chorale TTBB
Marshmello & Bastille
$2.00 1.91 € Chorale TTBB PDF SheetMusicPlus






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