By Mike Christiansen. For Guitar (All). All Styles. 120 pages. Published by Mel Bay Publications - Digital Sheet Music

By Rico Dwight Stover. For Guitar (Classical). Classic. 40 pages. Published by Mel Bay Publications - Digital Sheet Music

Solo Guitar - Level 3 - Digital Download SKU: A0.1436696 By Lauren Daigle. By Bebo Norman, Jason Ingram, Lauren Daigle, Michael Donehey, and Paul Mabury. Arranged by Chris Richter. Christian,Religious. Individual part. 4 pages. Chris Richter #1016836. Published by Chris Richter (A0.1436696). You Say by Lauren Daigle arranged for solo fingerstyle guitar.

Solo Guitar - Level 3 - Digital Download SKU: A0.1438447 By Alison Krauss & Union Station. By Don Schlitz and Paul Overstreet. Arranged by Chris Richter. Country,Pop. Individual part. 5 pages. Chris Richter #1018465. Published by Chris Richter (A0.1438447). When You Say Nothing At All arranged for solo fingerstyle guitar.

Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.

Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.� Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,� are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.

Solo Guitar - Level 2 - Digital Download SKU: A0.1313486 Composed by Timothy Royal. 21st Century,Classical. Individual part. 18 pages. Guitaroffice #902246. Published by guitaroffice (A0.1313486).                      Fingerstyle Thoughts by Timothy RoyalThe titles are self explanatory.   I guess you could say these pieces arrive from moments that sing to a page.     That done, the guitar has to capture a performer to unfold the gift.Played on the classical guitar the involvement with tone, sensitivity and touch will bring resonance and meaning to the titles of each piece in performance.Dreamer 2 is dedicated to Ms Samantha Browning teaching at Redmaids’  Junior High School.  Sam has always been so generous with her wonderful words of encouragement and support.