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Choral Choir,Choral (TTBB) - Level 3 - Digital Download

SKU: A0.853832

Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #4638541. Published by Larry Wright (A0.853832).

A MEN'S 4-part, a cappella, uptempo'd, barbershop arrangement of this Cheers TV show theme song; a fun tune; short, and probably contestable for BHS.


IMPORTANT NOTE:
by FIRST purchasing the COMBO of this song from my website store <
www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from SMP for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to SMP... or whatever publisher controls the song licensing.

Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.

Where Everybody Knows Your Name Theme from the Paramount Television Series CHEERS Chorale TTBB

$15.00 14.27 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.984208

Composed by D. A. Jaquish. Arranged by D A Jaquish. 20th Century,Sacred,Standards. Octavo. 4 pages. D A Jaquish #4367208. Published by D A Jaquish (A0.984208).

The Odes of Solomon are ancient texts from the Early Church in Antioch, ascribed to a Christian songwriter named Solomon.  When I first read this text (No. 14 of the odes) I was struck by how prescient the words were, fitting not only the needs and aspirations of early Christians but the cry of hearts today.

In keeping with the tone and historicity of the words I chose a musical setting reminiscent of Gregorian chant, albeit with richer harmonies.  The mood is contemplative, prayerful, and could be used to effect in many types of worship services.

Your Tender Mercies
Chorale TTBB

$2.00 1.9 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download

SKU: A0.1442067

By Peter Paul and Mary. By Lenny Lipton and Peter Yarrow. Arranged by Ryan Wainwright-Meekins. 20th Century,A Cappella,Barbershop,Pop. 9 pages. Ryan Wainwright-Meekins #1022062. Published by Ryan Wainwright-Meekins (A0.1442067).

This is a barbershop arrangement for TTBB voices. Duration c.3:30. 9 pages.

This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!

PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).

Puff The Magic Dragon
Chorale TTBB
Peter Paul and Mary
$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,TTBB Chorus - Level 2 - Digital Download

SKU: A0.1443505

By Ryan Wainwright-Meekins. By Ryan Wainwright-Meekins. Arranged by Ryan Wainwright-Meekins. A Cappella,Barbershop,Traditional. 1 pages. Ryan Wainwright-Meekins #1023450. Published by Ryan Wainwright-Meekins (A0.1443505).

This is a barbershop arrangement of Happy Birthday for TTBB voices. 1 page.

This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download, and play!

PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorised to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).

Happy Birthday
Chorale TTBB
Ryan Wainwright-Meekins
$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.1144882

Composed by Mark R Lewis. A Cappella,Religious,Sacred. Octavo. 12 pages. Mark R Lewis #745197. Published by Mark R Lewis (A0.1144882).

I Will Sing and Praise the Lord is an original piece by Mark Lewis. Written for a cappella choir, the lyrics are adapted from Psalm 61 and the tune is entirely original. It begins with a fanfare asking God to listen and moves into a dance-like prayer for God's blessing with the chorus repeating a simple statement of praise to God. This piece is quite achievable by most groups. The tenor 1 and basses do spend a fair bit of time towards the extreme of their ranges. There is only one (optional) note that can only be reached by a true bass and the tenor 1s do go up to a G4 but most singers will have little difficulty performing it.

I Will Sing and Praise Your Name - TTBB Ensemble
Chorale TTBB

$1.99 1.89 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB) - Level 3 - Digital Download

SKU: A0.1321592

Composed by Rod Cunningham. Arranged by Rod Cunningham. Barbershop,Christian. 8 pages. Rod Cunningham #910066. Published by Rod Cunningham (A0.1321592).

The initial idea for this song came from a point in a sermon (in June of 2020) by a pastor at my church (who shall remain nameless to protect the guilty 😊).  The point was that we can’t get to heaven by following the Law.  Only the Gospel can do that.  Therefore, the song is a Gospel song, even though the word “gospel†never appears in it.

The song opens with the statement that the Law can’t “save your soulâ€.  It also points out that the Law can’t do miracles (like physically healing the body).  

The song also addresses what the Law CAN do.  The song also alludes to a game (croquet) and a food (cinnamon toast) to demonstrate that neither a “Rule book†nor a “Recipe Book†can get us to heaven.  These allusions are a bit humorous and unexpected and therefore fit well in the genre of the Barbershop Quartet style.).

What The Law Can't Do
Chorale TTBB

$2.49 2.37 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.8 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download

SKU: A0.1518098

By Classical. By Wolfgang Amadeus Mozart. Arranged by Jhonatan Lucio Viana. A Cappella,Chamber,Classical,Religious,Sacred. 6 pages. JLVPartitura #1092248. Published by JLVPartitura (A0.1518098).

Ave Verum Corpus for TTBB:

This arrangement brings a sense of reverence and beauty to the timeless sacred piece Ave Verum Corpus by Mozart. Perfect for concerts and liturgical celebrations, it offers a rich and moving musical experience that will elevate your performance and touch the hearts of your audience. Get your copy today and breathe life into this exquisite work!

I am thrilled to present these arrangements to enhance your musical journey. After purchasing your sheet music, explore my extensive collection available on the website under the name Jhonatan Lucio Viana. Discover a variety of arrangements for different instruments and voices, crafted to inspire and challenge musicians at every level.

Ave Verum Corpus
Chorale TTBB
Classical
$2.99 2.84 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download

SKU: A0.1518099

By Classical. By Wolfgang Amadeus Mozart. Arranged by Jhonatan Lucio Viana. A Cappella,Chamber,Classical,Religious,Sacred. 8 pages. JLVPartitura #1092249. Published by JLVPartitura (A0.1518099).

Ave Verum Corpus for TTBB + Piano:

This arrangement brings a sense of reverence and beauty to the timeless sacred piece Ave Verum Corpus by Mozart. Perfect for concerts and liturgical celebrations, it offers a rich and moving musical experience that will elevate your performance and touch the hearts of your audience. Get your copy today and breathe life into this exquisite work!

I am thrilled to present these arrangements to enhance your musical journey. After purchasing your sheet music, explore my extensive collection available on the website under the name Jhonatan Lucio Viana. Discover a variety of arrangements for different instruments and voices, crafted to inspire and challenge musicians at every level.

Ave Verum Corpus
Chorale TTBB
Classical
$3.99 3.8 € Chorale TTBB PDF SheetMusicPlus






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