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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette

$3.50 3 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Clarinette

$3.50 3 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.1188946 By Bobby Darin. By Bertolt Brecht, Kurt Weill, and Marc Blitzstein. Arranged by Bobby Hesch. 20th Century,Jazz,Standards. Individual part. 4 pages. Bobby Hesch #788559. Published by Bobby Hesch (A0.1188946). MACK THE KNIFE FOR SOLO JAZZ B FLAT CLARINET!!! COMPOSERS Marc Blitzstein,  Kurt Weill, & Bert Brecht FROM THE THREE PENNY OPERA !!!PERFORMED BY Bobby Darin!!! AS WELL AS MANY MANY FAMOUS SINGERS & INSTRUMENTALISTS !!! OH THE SHARK BABE, HAS SUCH TEETH DEAR, AND HE SHOWS THEM PEARLY WHITE!!! LET'S PLAY SOME JAZZ !!! KEY OF C/A FLAT/D/E FLAT/B/ & F!!! LOW F TO HIGH A !!! CHALLENGING PASSAGES AND TEMPO!!! GET THE NOTES UNDER YOUR FINGERS BEFORE  GOING UP SPEED!!! COMFORTABLE REGISTER!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch  EMAIL QUESTIONS !!! HAVE FUN WITH THIS GREAT TUNE!!! MACKYS BACK IN TOWN !!!
Mack The Knife
Clarinette
Bobby Darin
$4.99 4.27 € Clarinette PDF SheetMusicPlus

Clarinet (in Bb) and piano - easy to intermediate - Digital Download SKU: S9.Q7044 Memories of the Alhambra. Composed by Francisco Tarrega. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q7044. Published by Schott Music - Digital (S9.Q7044). Composed in 1886, the tremolo study 'Recuerdos de la Alhambra' is without doubt Tarrega's best-known piece. It evokes memories of the Moorish citadel located on a hill in the Spanish Granada. Thanks to the present arrangement, the enchanting gem with its slightly melancholy tinge - perhaps inspired by Georges Bizet's 'Je crois entendre encore' from The Pearl Fishers - is now also available for instruments other than the guitar.
Recuerdos de la Alhambra
Clarinette

$4.99 4.27 € Clarinette PDF SheetMusicPlus






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