Guitar - easy to intermediate - Digital Download SKU: S9.Q49778 From: J. Brahms, 16 Waltzes op. 39. Composed by Johannes Brahms. Edited by Martin Hegel. Arranged by Andres Segovia. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 39/8. 3 pages. Schott Music - Digital #Q49778. Published by Schott Music - Digital (S9.Q49778). Digital publication of the piece found in the following print music collection: Asturias - 55 Classical Masterpieces from 5 Centuries.

Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ?� and â??a must haveâ?�, with Soundboard â??strongly advocatingâ?� for them â??to be performed by young guitaristsâ?� and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness. 

Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .

Solo Guitar - Level 4 - Digital Download SKU: A0.941271 Composed by Frank Zappa. Arranged by Conor John Stevens. Contemporary. Individual part. 2 pages. C J Stevens #5325435. Published by C J Stevens (A0.941271). An early work by composer Frank Zappa (1940 - 1993) for guitar. The piece is a twelve-tone composition, inspired by serial works from composers Zappa enjoyed as a teen. Originally published without guitar-specific notation, this edition provides phrasing and fingering for ease of reading and performing. Suitable for players looking for an entry into modern/serial music for the guitar. Conor Stevens stevenscj.music@gmail.com 

Solo Guitar - Digital Download SKU: A0.1032031 Composed by AMEB, J.M. Altmann, and Johannes Brahms. Arranged by AMEB, J.M. Altmann. Classical,Instructional,Standards. Individual part. 2 pages. J.M. Altmann #4301397. Published by J.M. Altmann (A0.1032031). Guitar reduction of AMEB piano accompaniment for performance complete with fingerings and note alterations for playability. In drop D tuning arranged for classical guitar.

Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.

Solo Guitar - Level 4 - Digital Download SKU: A0.938062 Composed by Text: Thomas Ken - Music: Genevan Psalter. Arranged by Bruce J. Patterson. Christian,Gospel,Sacred,Spiritual. Individual part. 3 pages. In His Name Music/SESAC #58915. Published by In His Name Music/SESAC (A0.938062). Doxology (in low D) (Praise God from whom all blessings flow) is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. Doxology (in low D) (Praise God from whom all blessings flow) is a favorite arranged for solo classical guitar. This song is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful expression of praise to the Blessed God who showers His blessings on all.

Composed by Maltbie D. Babcock - Music: adapted by Franklin L. Sheppard. Arranged by Bruce J. Patterson. Christian, Contemporary Christian, Gospel, Jewish, World. Individual Part. 3 pages. Published by In His Name Music/SESAC (S0.18165). - Individual Part - Christian,Contemporary Christian,Gospel,Jewish,World - In His Name Music/SESAC

Solo Guitar - Level 3 - Digital Download SKU: A0.1437430 Composed by Anthony J. Showalter. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 3 pages. Chris Richter #1017550. Published by Chris Richter (A0.1437430). An arrangment of the hymn Leaning on the Everlasting Arms for solo fingerstyle guitar.

Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French  violinist and composer of Jewish heritage. He wrote hundreds of works, including  symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is  most remembered for his five symphonies and the Berceuse from his opera,  Jocelyn. In style, Godard's music is reminiscent of the early Romantic  period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The  second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata,  arranged here for guitar solo, opens with a Sarabande in A minor, marked molto  moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C  minor tempers the mood. The third movement, Adagio non ma troppo, begins in a  tranquil F major. The texture soon thickens and makes striking use of the  instrument’s lower register. A sudden modulation to F minor provides the  sonata's most introspective moment. The piece returns to A minor and ends in a dramatic  cliffhanger on the dominant. The rhythmic Bourrée serves as a true  finale and includes a frenetic contrapuntal section recalling the violin  sonatas of J. S. Bach.

Solo Guitar - Level 4 - Digital Download SKU: A0.914738 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #4756827. Published by Eric J Roth (A0.914738). (7 pages. 3 pages of music)This Passacaglia is  the first of a four-movement sonata composed in 2018. Publication of the entire  sonata is forthcoming, but the Passacaglia is offered here as a single,  standalone work. I have performed the Passacaglia in my own concert programs  both on its own and as part of the larger sonata. I believe that it works  equally well both ways. The Passacaglia form  originated in 17th-century Spain. It started as a series of strummed  chords that served as an interlude between dances. The term itself translates  as street song. Over time, it evolved to become a series of variations set  over an ostinato or ground bass, usually in triple meter. It is often  indistinguishable from a Chaconne. In character, the Passacaglia is often  serious, or even grave. The Passacaglia  offered here adheres to this tradition in most ways, except that it is in 5/4 instead of triple meter. The ostinato phrase is five measures long and set in  quarter notes. Variations usually occur in pairs and are distinguished by  texture. Beginning simply, the variations build in complexity throughout the  piece. The main theme, introduced in the second pair of variations, recurs  later in a fuller texture. One final statement of the ostinato in bare octaves  ends the piece. The tonality stems from an E harmonic minor scale, although an  added B flat serves to blur any sense of strict tonality.Please note that there are some minor differences between the score and the YouTube video of a live performance from 2018. 

Solo Guitar - Level 5 - Digital Download SKU: A0.1294292 By Dick Garcia. By Benny Goodman, Benny Us 1 Goodman, Chick William Webb, and Edgar M Sampson. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #884674. Published by Christopher J. Malin (A0.1294292). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Benny Goodman's  finer pieces. It was actually written by Edgar Samposon. Although it became Goodman's most recognizable pieces. This is a leisure swing piece, that is danceable. Pay close attension to your timng on this one and also make it swing! In a trio setting it's fun to improvise over the B section.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. Tried and true arrangement. Sounds great on acoustic and electric guitars.