Solo Guitar - Level 3 - Digital Download SKU: A0.782958 By Alejandro. By Tomasz Kowalczyk. Arranged by Tomasz Kowalczyk. 20th Century,Baroque,Multicultural,New Age,Video Game,World. Individual part. 1 pages. Tomasz Kowalczyk #390363. Published by Tomasz Kowalczyk (A0.782958).

Solo Guitar - Level 4 - Digital Download SKU: A0.1193706 Composed by Dale K. Rodgers. Classical,Contemporary,Jazz,New Age. Individual part. 5 pages. Dale K. Rodgers #793176. Published by Dale K. Rodgers (A0.1193706). Solo for classical or fingerstyle guitar. Moody and expressive.  Key Am. 4/4 time. Well developed chord progressions (Am(add9), Fmaj7, etc.).  Intermediate Advanced level with much syncopation. Aprox. 3 1/2 min. Two versions provided: one in standard notation with extensive fingerings, and one also including TAB.

Digital Download SKU: HX.332118 By Anonymous. By Anonymous. Classical. Easy Guitar. 2 pages. Published by Hal Leonard Europe (HX.332118).

Guitar - very easy to easy - Digital Download SKU: S9.Q45510 From England (c. 1600). Arranged by Stephan Schmidt. This edition: Sheet music. Downloadable. Schott Music - Digital #Q45510. Published by Schott Music - Digital (S9.Q45510). English.

Composed by Dusan Bogdanovic (1955-). 9 pages. Les Editions Doberman-Yppan (digital) #DO 1409. Published by Les Editions Doberman-Yppan (digital)

Solo Guitar - Level 4 - Digital Download SKU: A0.953823 Composed by Haydn Reeder. 20th Century,Concert,Contemporary,Standards. Individual part. 4 pages. Haydn Reeder #3005425. Published by Haydn Reeder (A0.953823). This work was originally written for solo guitar. The composer and performers have found that this arrangement for two guitars is more practical and therefore more effective.The ideas in the work sprang from my desire to exploit the 'natural' attributes of the guitar. The initial idea of calmly ascending and descending thirds and sixths is fairly soon consigned to accompanying a second idea which is a full-throated melody.From about a third of the way into the piece, both of these ideas are intermittently interrupted by what sound like explosions. In reality they are implosions as they often return the music to the calm initial idea. However, these implosions affect the other ideas. For instance, the impassioned low-pitched melody (second idea) is now animated by tremoli and ornamented. As for the initial idea, by the end of the piece its identity has changed significantly.

Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [i?sak al??eni?]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.

Solo Guitar - Level 5 - Digital Download SKU: A0.969875 Composed by Amy Dunker. Concert,Contemporary. Individual part. 11 pages. Amy Dunker #6083313. Published by Amy Dunker (A0.969875). Seven Kinds of Loneliness is an exploration of the feelings that accompany loneliness, fear, anger, calm, hopeful, reminiscent and frustrated. The work is designed so that it can be performed in several ways: 1)      A Single soloist performing from the concert stage 2)      Multiple soloists performing individual movements from the stage 3)      Multiple soloists located around the concert venue performing individual movements   Some movements are significantly easier to perform then others allowing for a performance by a teacher/master performer and student soloists. Duration:  12:45

Solo Guitar - Level 3 - Digital Download SKU: A0.955448 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 3 pages. Neal Fitzpatrick Editions #6497651. Published by Neal Fitzpatrick Editions (A0.955448). This study for guitar focuses on right hand finger assignment and tone production while at the same time reinforcing proper left hand positioning through the chromatic nature of the passages. The pieces also presents to the performer increased fretboard knowledge, increased mid-fretboard knowledge, time signature changes and overall note reading enhancements.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.95552EB Award-Winning Fingerstyle Guitar Solos. Composed by Al Petteway. Solos. Style. E-book. Mel Bay Publications - Digital Sheet Music #95552EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95552EB). ISBN 9781619119215. 8.75x11.75 inches.Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al’s award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60’s, becoming a local legend by the time he went to college to study music composition in 1970. In 1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society’s Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country’s foremost bluegrass and folk sidemen, Celtic music specialty label Maggie’s Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon.

Solo Guitar - Digital Download SKU: A0.483302 Composed by Antonio Vivaldi. Arranged by Robert McCormack. Baroque,Christmas,Classical,Holiday. Individual part. 2 pages. Published by Robert McCormak (A0.483302). This arrangement of Vivaldi's familiar Winter, Second Movement, drops the bass E string to D and is very playable for intermediate classical guitar. Consistent with the movement itself, it is slow and designed for relaxed listening and, in this case, playing. His signature lyric sequences are set up for graceful position changes and opportunities to show off your vibrato. Improvise to taste.

Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.

Guitar - intermediate to advanced - Digital Download SKU: S9.Q11491 London Manuscript No. 23. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11491. Published by Schott Music - Digital (S9.Q11491). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.

Guitar - intermediate to advanced - Digital Download SKU: S9.Q11490 London Manuscript No. 26. Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11490. Published by Schott Music - Digital (S9.Q11490). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.

Guitar - intermediate to advanced - Digital Download SKU: S9.Q11492 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q11492. Published by Schott Music - Digital (S9.Q11492). Silvius Leopold Weiss (1686–1750) is considered to be the most important lutenist of the Baroque era. His works fascinate with elegance and grandeur on the lute. This effect is achieved by making the best possible use of the temperament of the Baroque lute with which third intervals – in contrast to fourths on the guitar – are predominant. The pieces are composed in such a way that the lutenist can often strike open strings and seldom has to manage difficult fingerings or stretch the left hand. When arranging these works for the guitar, the composer's main aim was to maintain the resulting ease of playing on the guitar and the ornaments typical of Weiss (especially the acciaccaturas) as best as possible. The approach to the lute's temperament therefore is cautious, without the player having to adjust significantly.