Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.913176 By Fountains Of Wayne. By Adam Schlesinger and Chris Collingwood. Arranged by Tyler Morgan. Contemporary. Score and parts. 23 pages. Tyler C Morgan #2550993. Published by Tyler C Morgan (A0.913176). One of the most popular songs from Fountains of Wayne, this song is capitalized for Percussion Ensembles, particularly for Front Ensembles within the Marching Band setting. .

Percussion Ensemble - Level 2 - Digital Download SKU: A0.1025837 Composed by E Riley. 20th Century,Contemporary. Score and parts. 11 pages. E Riley #5298347. Published by E Riley (A0.1025837). ANANGULA - an Australian pieceAnangula is Aboriginal for Australia. This Ross Edwards-inspired piece takes you on a journey through Australia's marvellous Daintree Rainforest as you experience the echoes of the infamous Green Tree Frog and it's mates (imitated by the Marimba),the ostinato hum of Australian crickets (imitated by the Wood Blocks) and delicate glimpses of surrounding insects (imitated by the Xylophone). The Alto flute is to be played meditatively calm with lots of expressive vibrato and a few energetic moments.

Percussion Ensemble - Level 3 - Digital Download SKU: A0.584689 Composed by Jeff Tincher. Contemporary. Score and parts. 21 pages. Jeff Tincher #6019457. Published by Jeff Tincher (A0.584689). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1345315 By Soundgarden. By Chris Cornell. Arranged by David R. Peoples. Classical,Contemporary,Grunge,Rock. 68 pages. Bluesilhouettes Music #930151. Published by Bluesilhouettes Music (A0.1345315). What I really like about this song is its uniqueness... is it grunge? Psychedelic? Alternative? Hard Rock? Contemporary chamber music? Theoretically - is it some sort of jazz-fuzed harmonic progression or a clever soundscape of melody notes outside of chords? This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of rock, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Hear full digital audio mockup offsite

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1324084 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 100 pages. Bluesilhouettes Music #912276. Published by Bluesilhouettes Music (A0.1324084). Annie Lennox and David Stewart had recently ended their relationship and disbanded their band. They still worked together - and built this song in a tiny warehouse using whatever technology they could get their hands on. In a day where most music was produced in the large studios backed by industry money - they pioneered a hit without the big studio. Securing a loan, they procured essential equipment—a compact setup comprising an 8-track tape recorder, mixer, effects processors, synthesizers, a drum computer, and a compact dynamic microphone. Some of the emotions from their lives went into the song - a fresh start on the heels of emotional events. Reflecting on that period, Lennox candidly remarked, “I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic.�This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Listen to mockup offsite

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1350568 Composed by Bjork Gudmundsdottir. Arranged by David R. Peoples. Classical,Contemporary,Pop,Rock. 87 pages. Bluesilhouettes Music #935388. Published by Bluesilhouettes Music (A0.1350568). If you had a day, and all you listened to was Björk, you’d have a fascinating day. The experience would be marked by a kaleidoscope of varying styles from pop, avant-garde, or jazz. Is it mainstream - probably not. But, the artist is definitely recognizable (as a name), appearing across multiple genres. As a source of background to her song ‘Come to Me,’ I borrowed a palindromic idea exploited by Radiohead in their ‘Pyramid song...’ if we truly expand a swing feel to a twelve-eight meter and extend the pattern across two measures - the eighth notes would provide a total of twenty-four possibilities - and as in this work you get four, five, six, five, four a palindrome on 45654 that (when added) equals twenty-four.This version is not a cover. Fragments of musical elements are translated into the ensemble. While occasionally exhibiting moments of dance, the composition evolves into a more profound expression, capitalizing on the musical possibilities of a percussion ensemble. This arrangement was crafted for the University of North Georgia’s percussion ensemble, directed by Dr. Steven Walker.Full mock-up digital audio: available here