Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871720 Composed by George and Ira Gershwin. Arranged by Walter Latzko. Traditional. Octavo. 4 pages. Latzko Muzic #5325625. Published by Latzko Muzic (A0.871720). WONDERFUL, LITTLE-KNOWN 1918 ARRANGEMENT OF A GREAT GERSHWIN SONG.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.828092 Composed by Unknown. Arranged by Bob O'Connell. A Cappella,Folk. Octavo. 2 pages. Bob OConnell #4786815. Published by Bob OConnell (A0.828092). Oh Shenandoah (also called simply Shenandoah or Across the Wide Missouri) is a traditional American folk song of uncertain origin, dating to the early 19th century. This a cappella arrangement is for 4 part Barbershop men's voices.

Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1514497 By Michael Ware. By American Folk Song. Arranged by Michael Ware. 19th Century,A Cappella,Folk,Historic,Traditional. 8 pages. Michael Ware Music #1088982. Published by Michael Ware Music (A0.1514497). Experience the timeless beauty of Shenandoah, a quintessential American folk song, in Michael Ware’s stunning unaccompanied arrangement for SATB or TTBB choir. This setting captures the song's soaring melody and rich harmonies, creating a deeply moving performance piece for your ensemble. Perfect for concerts or special events, it showcases your choir’s vocal abilities and brings this beloved traditional tune to life. Across the wide Missouri.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927218 Composed by American Folk Song. Arranged by Brad Meader. A Cappella,Folk,Patriotic,Traditional,World. Octavo. 6 pages. Brad Meader #3545597. Published by Brad Meader (A0.927218). An all-male (TTBB with divisi) a cappella arrangement of the American Folk Song Oh Shenandoh. This piece will be perfect for any group. Dissonance is used to create a shimmering feel, while staggered ascending and descending lines create the impression of a river in the echo-filled Shenandoah Valley. A full demo of the arrangement can be found at https://soundcloud.com/brad-meader/shenandoah-american-folk-song-a-cappella-cover-demo. Individual, part-by-part learning tracks can be provided upon purchase by emailing bradmeadermusic@gmail.com.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624205 Composed by Anonymous. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. Octavo. 9 pages. Exultet Music #4716231. Published by Exultet Music (A0.624205). One of the most popular Southern American folk songs from the Civil War has been freshly arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.  

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.624145 Composed by Anonymous, Daniel D. Emmett. Arranged by Stephen DeCesare. Folk,Instructional,Standards,Traditional. Octavo. 11 pages. Exultet Music #4634693. Published by Exultet Music (A0.624145). Two of the most popular Southern American folk songs from the Civil War have been combined and arranged for TTB with Piano accompaniment. Accessible and appropriate for any school or concert setting.  .

(TTBB) - Digital Download SKU: HX.315808 By American Folk Song. Arranged by Brandon Williams. Choral. Folk,Sacred,Traditional. Choral. 12 pages. Published by Hal Leonard - Digital (HX.315808).

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1197834 By Dolly Parton. By Dolly Parton. Arranged by Clifford W. King. A Cappella,Contest,Festival,Folk,Spiritual,Traditional. Octavo. 11 pages. Clifford W. King #797011. Published by Clifford W. King (A0.1197834). ( t t b b ) a cappellaoptional piano or bluegrass ensemble ad lib. Commissioned by the Gay Men's Chorus of Washington D.C., Thea Kano, Artistic DirectorThis is an incredibly beautiful a cappella choral arrangement of one of Dolly Parton's most sincere and memorable songs is now available for TTBB choir! The longing lyrics and simple melody are enhanced with rich and soothing harmonies. The piece begins with calming and reassuring chords that 'hum' and 'ooh' as the tone is set for evoking childhood memories. An optional tenor solo, a few meter changes, some simple divisi and melody shifts between voices add to the uniqueness of the arrangement. Excellent for bluegrass, Americana, folk, or reminiscence-themed concerts.Duration: 3'50.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.