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Percussion Ensemble - Level 1 - Digital Download SKU: A0.881335 Composed by Harvey Minchin. Instructional,Standards. Score and parts. 1 pages. Harvey Minchin #6712537. Published by Harvey Minchin (A0.881335). C You At The Top is a beginner two mallet study for mallet percussion (xylophone, marimba, vibraphone or orchestra bells). The piece is designed as a supplemental short solo that allows students to work on their mallet percussion skills in addition to their regular lesson books. This piece is in the key of C and starts at the C above middle C and includes notes down to middle C. This piece uses only quarter notes, half notes and whole notes. This piece is also included in the collection Seven Studies for Solo Mallet Percussion Volume 0.
C You At The Top For Solo Mallet Percussion
Ensemble de Percussions

$2.50 2.17 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 1 - Digital Download SKU: A0.797630 Composed by Jeremy Barnett. 20th Century,Contemporary,Instructional,Rock,World. Score and parts. 16 pages. Jeremy Barnett #6305157. Published by Jeremy Barnett (A0.797630). This short and groovy work is ideal for your junior/beginner ensemble. Players will love the modern melodies and interlocking patterns, as well as be challenged by syncopated rhythms and stick coordination. Each player is individually showcased, and the parts are simple enough that non-percussionists can join the ensemble too. All parts can be easily doubled to allow more musicians to join in.P. 1 - glockenspielP. 2 - xylophoneP. 3 - timpaniP. 4 - snare drum + tambourineP. 5 - bass drum + triangle.
D 'n C
Ensemble de Percussions

$14.00 12.17 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions

$5.00 4.35 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 2 - Digital Download SKU: A0.835744 Composed by Paul Burnell. 20th Century,Contemporary. Score and parts. 3 pages. Paul Burnell #548979. Published by Paul Burnell (A0.835744). Composed 2000. Duration: 4:00. For ensemble with instruments in C, Bb, F Eb, voices and percussion as directed in the score. The music is presented as a performing score. Where no clef is given, play with as if with a clef as directed in the score text (see Minute two). Transposing instruments play as written and do not transpose. It is allowed, however, for special transposed parts to be created in order to ensure an even distribution of the intended chordal harmony where this would otherwise be missing. There should be a few seconds silence between each of the four sections. During Minute one players other than the soloist strum their fingers rapidly on the body of their instruments, chairs etc., very quietly - producing an almost imperceptible dull sound (not 'tinny' or 'bright'). Programme Note: 'Four Minutes - Four Daydreams' was composed by Paul Burnell in 2000. It was first performed by the London CoMA Ensemble, conductor Simon Foxley, at Morley College, London on the 29th October 2000. The piece has four distinct sections, each 1 minute long. Like an extended daydream each section is progressively more developed. The piece was included on the 2013 album 'Cabbage Heads'.
Four Minutes - Four Daydreams
Ensemble de Percussions

$1.99 1.73 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1295814 By Joan Lithgow. By Antonio Vivaldi. Arranged by Joan Lithgow. Baroque,Children,Contemporary,Multicultural,World. 12 pages. Joan Lithgow Music #886140. Published by Joan Lithgow Music (A0.1295814). This piece is ideally suited for the Marimba Workshop (Pty) Ltd marimbas.www.marimbaworkshop.co.za  It was arranged for the Goede Hoop Marimba Band to be performed at the 2016 Education Africa International Marimba & Steelpan Festival in the Strictly Classical Category where the composer for this category for that year was Antonio Vivaldi. This performance has gone viral on YouTube.  These young girls were aged between 11 and 13 at the time. It is written for African diatonic marimbas in C with an African feel but can be played on a variety of different instruments. Feel free to roll (measured or unmeasured) on the long notes.Whenever I teach this arrangement my students fall in love with Vivaldi and his music. The medley consists of music from Vivaldi's Four Seasons: Spring and Winter and his famous Gloria. There is a joy and wonder as the harmonies and patterns are revealed to them through my unique methodology I use to teach them.I hope you have fun learning this arrangement.I would love to hear your version of this piece. Please email:  joan@marimbaworkshop.co.za.
Vivaldi Medley for Marimba Band - Score Only
Ensemble de Percussions
Joan Lithgow
$19.99 17.38 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include E♭ and B♭. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
Don't Worry, Be Happy
Ensemble de Percussions
Bobby McFerrin
$14.99 13.03 € Ensemble de Percussions PDF SheetMusicPlus


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