Solo Guitar - Level 4 - Digital Download SKU: A0.1465898 By Eric Clapton (Unplugged). By Ellas McDaniels. Arranged by Daisuke Minamizawa. Blues. Individual part. 9 pages. Big South Valley Music #1044496. Published by Big South Valley Music (A0.1465898). Fingerpicking arrangement for solo acoustic guitar. This arrangement is based on Eric Clapton's Unplugged version. ------ [tuning] Normal tuning ------ [capotasto] none.

By Adele. Arranged by José Daniel Morales A. Sheet Music Single. 3 pages. Published by Jose Daniel Morales (H0.250081-215544). - Sheet Music Single - - Jose Daniel Morales

By Hillsong United. Arranged by José Daniel Morales A. Individual Part. 2 pages. Published by Jose Daniel Morales (H0.176237-114378). - Individual Part - - Jose Daniel Morales

Solo Guitar - Level 2 - Digital Download SKU: A0.1401832 By José Hernán Navarro Sánchez. By Daniel A. Robles. Arranged by José Hernán Navarro Sánchez. 20th Century,Folk,Latin,Multicultural,Traditional,World. Individual part. 2 pages. José Hernán Navarro Sánchez #985023. Published by José Hernán Navarro Sánchez (A0.1401832).

Solo Guitar - Level 3 - Digital Download SKU: A0.997503 Composed by Emmanuel Danielson. Contemporary. Individual part. 9 pages. Emmanuel Danielson #5955691. Published by Emmanuel Danielson (A0.997503). This is a piece composed that was later named by a family neighbor, after his initial hearing of the work performed in front of him. He entitled my composition, The Runaway. This composition may sound like a depiction of a young teen who runs away from their home in melancholy. As the character of the runaway seems to go further away, moments of happiness are found as well as tension from harsh experiences the runaway may have encountered. The tremolos illustrate constant motion of running which finally ends in a final calmed bliss when the running comes to an end.

Solo Guitar - Digital Download SKU: A0.997499 Composed by Emmanuel Danielson. Contemporary. Individual part. 4 pages. Emmanuel Danielson #5723001. Published by Emmanuel Danielson (A0.997499). A short piece for solo guitar.

Solo Guitar - Level 1 - Digital Download SKU: A0.994881 By Lukas Graham. By David Labrel, Don Stefano, James Ghaleb, Jaramye Daniels, Lukas Forchhammer, Morten Pilegaard, and Morten Ristorp. Arranged by Ralph Bates. Pop. Individual part. 3 pages. Ralph Bates #4573197. Published by Ralph Bates (A0.994881). Player Friendly Easy Guitar Chart with Lyrics. Slash notation for easy reading. Chord diagrams for players who can't read notation. Purpose of this chart is not to play the melody along with the chords, rather sing a long while playing the song on your guitar or piano. Enjoy! For Beginner and Intermediate level.

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino Garci�a Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by Garci�a Fortea, Andre�s Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by Garci�a Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of Garci�a Fortea has all but been forgotten. Stanley Yates was aware of Garci�a’s version, though seems to have been misdirected by Segovia and did not appear to get hold of Garci�a’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.

Solo Guitar - Level 4 - Digital Download SKU: A0.876582 Composed by Daniel Cueto. 20th Century,Contemporary,Latin,World. Individual part. 8 pages. Daniel Cueto #6119401. Published by Daniel Cueto (A0.876582). To write Tiento para un pensador, I found inspiration in an experience that I had many years ago, when I was a student in Dusseldorf, Germany. I was spending time one night with my friend Rafael Aguirre, a virtuoso classical guitarist, as he was casually playing through some of his repertoire. He asked me if I thought that it was possible to play a Baroque fugue - one of the most complex of musical genres - on the guitar. Before I had time to think about the question, he started playing his own arrangement of a fugue by J.S. Bach, talking me through it as the fugue theme appeared in different registers and the counterpoint got more and more intricate.The effectiveness and beauty of the contrapuntal sounds I experienced that night stayed with me. So in 2020, when I was invited to attend the Twisted Spruce Symposium and had a chance to compose my first piece for the guitar, I quickly decided that I would take up the challenge of writing my own fugue for the instrument. Looking to find a more specific context for the new work, I discovered the early Spanish genre of the tiento, essentially an early Hispanic form of the fugue. I came up with a melody which, I sensed, featured elements of that early style combined with a touch of Andean melancholy. As I composed, I strived to follow this basic affect throughout, letting the lines evolve organically as the piece seemed to engage in a long, continued search for its cultural and temporal identity.Para un pensador means for a thinker in Spanish. It is my homage to the intellectual guitarist, to the reflective and discerning performer of intricate contrapuntal music.I would like to extend special thanks to Nathan Fischer for producing this valuable edition of Tiento para un pensador.

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.   

Solo Guitar - Level 3 - Digital Download SKU: A0.972320 By Adele. By Adele Adkins, Adele Laurie Adkins, Daniel Dodd Wilson, Ryan B Tedder, and Ryan Tedder. Arranged by Jose Daniel Morales A. Pop,R & B. Individual part. 3 pages. Jose Daniel Morales #5708249. Published by Jose Daniel Morales (A0.972320). Melody of Rumour Has It by Adele for guitar.

Solo Guitar - Level 3 - Digital Download SKU: A0.972245 By Adele. By Adele Adkins and Paul Epworth. Arranged by Jose Daniel Morales A. Pop,R and B. Individual part. 2 pages. Jose Daniel Morales #5374921. Published by Jose Daniel Morales (A0.972245). Melody of Rolling in the deep by Adele for guitar.

Guitar - Level 1 - Digital Download SKU: A0.1291010 Composed by Daniel Whitting. Chamber,Classical,Instructional. 6 pages. Daniel Whitting #881699. Published by Daniel Whitting (A0.1291010). Piece for 4 guitars using only open strings. I wrote this to encourage ensemble playing as early as possible in a pupil's learning.Score and 4 parts.