Solo Guitar - Digital Download SKU: A0.917105 Composed by Johann Sebastian Bach. Arranged by James Chiang. Baroque. Individual part. 3 pages. James Chiang #4405396. Published by James Chiang (A0.917105). Practical fingering and arrangement for classical guitar mid level players. Original in G for Cello.

Solo Guitar - Level 3 - Digital Download SKU: A0.806217 Composed by Public Domain. Arranged by Ellsworth McMeen. Celtic,Folk. Individual part. 4 pages. Ellsworth McMeen #4354655. Published by Ellsworth McMeen (A0.806217). Punchy fingerstyle guitar treatment by El McMeen in Drop D tuning (DADGBE) of a classic tune from the harp repertoire of the iconic Irish harper Turlough O'Carolan (1670-1738). El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists. https://tinyurl.com/GreatestGuitarists. Many of El's recordings are referenced here: https://store.cdbaby.com/Artist/ElMcMeen.

Solo Guitar - Level 4 - Digital Download SKU: A0.1385241 By Johann Sebastian Bach. By James Lorde Piermont. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 3 pages. Ygor Nunes #969252. Published by Ygor Nunes (A0.1385241). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo.

Solo Guitar - Level 3 - Digital Download SKU: A0.1185160 Composed by Simon James. 20th Century,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #784842. Published by DML (A0.1185160). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece is written as a Fugue with two voices. The idea was to explore counterpoint on the guitar and how to handle it. The time signature is 6/8 which suits the guitar well as it gives a very lyrical feel. The first voice opens the piece with the subject and then at bar 8 the second voice enters in the bass while the first voice plays the countersubject. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional, if in doubt you will find all the techniques you need in my book The Art Of Accompaniment On The Guitar available from Amazon.