EUROPE
5935 articles
USA
29 articles
DIGITAL
86 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
86 partitions trouvées

1 16 31 ....76

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.984177

By Christina Perri. By Christina Perri and David Hodges. Arranged by Deb Jones. Pop. Octavo. 8 pages. Deb Jones #4728237. Published by Deb Jones (A0.984177).

A Thousand Years

 

This beautiful song written by Christina Perri and David Hodges for ‘The Twilight Saga’ came to symbolise, for fans, the troubled romance of Bella and Edward.

 

Haunting background harmonies in places evoke a sense of distance between the lovers despite their closeness.

 

Ghost-like vocalisations and single lyric at the end attempt to capture the gorgeous strings from the original soundtrack and leave a sense that the waiting continues.

 

 

 

Formats available:

 

SSAA with piano

TTBB with piano (Male Voice Choir version)

SATB with piano

Duet with piano   





A Thousand Years
Chorale TTBB
Christina Perri
$1.99 1.79 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.730416

Composed by James Nathaniel Holland. Holiday,Wedding. 8 pages. James Nathaniel Holland #3369785. Published by James Nathaniel Holland (A0.730416).

A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland.   Here arranged here for TB Male Chorus or Individual Tenor or Bass Duet (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.

Beautiful and bright as the Red Rose;
With only one hope: 'You'll remember me.'
Know that I'll always love you,
And that this love will not fade.
Fresh, so sweet, the fragrance,
Of those happy times, wonderful, sublime, we once shared.
If I should dare, say you still care!
Think of my love as a Rose.
(Brief music interlude)
I wish you nothing but gladness,
And a life filled with Joy!
Seasons may come;
Years, they may go,
Love can survive,
Through Winter's snow.
And so this love will for you,
Think of my love as a Rose.
As Seasons fly; Years, as they go,
Think of my love as a Rose!
J.N. Holland

(Duration: 6 minutes)

YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8
Facebook page:  https://www.facebook.com/jamesnathanielholland/.

Waltz of the Roses (Think of My Love As A Rose), for TB Chorus Piano, Theme from The Snow Queen, A B
Chorale TTBB

$4.25 3.82 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.59 € Chorale TTBB PDF SheetMusicPlus

Voice (TTBB) - Level 2 - Digital Download

SKU: A0.1298167

By Johnny Cash. By Stan Jones. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 6 pages. Anastasio Rossi #888121. Published by Anastasio Rossi (A0.1298167).

The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies.

Stan Jones said he was told the story when he was 12 years old, by an old Native American Apache. He related this story to a boyhood friend. As both boys were looking at the clouds one day, Stan shared the story with him, both looking in amazement as the cloudy shapes were identified as the ghost riders. Years later the story was transposed into lyrics. The melody is based on the Civil War-era popular song When Johnny Comes Marching Home.

Ghost Riders In The Sky has a haunting quality that will capture the imaginations of children of all ages from young to old!

Hundreds of performers have recorded this song, including Vaughn Monroe, Bing Crosby, Peggy Lee, Lawrence Welk, Frankie Laine, Burl Ives, The Outlaws, The Ramrods, Stan Jones, and Johnny Cash.

Learning tracks and the Orchestral Accompniment Track (MP3) available at no cost from the arranger: AAR@prodigy.net.

(ghost) Riders In The Sky (a Cowboy Legend)
Chorale TTBB
Johnny Cash
$12.99 11.68 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.928936

Composed by Thomas Moore (1779-1852). Arranged by Donald A. Mills. A Cappella,Classical,Contemporary,Folk,Romantic Period. Octavo. 6 pages. Donald A Mills #18887. Published by Donald A Mills (A0.928936).

It Was On a Fine Summer Morning, adapted from a song by Irishman Thomas Moore (1779-1852) called A Pretty Maid Milking Her Cow. This TTBB a cappella arrangement of the song will delight the listener. The original song, a ballad, was written several hundred years ago and is here presented with new words and harmonies. Years ago, singer Judy Garland sang a much different arrangement of this song called, A Pretty Girl Milking Her Cow, an arrangement containing both ballad and up-tempo elements. Type in my name...Donald A. Mills...into the search box to see more of my arrangements and compositions.

It Was On a Fine Summer Morning
Chorale TTBB

$2.99 2.69 € Chorale TTBB PDF SheetMusicPlus

TTBB divisi chorus - Digital Download

SKU: BJ.1351

Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1351. Published by Bo Ejeby Forlag - Digital (BJ.1351).

8.27 x 11.7 inches.

In 2017, I was commissioned by the Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by American poet Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words.

I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry.

So, I decided to build the piece on silence.
Though the beginning of the piece is the opposite of silence - a scream of desperation - I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra.

Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words.
Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors.
Also available for mixed choir.
Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.

Son to Mother
Chorale TTBB

$5.40 4.85 € Chorale TTBB PDF SheetMusicPlus

Voice (TTBB) - Level 4 - Digital Download

SKU: A0.1149495

By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Nick Luna. Barbershop,Christmas,Holiday,Jazz,Pop. Barbershop Quartet. 7 pages. Nick Luna Music #749639. Published by Nick Luna Music (A0.1149495).

Happy Holidays to you all! Christmas has always been a time of year I take to celebrate all that we have, despite all the worst the world seems to throw at us. This song has resonated with me for years. The childhood wonder and fantasy around Christmas doesn’t fade as we grow up, but our grip on reality strengthens, leaving us wishing for global and systemic transformation. We hope to give the best world to our children and grand children, and this song truly encapsulates the in between feeling we all experience when we have to work our multiple jobs to make ends meet around the holidays. This arrangement is for TTBB voices, and is moderately difficult. Perfect holiday arrangement for an experienced barbershop quartet.

Grown-up Christmas List
Chorale TTBB
Amy Grant
$12.99 11.68 € Chorale TTBB PDF SheetMusicPlus

TTBB choir, piano or full orchestra or band (Orchestra: 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] -4 3 3 1 - tmp+2 - hp - str - SATB or TTBB Chorus - Band: 3[1.2.pic] 3[1.2.Eh] 6[1.2.3.acl.bcl.cbcl] 3[1.2.cbn] -2asx, tsx, bsx - 4 3 3 1 - tmp+2 - hp - db - SATB or TTBB Chorus) - Moderately Difficult - Digital Download

SKU: MQ.2154-E

Composed by Randall Thompson. 9 pages. E. C. Schirmer Music Company - Digital #2154-E. Published by E. C. Schirmer Music Company - Digital (MQ.2154-E).

2 Samuel 23:3-4.

Commissioned and premiered in 1949 by the Boston Symphony Orchestra to honor Dr. Serge Koussevitsky for 25 years of directorship. Roaring ascending scales in the accompaniment reflect the great strength of this Old Testament text. The popularity of this anthem is surpassed only by Thompson's Alleluia.

The Last Words of David (Downloadable)
Chorale TTBB

$2.65 2.38 € Chorale TTBB PDF SheetMusicPlus


1 16 31 ....76




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale