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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
Le chemin de croix / Labyrinthe
Guitare

$7.95 6.78 € Guitare PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1196095 By Dan Jones. By Giuseppe Verdi. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Opera. 32 pages. DanJonesGuitarist #795257. Published by DanJonesGuitarist (A0.1196095). Brindisi (Libiamo ne' lieti calici) From La Traviata By Giuseppe Verdi (1853) Arranged for Guitar Quartet by Dan Jones www.danjonesguitarist.com  Libiamo ne' lieti calici (Let’s Drink from the Joyful Cup) is one of the most famous opera duets of all time. It is essentially, a drinking song, in which wine and other beverages are celebrated. This arrangement is for four intermediate-advanced guitarists. The score is provided in two versions, one with TAB, the other without TAB, to facilitate page turns for the director. The parts are also provided in notes only and with both notes and TAB. For a vast range of sheet music for beginners, intermediate players, advanced musicians, as well as writings and compositions, please visit www.danjonesguitarist.com. A film of a performance will be uploaded here in the near future.  
Brindisi (Libiamo ne' lieti calici) from La Traviata
Guitare
Dan Jones
$7.95 6.78 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 1 - Digital Download SKU: A0.1476094 Composed by Various. Arranged by Socrates Arvanitakis. Baroque. Individual part. 79 pages. Socrates Arvanitakis #1053626. Published by Socrates Arvanitakis (A0.1476094). PrefaceThese 20+ Baroque pieces are selected from the repertoires of various string instruments like Lute, Baroque Guitar, Viola da Gamba, etc. Some of the pieces are much better known than others, but they all are of a high musical standard very rewarding for the beginner guitarist. I have tried to keep the level of technical difficulty within the first three grades (1-3) of the classification observed in the annual syllabuses of British musical academies such as the Royal Schools of Music, Trinity College, Guildhall College, etc, of prescribed examination pieces for these grades.The Metronome markings are only editorial suggestions provided as general guidance but should not be taken too literally. This volume is divided into two sections. In the first section the pieces are given in ordinary notation and in decorated pages such as this one, without any fingerings or other technical help, but only for the pleasure of users who prefer a Baroque decorated appearance of books containing Baroque music. In the second section the same pieces are presented in undecorated pages and in double systems of notation pentagrams and tablature hexagrams in which the fingerings for every piece become obvious by the tablature and without further need for more left hand guidance. Therefore this book can be printed on paper either in its complete given form, or in any other page arrangement the user may prefer. Blank pages are provided for insertion at correct places for the management of left and right sides of a two-side view, but the volume has been designed with a paperless environment in mind where a tablet and a score reading application would be used.The thematic index is provided for general navigation withinthis electronic book.1 Clicking on any image in the index takes the user to the relevant decorated page of music, or clicking within the square frame number beside each image links the user to the corresponding tablature pages.2 Clicking on the title of any piece takes the user back to the index.3 Clicking on the header of the page is used for interchanging between decorated and undecorated pages.Socrates ArvanitakisLondon 2024.
Baroque Anthology 2 - 20 easy Pieces for Guitar (from String Instrument Sources)
Guitare

$20.00 17.06 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.941923 Composed by Matteo Carcassi. Arranged by Cristiano Sousa. Instructional,Romantic Period,Standards. Individual part. 2 pages. Cristiano Sousa #6330449. Published by Cristiano Sousa (A0.941923).     Study n°1 (Allegro) is focused at scales, although there is a segment with chord arpeggiation. To left hand, different scales can be set for different fingerings. Devices such as position's changes, guide-finger and open strings are recurrent. On the other hand, right hand is trained in index and middle fingers' alternation (scales), as well as thumb, index, middle and ring fingers' arpeggiation (chords).This edition DOES NOT feature detailled fingerings, being useful as blank material for scratches.You can contact me at cristiano.sousa.santos@gmail.com .
STUDY nº 1 op. 60 [ by Matteo Carcassi ]: guitar solo (No fingerings, neither marks)
Guitare

$2.99 2.55 € Guitare PDF SheetMusicPlus






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