Solo Guitar - Level 3 - Digital Download SKU: A0.788242 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Individual part. 5 pages. Antonius Agung Setiawan #5205217. Published by Antonius Agung Setiawan (A0.788242). I Won't Give Up by Jason MrazSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playTo see more of my work, please visit https://linktr.ee/pakagung

Solo Guitar - Level 3 - Digital Download SKU: A0.1438267 Composed by John Jacob Niles. Arranged by Chris Richter. Christmas. Individual part. 2 pages. Chris Richter #1018318. Published by Chris Richter (A0.1438267). I Wonder As I Wander (Appalachian Carol) arranged for solo fingerstyle guitar.

Solo Guitar - Level 4 - Digital Download SKU: A0.938084 Composed by Isaac Watts - Music: Lowell Mason. Arranged by Bruce J. Patterson. Christian,Gospel,Jewish,Sacred. Individual part. 3 pages. In His Name Music/SESAC #59123. Published by In His Name Music/SESAC (A0.938084). When I Survey the Wondrous Cross is arranged for classical guitar and is included in my book, Classic Hymns for Classical Guitar. When I Survey the Wondrous Cross is a favorite hymn for classical guitar. This hymn is arranged to accommodate guitarists with a skill level of advanced intermediate to early advanced level. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. My arrangement preserves the unique style of the original composer and is adapted and modified for guitar to produce a worshipful exception of gratitude for the cross of Christ.

Solo Guitar - Level 4 - Digital Download SKU: A0.1321659 Composed by Isaac Watts. Arranged by Paul Brooks Horn. Christian,Classical,Praise & Worship,Traditional. Individual part. 4 pages. Paul Brooks Horn #910137. Published by Paul Brooks Horn (A0.1321659). When I Survey the Wondrous Cross is one of the great hymns by Isaac Watts. This arrangement has been modified to fit the classical guitar in standard tuning. It begins in the key of G and then modulates to A minor and finishes in B flat. The level of the arrangement is advanced intermediate.

Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film.  Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!

Solo Guitar - Level 5 - Digital Download SKU: A0.1271026 Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 7 pages. Jeremiah Lawson #863416. Published by Jeremiah Lawson (A0.1271026). I started composing this single-movement sonata for guitar on October 29, 2016 and completed it on May 11, 2018.  As the title says, this is an homage to Stevie Wonder, one of my musical heroes. This is a roughly 12-minute single-movement that has original themes inspired by the chord changes from the synth break to Stevie Wonder's Living for the City.  The work is primarly in standard tuning but the performer must switch to the tuning E flat, A, D, G, B flat, E flat in the final page.  The sonata may be played on classical, electric or acoustic guitar. Although this is not indicated in the published score between measures 236 and 260 you can introduce embellishments and four-measure cadenzas. I suggest inserted cadenzas between measures 255 and 256 as well as between measures 259 and 260.