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Pino Daniele : Napule è (niveau facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Napule è (niveau facile, guitare d'accomp…
5.99 € Guitare PDF Tomplay

Pino Daniele : Napule è (niveau intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Napule è (niveau intermédiaire, guitare d…
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Pino Daniele : Napule è (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Napule è (niveau très facile, guitare d'a…
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Pino Daniele : Napule è (niveau intermédiaire/difficile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Napule è (niveau intermédiaire/difficile,…
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Traditionnel,Daniel Afonso : Nesta Rua (niveau très facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Nesta Rua (niveau trè…
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Traditionnel,Daniel Afonso : Nesta Rua (niveau facile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Nesta Rua (niveau facile, g…
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Traditionnel,Daniel Afonso : Nesta Rua (niveau intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Nesta Rua (niveau interm&ea…
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Traditionnel,Daniel Afonso : Nesta Rua (niveau intermédiaire/difficile, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Nesta Rua (niveau interm&ea…
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Traditionnel,Daniel Afonso : Nesta Rua (niveau facile/intermédiaire, guitare seule)
Guitare
Téléchargez la tablature et la partition Guitare Nesta Rua (niveau facile/in…
4.99 € Guitare PDF Tomplay

Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15.  Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude.  This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet.  It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations.  In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016.  .
Guitar Sonata No. 5 in G major (open G tuning)
Guitare

$9.95 8.73 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
Romance Anonimo (tremolo) for Classical Guitar
Guitare

$1.99 1.75 € Guitare PDF SheetMusicPlus






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