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Solo Guitar - Level 1 - Digital Download SKU: A0.921998 Composed by Numerous. Arranged by Robert Styles. Children,Folk,Pop,Standards,World. Individual part. 68 pages. Robert Styles #3562181. Published by Robert Styles (A0.921998). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. ‘Melodies for Beginners’ is, as the title suggests, a collection of melodies for beginners (step one to grade one). ‘Book One’ is of elementary to intermediate standard (grade one to grade four). ‘Book Two’ is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music ‘Sits Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the music.Happy music making.Robert Styles
Guitar Music - Melodies for Beginners
Guitare

$9.95 8.51 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
Guitar Music - Book Two
Guitare

$12.95 11.07 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.922001 Composed by Robert Styles. Arranged by Robert Styles. Instructional. Individual part. 32 pages. Robert Styles #3562193. Published by Robert Styles (A0.922001). This collection of technical exercises for the guitar have been designed to develop: a good playing technique, a knowledge of the guitar fret-board, a knowledge of scale & chord construction, a basic knowledge of chord progressions, aural skills and the art of improvisation.The exercises have been written and arranged to be played using the classical guitar technique, often referred to as ‘finger-picking’. For a student to use this material effectively they need to have already developed the basic skills required for guitar playing. This material is not a tutor as such but rather a supplement to learning the guitar.I have been careful to make sure the exercises ‘Sit Comfortably Under the Fingers’. To this end suggested left-hand fingering has been included. Players are encouraged to use their own initiative and ideas based on the ‘feel’ of the exercises, and thus begin developing the art of making their own music through improvisation.Happy music making.Robert Styles
Guitar Technical Work
Guitare

$8.95 7.65 € Guitare PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.742405 Composed by Luigi Legnani. Arranged by Arte Nova Music Lab. Concert,Romantic Period,World. Individual part. 2 pages. Arte Nova Music Lab #3008973. Published by Arte Nova Music Lab (A0.742405). Luigi Rinaldo Legnani (7 November 1790 – 5 August 1877) was an Italian guitarist, singer, composer and luthier.[1]Born in Ravenna, Legnani was trained as a string player while very young but dedicated himself to guitar and voice. His debut as an operatic tenor was in Ravenna in 1807; his singing career spanned 17 years.[2] His career as a guitarist began with a concert in Milan in 1819; with his concerts in 1822 concerts in Vienna and return visits in 1833 and 1839 he tried to continue the guitar tradition established there by Mauro Giuliani.[3]Legnani is perhaps best known for his 36 Caprices op. 20 for the guitar, which cover all the major and minor keys, and which were probably inspired by Paganini's 24 Caprices for the violin. He and Paganini were friends from the 1830s; while it was once thought that he and Paganini performed together in public (Powroźniak mentions a concert in Northern Italy in 1837),[4] there is no evidence to support this claim. After the 1850s Legnani retired from active performance and became an instrument maker, concentrating on guitars and violins. The Legnani model guitar was popular in Central Europe through the middle of the nineteenth century.Legnani composed some 250 works, which were published in his lifetime throughout many of the major publishing houses in Europe. He died in Ravenna.
Vals No 2 - Guitar
Guitare

$5.00 4.28 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
No Time To Die
Guitare
Billie Eilish
$5.99 5.12 € Guitare PDF SheetMusicPlus

Guitar (all) - Intermediate-Advanced - Digital Download SKU: M0.20201EB Composed by Jack Wilkins. Technique, Theory, Reference & Rhythm. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #20201EB. Published by Mel Bay Publications - Digital Sheet Music (M0.20201EB). ISBN 9781609745615. 8.75x11.75 inches.Jack's skills as a session player, jazz player and all around guitar virtuoso have been honed by playing countless gigs and recording sessions. This book compiles many of Jack's lessons originally written forJust Jazz Guitar magazine. Subjects including comping, harmonization, and single-note soloing in the jazz setting are covered in this text by one of the world's greatest...so practice hard. This material is tried and tested and will make you a better player. The difficulty is intermediate to advanced.
Just Jazz Guitar Articles
Guitare

$17.99 15.38 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Perez Capdevila #1051418. Published by Gerardo Perez Capdevila (A0.1473706). Annie's Song by John Denver is a timeless and beautiful piece that resonates with listeners through its heartfelt melody and emotive lyrics. My solo guitar arrangement aims to capture the essence of this classic song, translating its rich harmonies and lyrical beauty into a captivating guitar performance.For intermediate and advanced guitarists, this arrangement offers a delightful challenge that is both rewarding and enriching. Intermediate players will find it an excellent opportunity to hone their fingerstyle techniques and explore expressive dynamics, while advanced players can appreciate the intricate voicings and subtle nuances that bring the song to life.Playing this arrangement allows guitarists to deeply connect with the music, expressing the song’s emotion through their instrument. It's a piece that not only showcases technical skill but also the ability to convey profound emotion, making it a must-learn for any guitarist looking to expand their repertoire with a beautiful and iconic song.Whether performed in an intimate setting or for a larger audience, Annie's Song on solo guitar is sure to captivate and move listeners, making it a wonderful addition to any guitarist’s repertoire.
Annie's Song
Guitare
John Denver
$9.99 8.54 € Guitare PDF SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
Sonata No. 6 "Kharkiv", Op. 48
Guitare

$7.95 6.8 € Guitare PDF SheetMusicPlus






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