SKU: A0.522414

This is an arrangement of an Old English Melody version of O Little Town of Bethlehem and is public domain, lyrics written by Phillips Brooke in 1868.  The arrangement is for 4 part male harmony (TTBB) a cappella.

SKU: A0.1181487

O Canada!/Weir - Levalée arranged by Ken Litton
TTBB opt. accompaniment
When the first familiar chords of O Canada play at concerts and other public events, Canadians stand with pride in their country’s honor. Proclaimed Canada's national anthem in 1980, O Canada was first sung in French 100 years earlier to music by Calixa Lavallée—a well-known composer of the day—while the English version came from Robert S. Weir in 1908.
Your intermediate to advanced Tenor - Bass choir or ensemble will love singing this energetic TTBB version with or without instrumental accompaniment!

SKU: A0.1113822

A traditional Russian-Polish drinking song with a German text by G. Daumer. This earnest, sweet contemporary setting would be perfect for Glee Club or High School Men's Ensemble. Translation: O women, o women, how they delight the heart! I should have long since turned monk, were it not for women!

SKU: A0.1191464

Traditional Gospel Hymn arrangement for male trio or chorus: Tenor, Baritone & Bass and gospel piano accompaniment. Intermediate Level.

SKU: A0.498335

The traditional Scottish folk song has been freshly arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.

SKU: A0.630287

The traditional Christmas song has been freshly arranged for TTB with Piano accompaniment. This arrangement starts like a tender chorale with very lush, jazz harmonies and then picks up to a lively big band/jazz accompaniment. Accessible and appropriate for any school, church or concert setting. An accompaniment track is also available.  .

SKU: A0.1492799

O for a Thousand Tongues to Sing
Text by Charles Wesley/Music by Ken Litton (ASCAP)

TTBB mixed voices, accompanied  optional Flute/C intrument

The stanzas of the text are combined here and some of its expressions personalized in order to emphasize the confident prayer of praise. And though the music is a little more meditative than many tunes, it is still in keeping with the original expression that helped give rise to the hymn:  “Had I a thousand tongues, I would praise Him with them all!”

After the piano and flute introduction, the new tune is lightly harmonized in both stanzas, but each has it’s own unique voicing at My gracious Master and You break the power, respectively. The brief flute/C instrument solo can add a lot to the piece, but an optional cut from the end of m.41 to m.59 and on to the key change could be offered in the score. After the key change the melody returns in unison, followed by a worshipful close.

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