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Solo Guitar - Level 3 - Digital Download SKU: A0.1142470 By Dan Jones. By Dan Jones www.danjonesguitarist.com. Classical,Country,Folk,Instructional. Individual part. 4 pages. DanJonesGuitarist #742837. Published by DanJonesGuitarist (A0.1142470). Fledgling Blackbird by Dan Jones www.danjonesguitarist.com As a guitarist and teacher with nearly 30 years of experience, one piece which many guitarists of all styles are keen to play is Paul McCartney's beautiful acoustic ballad, 'Blackbird'. The key to mastering this particular song is to learn the right hand (or left hand in McCartney's case!) picking pattern. It is based on a repeated thumb movement which alternates rapidly, on the beat, between two bass notes on different strings. Once this is mastered, the player can tackle the considerable fretting-hand challenges of the song. I wanted to compose a piece which could hold its own musically in a performance, but also give the learner the chance to master the country-inspired 'Blackbird' picking pattern, with fewer challenges for the fretting hand. I hope that 'Fledgling Blackbird' achieves these aims. For a wealth of compositions, arrangements, writings, teaching materials and much more, please visit www.danjonesguitarist.com Dan Jones, December 2022.
Fledgling Blackbird
Guitare
Dan Jones
$3.50 2.99 € Guitare PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future.  
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Dan Jones
$7.95 6.8 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1325179 Composed by Michael Giacchino. Arranged by Pablo Alcázar. 21st Century,Classical,Film/TV,Wedding. Individual part. 2 pages. Pablo Alcázar #913407. Published by Pablo Alcázar (A0.1325179). Arrangement for SOLO GUITAR of the intro from the movie UP. This special arrangement is made to create a beautiful and romantic atmosphere. Is a slower version from the original soundtrack but it have the essence of the song. It's made for begginners guitarist as a challenge and for intermediate guitarist to be a great song to memorize. You have both writings, notation and tablature and also it has a nicely made fingerpicking style and fingering decision by a professional guitarist with hundred of arrangements made.
Married Life
Guitare

$4.99 4.27 € Guitare PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠   A score showing notes and TAB⦠   A score with only notes (to facilitate page turns)⦠   All parts in notes only⦠   All parts in notes and TAB⦠   A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠   A score showing notes and TAB⦠   A score with only notes (to facilitate page turns)⦠   All parts in notes only⦠   All parts in notes and TAB⦠   A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
Sweet Caroline
Guitare
Neil Diamond
$7.95 6.8 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.
My Love is Like a Red, Red Rose (Solo Guitar Version)
Guitare
Traditional Scotland (Robert 'Rabbie' Burns)
$4.95 4.23 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
Say Something
Guitare
A Great Big World
$4.99 4.27 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de Lucía and Ricardo Modrego to hear this music performed at its finest. 
Las Morillas de Jaen - Canciones españolas antiguas
Guitare
Federico Garcia Lorca
$4.00 3.42 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality.   As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
Excerpt from the Lyric Suite
Guitare

$5.00 4.27 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
Every Breath You Take
Guitare
The Police
$4.99 4.27 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality.   As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
'Change of scene' from Act III of Wozzeck
Guitare

$5.00 4.27 € Guitare PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar  4 pp   (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality.   As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
Excerpt from Lulu Suite
Guitare

$5.00 4.27 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1021517 Composed by Victor Rebullida. 20th Century,Concert,Contemporary. Individual part. 14 pages. Victor Rebullida #6055667. Published by Victor Rebullida (A0.1021517). Recorded by Alberto Royo in CD Mistúra. Música para guitarra. Cuatro autores contemporáneos aragoneses. Edited by Delicias Discográficas 2001. Reference DCD-28. More information about the CD: alberto.guitarra@gmail.comGioco is a five part piece: Allegro leggiero; tpo. giusto Triste e intenso; poco rubato Scherzando Adagio meditativo Allegro agitato The author wrote:Gioco, an Italian word meaning game, is the title of this guitar work composed in 1994.Gioco is a work of current aesthetic, atonal, built however on a structure as classic as that of a Sonata, of great conciseness and clarity and brief duration. It consists of five movements in which the former has a simple, school sonata shape, with two well-identifiable themes, one ethereal based on sets of bells and harmonics and another choppy, contrasting, in parallel ninth intervals, which are developed and subsequently reexposed at the end of the movement.The second movement is a slow time when the resonance of arpeggiated sounds is important. As will happen in the fourth half, the music conveys a sense of freedom, almost improvisation resulting from its unsympted writing and the irregularity of the measure. The third is a Scherzo in which humorous character is accentuated by the rapid descending and ascending glissandi. No less grotesque is the contrasting quote of Gaspar Sanz's Spaniard played in a singular way as will be seen in the interpretation, suddenly interrupted by the glissandi. The fourth is another slow movement in which resonances are also the center. Here you resort to obtaining a particular, harmonic sound similar to the sound of a gong, by placing paper clip on the three boards of the guitar. The fifth and final time is live movement in the form of a purr in which the different episodes are quotes from the themes appeared in the previous movements. The player says about this work: Work dated in 1994, virtuoso and contrasting, of resounding accessibility, not intending to reach the audience using easy resources but an admirable capacity for communication, Gioco is divided into five movements in which varied colours and textures occur and almost all the abundant classical and contemporary timbric resources of the guitar are exploited with intelligence, (controlled challenges, blows on the board, metallic vibration of a clip...), In this work one of the outstanding findings of its author is the alternative use in the Scherzando of his contemporary language and two recognizable literal quotations of the Aragonese Baroque guitarist Gaspar Sanz, which appear softly in an ironic and evocative loudness. Justino Losada wrote this review:Gioco, represents a continuous game of sonorities of very rich timbric nuances as well as an exacerbated game of frets (such as in its 3rd movement Scherzando), and abundant contemporary resources such as the microtonal vicinity of the detuned passages or the blows on the box for our interpreter to show of his skills, a task that although complicated he knows how to perform perfectly coming out of all difficulties. Rebullida's language is not simple, but the composer is clearly aware of the difficulties to reach a large audience, and to do so he polishes his language by seeking an exchange between modern and ancient sonorities in a continuous game creating a climate of warm and direct communication. Justino Losada
Gioco. Sonata for guitar
Guitare

$6.00 5.13 € Guitare PDF SheetMusicPlus

Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement â€¦and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it.  When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
Mountains of Stowe, and The Sky is The Limit
Guitare

$1.99 1.7 € Guitare PDF SheetMusicPlus


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