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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer.     This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work.  [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2]  Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
Serenata Española. New completely revised and fingered edition based on original sources,
Guitare

$8.50 7.25 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
Romance Anonimo (tremolo) for Classical Guitar
Guitare

$1.99 1.7 € Guitare PDF SheetMusicPlus

Guitar - Level 5 - Digital Download SKU: A0.1269390 By Pedro Abreu. By Pedro Abreu. 21st Century,Classical,Contemporary. Full Performance. Duration 152. All Music #861909. Published by All Music (A0.1269390). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
Tears From Sidon
Guitare
Pedro Abreu
$3.00 2.56 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861876. Published by All Music (A0.1269356). This is a guitar arrangement of the first minuet (BWV Anh. 114) from a suite for harpsichord by Christian Petzold (1677 - 1733), which was included in the 1725 Notebook for Anna Magdalena Bach and previously attributed to Johann Sebastian Bach (1685 - 1750). The arrangement was meticulously transcribed for the guitar by Pedro Abreu in 2013, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach.Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar. The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.When played together with the Minuet in G minor (BWV Anh. 115), this arrangement offers a glimpse into the suite's elegant and charming character, which is emblematic of the Baroque era.
Minuet in G (BWV Anh. 114)
Guitare

$3.00 2.56 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861877. Published by All Music (A0.1269357). This is a guitar arrangement of one of the two minuets (BWV Anh. 114 and 115) from a suite for harpsichord by Christian Petzold (1677 - 1733), which were included in the 1725 Notebook for Anna Magdalena Bach and thus previously attributed to Johann Sebastian Bach (1685 - 1750).The minuet has been meticulously transcribed for the guitar by Pedro Abreu (b. 1977) in 2022, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach. Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar.The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.
Minuet in G minor (BWV Anh. 115)
Guitare

$3.00 2.56 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1269400 Composed by Pedro Abreu. 21st Century,Classical,Contemporary. Individual part. 2 pages. All Music #861921. Published by All Music (A0.1269400). In Sidon, Amira fell in love with guitarist Rami. When her daughter Leila fell gravely ill, Rami played amesmerizing melody that miraculously healed her.Inspired by this, Amira and Rami embarked on a musical journey, hoping to share the melody'shealing power. Along the way, they discovered a profound truth: true healing comes from within.Tears From Sidon reflects the profound tapestry of human emotions, embracing both sorrow andhappiness. It serves as a reminder that within each of us lies the power to heal and find strengththrough music.
Tears From Sidon
Guitare

$3.00 2.56 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1013060 Composed by Christine Southworth. 20th Century,Contemporary. Individual part. 5 pages. Airplane Ears Music #5802099. Published by Airplane Ears Music (A0.1013060). How the Cowboy Makes His Lariat (2010, 3:20)two acoustic guitarsCommissioned by National Film Preservation Foundation for Treasures [from American Film Archives] V: The [American] West. How the Cowboy Makes His Lariat (1917) Production Company: Bray Studios Inc., for Paramount-Bray-Pictographs. Cast: Pedro León. Transfer Note: Copied at 20 frames per second from a 35mm print preserved by George Eastman House. New Music: Christine Southworth (score), Charles Whalen (guitar), Evan Ziporyn (whistling). Commentary: Donald W. Reeves. Running Time: 3 minutes. Featured in Treasures 5: The West, 1898-1938.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes.  Website: www.kotekan.com
How the Cowboy Makes his Lariat
Guitare

$5.00 4.26 € Guitare PDF SheetMusicPlus






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