Solo Guitar - Level 5 - Digital Download SKU: A0.866925 Composed by Sylvius Leopold Weiss (1687–1750). Arranged by Bradford Werner. Baroque. Individual part. 33 pages. This is Classical Guitar #4892389. Published by This is Classical Guitar (A0.866925). Sonata IX in C Major by Sylvius Leopold Weiss (1687–1750) - Prelude, Allemande, Courante, BoureÌ�e, Sarabande, Menuet 1 & 2, Presto. Arranged for Classical Guitar by Bradford Werner. Comes with a fingered editorial edition and an unfingered non-editorial edition (arranged for guitar but with original ornaments). Notation only, left hand fingering only, 33 pages, PDF download. Level: Advanced (some movements are easier than others but overall advanced).The term Sonata should be associated here with the term with the Baroque Suite rather than any classical era form. Source: Dresden Manuscript - WeissSW37.1 aÌ€ 8 Ms. Dresde D-Dl2841.See This is Classical Guitar on YouTube for full performances. 

Solo Guitar - Level 3 - Digital Download SKU: A0.964342 Composed by Sylvius Leopold Weiss. Arranged by Cheyne Fehser. Baroque. Individual part. 1 pages. Cheyne Fehser #6512215. Published by Cheyne Fehser (A0.964342). Prelude in D Minor, From Sonata 34 - Sylvius Leopold Weiss. Arrangement for solo guitar by Cheyne Fehser.

Solo Guitar - Level 3 - Digital Download SKU: A0.525168 By FALLAHIN SCORE EDITIONS. By Sylvius Leopold Weiss. Arranged by MOACYR TEIXEIRA NETO. Baroque,Classical. Individual part. 4 pages. Fallahin Score Editions #135701. Published by Fallahin Score Editions (A0.525168). TRANSCRIPTION FOR GUITAR SOLO.

Solo Guitar - Level 3 - Digital Download SKU: A0.1458184 Composed by Sylvius Leopold Weiss. Arranged by Maël Fauvy. Baroque. Individual part. 20 pages. Mfp Éditions #1037159. Published by Mfp Éditions (A0.1458184). Composer : Sylvius Leopold WeissArrangement & fingerings : Maël FauvyLevel : Medium – Grade II20 pieces for guitare : Suite in D minor — 20 pagesIn 1941, this manuscript was transferred from the Pyotr Ilyich Tchaikovsky National Academy of Music to the Music Library of the Glinka State Central Museum of Musical Culture in Moscow.Revealed to the Western world only in 1963, we now know, thanks to his analysis, that it was neither written by Weiss nor written in Dresden, but in Russia approximately ten years after his death.A number of pieces are of doubtful origin and are still the subject of open debate. In his work “The Moscow “Weiss” Manuscript” (Orphée 494-02144, 1995) Tim Crawford sheds interesting light on the subject.The Moscow Manuscript can be ranked third in importance after those of London and Dresden. Especially since it contains many high quality pieces and some truly unique.This arrangement presents the first suite in D minor from the manuscript, arranged for solo guitar.

Guitar - Intermediate- Advanced - Digital Download Classic. E-book. 81 pages. Mel Bay Publications - Digital Sheet Music #30796EB. Published by Mel Bay Publications - Digital Sheet Music

Digital Download SKU: HX.332230 By Sylvius Leopold Weiss. By Sylvius Leopold Weiss. Classical. Easy Guitar. 3 pages. Published by Hal Leonard Europe (HX.332230).

Digital Download SKU: HX.361407 By Sylvius Leopold Weiss. Classical. Solo Guitar. 4 pages. Published by Hal Leonard Europe (HX.361407).

Solo Guitar - Level 5 - Digital Download SKU: A0.1211636 Composed by Sylvius Leopold Weiss. Arranged by Benjamin Grace. Baroque. Individual part. 8 pages. Benjamin Grace #809248. Published by Benjamin Grace (A0.1211636). Notes that are in brackets are optional to play instead of its octave tone. The notes that are bracketed in bar 25 of the Sarabande are optional to play. I hope you enjoy.

By Sylvius Leopold Weiss. Classical. Easy Guitar. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.336705). - Easy Guitar - Classical - Hal Leonard - Digital Sheet Music

Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.