Solo Guitar - Level 5 - Digital Download SKU: A0.1317254 By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical. Individual part. 5 pages. Viacheslav Aleksandrov #905914. Published by Viacheslav Aleksandrov (A0.1317254). Professional level transcription for Duo guitars of the original J.S. Bach: The Well-Tempered Clavier, Book I , Prelude and Fugue in A-Flat Major, BWV 862. Dear Guitar Players, let me to bring to your attention my next transcription: Prelude and Fugue in A-Flat Major, BWV 862 from the The Well-Tempered Clavier, Book I by J.S.Bach. The transcription was made for duo guitars, so you can expect interesting and creative work, which may result in the emergence of a new wonderful ensemble of guitarists.The level of this transcription is highly professional - in the guitar's score you will get the full fingering for both players, for the right and left hands. The attached midi represents the melody you will get, but, of course, the sound of midi is simple and it can't provide you the magic of the magnificent sound of the real two guitars. So, I hope you manage to realize it!

Solo Guitar - Level 3 - Digital Download SKU: A0.1437016 By Carlos Ramos Delgado. By Johann Sebastian Bach. Arranged by Carlos Ramos Delgado. Baroque,Chamber,Classical,Early Music,Lent. Individual part. 4 pages. Carlos Ramos Delgado #1017084. Published by Carlos Ramos Delgado (A0.1437016). Guitar transcription from original cello score, based on Anner Bylsma writtings and articulations.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Josinaldo Costa. Baroque. Individual part. 19 pages. Xeno Music Publishing #5044573. Published by Xeno Music Publishing

Guitar - easy to intermediate - Digital Download 30 Original Works & Transcriptions. This edition: Sheet music. Schott Anthology Series. Downloadable. Op. Vol. 2. Schott Music - Digital #Q54667. Published by Schott Music - Digital

Composed by Annette Kruisbrink. Score. 41 pages. Les Productions d'OZ - Digital #DZ 4214. Published by Les Productions d'OZ - Digital

Composed by Various. Arranged by Bryan Johanson. Score. 21 pages. Les Productions d'OZ - Digital #DZ 3493. Published by Les Productions d'OZ - Digital

Composed by J.P. Rameau. Arranged by Sylvie Proulx. 13 pages. Les Productions d'OZ #DZ-3839. Published by Les Productions d'OZ

Renaissance. Classics. E-book. 169 pages. Mel Bay Publications - Digital Sheet Music #30967EB. Published by Mel Bay Publications - Digital Sheet Music

Guitar - Advanced - Digital Download Composed by Oleg Boyko. 21st Century, Contemporary Classical, Repertoire, Folk. Solo Part. 4 pages. Published by Oleg Boyko

Composed by Johann Sebastian Bach (1685-1750). Arranged by Josinaldo Costa. Baroque. Individual part. 19 pages. Xeno Music Publishing #5354077. Published by Xeno Music Publishing

Guitar - Advanced - Digital Download Composed by Oleg Boyko. 21st Century, Contemporary Classical, Repertoire, Folk. Solo Part. 5 pages. Published by Oleg Boyko

By Yuriy Kuznetsov. By Johann Sebastian Bach. Arranged by Yuriy Kuznetsov. Baroque,Chamber,Classical,Mult icultural,World. Individual part. 11 pages. Viacheslav Aleksandrov #905214. Published by Viacheslav Aleksandrov

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino Garci�a Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by Garci�a Fortea, Andre�s Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by Garci�a Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of Garci�a Fortea has all but been forgotten. Stanley Yates was aware of Garci�a’s version, though seems to have been misdirected by Segovia and did not appear to get hold of Garci�a’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.