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Solo Guitar - Level 5 - Digital Download

SKU: A0.985329

Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329).

This guitar sonata is a four-movement work in open D tuning throughout.  The performance time is between 17 to 18 minutes.  I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson.  The movements are as follows.
I. Andante (a fugue in triple counterpoint)
II. Scherzo
III. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)
IV. Variations on Restoration from William Walker's Southern Harmony

The work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden.  The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.

Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance. 


Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
Guitare

$9.95 9.01 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download

SKU: A0.985325

Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325).

Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15.  Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:

1. Hobo Spider Blues
2. Ragged) and Sor(e) (after Sor's Op. 29, 10)
3. Ricardo de Yakima

The first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.

The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude.  This ragtime sonata leads attaca into the final movement.

The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet.  It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations.  In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.

This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016.  .

Guitar Sonata No. 5 in G major (open G tuning)
Guitare

$9.95 9.01 € Guitare PDF SheetMusicPlus


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