Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcíaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

Percussion Ensemble - Level 1 - Digital Download SKU: A0.884300 By Trini Lopez. By Christian De Walden, Francesco Boccuzzi, and Kenny O'Brien. Arranged by Aaron Ziegler. Contemporary. Score and parts. 30 pages. Aaron Ziegler #3918873. Published by Aaron Ziegler (A0.884300). This arrangement of Trini Lopez' song If I Had A Hammer is a great chart for beginning bands. With relatively simple rhythms, players can focus on techniques like rolling and dynamics.Difficulty: Easy/BeginnerFor more information about the arranger please visit: www.AaronZieglerPercussion.com  .

Percussion Ensemble - Digital Download SKU: A0.835168 Composed by Cody Weinmann. Dance,Film/TV,Pop,Video Game. Score and parts. 4 pages. Cody Weinmann #6138201. Published by Cody Weinmann (A0.835168). This is an original piece for mixed ensemble. It has piano, guitars, strings, percussion, and more! Why is it called Blue Drive? I have synesthesia -- the ability to see colors when hearing pitches. I know, it sounds weird, but I see the color blue when I see the note G. But anyway, this piece was inspired by an ad I heard on TV. I was wondering if I could compose something similar to what I heard. This is what came out. Hopefully, you all benefit from this music. This is good for small ensembles that are of many different instruments. Go ahead and do a virtual concert of this. It would be great! It has a great driving rhythm that could get your heart pumping.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.892551 By James Brown. By James Brown. Arranged by Ben Garraway. R & B. Score and parts. 14 pages. Music Lesson Downloads #4612465. Published by Music Lesson Downloads (A0.892551). Percussion Ensemble arrangement of James Brown's I Got You for 8 players. For approx. grade 3 standard students and more auxilary percussion can be added to make more parts if necessary. A good vibe song with three verses and the well known ending.  .

Percussion Ensemble - Level 3 - Digital Download SKU: A0.1304731 By Shawn Mendes. By Nate Mercereau, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josh Ball. Pop,Rock. 1 pages. The BeatCave #894157. Published by The BeatCave (A0.1304731). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.

Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com

Percussion Ensemble - Level 3 - Digital Download SKU: A0.870491 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by Ryan Jonker. Pop. Score and parts. 27 pages. Ryan Jonker #3096063. Published by Ryan Jonker (A0.870491). This ~2:00 arrangement of Say Something is written for 9+ players.  Percussionists can double up on the Marimba and Vibraphone parts as needed.  Another option would be to split the Auxiliary parts into several performers.  The piece could be performed by less percussionists by removing the Marimba 2, Vibraphone 2, Timpani, and Auxiliary parts if necessary.  Please direct any questions or comments to the arranger at RyanJonkerMusic@gmail.com.  I hope you enjoy playing this piece!

Percussion Ensemble - Level 3 - Digital Download SKU: A0.942719 Composed by Frank Pugh. Celtic,Contemporary,Standards. Score and parts. 8 pages. Frank Pugh #3550781. Published by Frank Pugh (A0.942719). The title of Dandelion Wind comes from watching the white seeds blow off of a dandelion head in a strong breeze.  Once in motion, the seeds travel with the wind until they come to a final resting place on the ground below.  This piece flows along in that vein of a seedling's windblown journey.Although two marimbas were used in the sound file, the piece works equally well with vibraphones, xylophones, or a vibe/xylo/marimba mix.  It has a slight Celtic feel to it, and it comes in at just over 1:30 if played at the minimum suggested tempo.  It's a great choice for your percussion ensemble or to showcase a pair of mallet players in your program.  The piece only requires one mallet per hand.If you would like to know more about me and what I do, you may locate me on LinkedIn at Frank Pugh Independent Composer / Arranger .  You may also find me on Facebook at @fpughmusic .  I would love to know where my music is being performed if you care to share it.  Thanks!

Percussion Ensemble - Digital Download SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins (A0.1028382). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.1028381 Composed by Ben Calkins. Instructional. Score and parts. 11 pages. Ben Calkins #3493833. Published by Ben Calkins (A0.1028381). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.

Percussion Ensemble - Level 4 - Digital Download SKU: A0.995511 Composed by James M. Johnson. Contemporary,Latin,World. Score and parts. 36 pages. Myles Music James Johnson #3562065. Published by Myles Music James Johnson (A0.995511). In the Night was premiered during the 2017concert season by the Southern Utah University Percussion Ensemble, under the direction Dr. Lynn Vartan A beautiful piece that creates calm, exciting and energetic energy! Great for any concert program! Level: advanced high school, college students and beyond!Score comes with performance and program notes! for a quick viewing please visit either the website listed above or you tube channel.https://www.youtube.com/watch?v=mmP1pI-AELU&t=5sPlease report your performance to me. I can be reached at: jamesjohnsonfrankie@outlook.comIMPORTANT!Support creators by not illegally copying music. If you enjoy ANY piece please support and purchase.Thanks and happy music making!

Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Percussion Ensemble - Level 2 - Digital Download SKU: A0.942726 Composed by Frank Pugh. Standards. Score and parts. 24 pages. Frank Pugh #6018905. Published by Frank Pugh (A0.942726).  I wrote Nuevo-Nueve for an ensemble of nine new first-time percussion students.  Nuevo meaning new or different, and Nueve meaning nine, seemed to be a good title for the piece.  Going along with the concept of nine, the song is written in nine bar phrases and has a total of 99 measures as well.  It uses simple and repetitive patterns to introduce students to the instruments that are utilized in the piece.  Out of the nine students that I originally wrote it for, six were wind players and the other three had never read music.  They had great success with it (and a lot of fun, too!).     The first four parts are all listed as generic mallet parts, and all work pretty well with whatever mallet instruments that you have available.  Part 3 and 4 double each other, but part 4 is in bass clef.  They are written on the same sheet.  If you have the equipment for it, I recommend the following instrumentation: Part 1:  bells or marimba Part 2:  vibraphone Part 3:  marimba Part 4: (optional, bass clef, doubles part 3):  bass guitar, keyboard, or mallet controller Part 5:  hi-hat cymbal, suspended cymbal, mounted tambourine Part 6:  guiro, castanets, maracas, two pitched toms Part 7:  drum set Part 8:  suspended cymbal, china cymbal, splash cymbal, triangle Part 9:  concert bass drum, cabasaBe sure to check out my other small ensemble arrangements here on Sheet Music Plus, and thanks for taking a look!

Percussion Ensemble - Level 3 - Digital Download SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain! 

Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include E♭ and B♭. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com