Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874654 By Mary Rice Hopkins. By Gene Raskin. Arranged by Chris Arnold. A Cappella. Octavo. 8 pages. Chris Arnold #4288015. Published by Chris Arnold (A0.874654). Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874611 By Natalie Cole. By Bert Kaempfert and Milt Gabler. Arranged by Chris Arnold. A Cappella,Jazz. Octavo. 4 pages. Chris Arnold #4283043. Published by Chris Arnold (A0.874611). Modeled loosely on performance by Michael Buble.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874635 By Sting. By Sting. Arranged by Chris Arnold. A Cappella,Contemporary,Pop. Octavo. 6 pages. Chris Arnold #4285973. Published by Chris Arnold (A0.874635). This song won the Golden Globe for Best Original Song from the motion picture Kate & Leopold. The accompaniment should mimic the gentle plucking of classical guitar strings playing a Viennese waltz.Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874613 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Chris Arnold. A Cappella,Oldies. Octavo. 10 pages. Chris Arnold #4283649. Published by Chris Arnold (A0.874613). Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874647 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287199. Published by Chris Arnold (A0.874647). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

TTBB Chorus (TTBB) - Level 4 - Digital Download SKU: A0.817085 By Maroon 5. By Adam Levine, Jacob Hindlin, Jacob Kasher Hindlin, Jon Bellion, Michael Pollack, Stefan Johnson, and Vincent Ford. Arranged by Sheryl Neal. A Cappella,Pop,Rock. Octavo. 9 pages. Sheryl Neal #5867933. Published by Sheryl Neal (A0.817085). By Maroon 5 -Voice, Choir, TTBB, A Cappella, Barbershop, TTBB Barbershop Harmony - Intermediate - Digital Download TTBB, TLBB – A cappella, Barbershop harmony. (Melody in treble clef, second voice. Treble clef sung an octave lower than written). True to original arrangement of this pop tune, as sung by Maroon 5. This arrangement is also available in SATB or SSAA voicing.Quartet pricing includes permission to print a maximum of 4 copies.My name is Sheryl Neal, and I'm a singer, pianist, and a cappella arranger. See my website: www.arrangementsbysheryl.com. Please check out my other arrangements on SMP:  https://www.sheetmusicplus.com/publishers/sheryl-neal/11193. Like my page on Facebook, Arrangements by Sheryl NealQuestions or comments? We’re here to help! ArrangementsbySheryl@gmail.com  

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874648 Composed by Diane Warren. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4287203. Published by Chris Arnold (A0.874648). This arrangement was written for the Space Network's send-off of the Star Trek spinoff series Enterprise. Great to get your inner nerd going with this obscure bit of Sci-fi history!Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.874637 By Frank Sinatra. By Sammy Cahn. Arranged by Chris Arnold. A Cappella,Jazz. Octavo. 4 pages. Chris Arnold #4286995. Published by Chris Arnold (A0.874637). This is an upbeat, short song, which would be suitable as an opener to a performance package. It features tight, jazzy harmonies.Written for men's barbershop ensemble, the melody is passed between the top voice (tenor) and the second voice (lead); dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874631 Composed by Frank Loesser. Arranged by Chris Arnold. A Cappella. Octavo. 3 pages. Chris Arnold #4285967. Published by Chris Arnold (A0.874631). This is a quick, fun opener from the classic musical Guys and Dolls.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874639 Composed by John Frederick Coots. Arranged by Chris Arnold. A Cappella. Octavo. 4 pages. Chris Arnold #4287033. Published by Chris Arnold (A0.874639). A traditional romantic ballad arranged in traditional barbershop style for Barbershop Harmony Society contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874633 By Sting. By Sting. Arranged by Chris Arnold. A Cappella,Contemporary,Pop. Octavo. 6 pages. Chris Arnold #4285971. Published by Chris Arnold (A0.874633). This song won the Golden Globe for Best Original Song from the motion picture Kate & Leopold. The accompaniment should mimic the gentle plucking of classical guitar strings playing a Viennese waltz.Written for men's barbershop ensemble, the melody is in the second voice, shown as Lead. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Voice (TTBB) - Level 5 - Digital Download SKU: A0.762495 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 9 pages. Rowena Harper #4882897. Published by Rowena Harper (A0.762495). An old favourite love song that transcends time and has been played at many a wedding.  This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A.  Transposed down from the original by a flattened fourth - starting in D major.  Singers are welcome to pitch it up again to their most comfortable tessatura.Also available at a per copy price with a minimum buy of ten copies.(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.874612 Composed by Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella. Octavo. 5 pages. Chris Arnold #4283643. Published by Chris Arnold (A0.874612). Fun swing number, originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.Written for men's barbershop ensemble, the melody is primarily in the second voice, shown as Lead; dashed lines indicate where the melody moves to a different voice. The tenor and lead parts are written using the Treble 8va bassa clef, meaning their pitches are sung one octave lower than the traditional treble clef. Middle C is found on the third space of the staff.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.762504 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #5719549. Published by Rowena Harper (A0.762504). Who said that Back Street Boys needed five people? Here's an arrangement that says that four boys would have done!This pop song was originally written to cover quite a vocal range, and therefore aspects of the tune are also shared with solo segments that also feature baritone and tenor, plus a small solo for the bass so they wouldn't miss out. The arrangement features the expected and let's face it, much anticipated, key change.  It also includes a nice gentle finish which stays in keeping with the original song. This is a must-have in your a cappella repertoire - but will likely require leads to be able to sing harmony, unless parts are switched.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#-B, Baritone D#-B, Lead E-F#, Tenor B-C#. MIXED options: Baritone, Lead and Tenor are suitable for female voices.This is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Tenor (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The Treble clef parts are sung an octave lower than written.)Contact: acappellatenor@gmail.com.