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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1142137 Composed by Henry John Gauntlett and Louis H. Redner. Arranged by Diana Meux. Christian,Christmas,Holiday,Sacred. Individual part. 2 pages. Download Church Music #742511. Published by Download Church Music (A0.1142137). Two different Bb clarinet descants for the Christmas hymns O Little Town of Bethlehem and Once in Royal David’s City, including intro and interlude that connects the hymns. For concert key of F major. Based on the tunes ST. LOUIS by Lewis H. Redner and IRBY by Henry J. Gauntlett. 1 page (file is 2 pages; first is sample page). Use hymnal or other source for accompaniment. Descants for both hymns fit Lutheran Worship (LW) settings, and Lutheran Service Book (LSB) provided the C is changed to C# in measure 36:4. ā€œO Little Town of Bethlehemā€ also fits the Lutheran Book of Worship (LBW) setting. Descants may also fit other hymnal settings. Example: For Christmas Eve or Service of Lessons and Carols, sing the first stanza of each hymn after the reading Luke 2:1-4, with clarinet playing solo intro, descants, and solo interlude, such as: - Reading: Luke 2:1-4 - Clarinet solo intro - Hymn: O Little Town of Bethlehem, stanza 1 [with descant] - Clarinet solo interlude - Hymn: Once in Royal David’s City, stanza 1 [with descant] Or use descants separately and omit interlude.
O Little Town of Bethlehem and Once in Royal David's City - Clarinet descants
Clarinette

$2.25 1.93 € Clarinette PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.  
Six Bagatelles for Beethoven 250
Clarinette
adapting the music to the bagatelle form, it reflects the less ponderous side of the composer
Although Beethoven’s music is capable of great depth and despair, the more
transcendent, pastoral, and exuberant moods prevail in these pieces

$16.99 14.58 € Clarinette PDF SheetMusicPlus

Clarinet - Digital Download SKU: A0.1103918 By József DÔvid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomons #707202. Published by David Warin Solomons (A0.1103918). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind.
Telemensch for solo clarinet (mp3)
Clarinette
József DÔvid
$5.50 4.72 € Clarinette PDF SheetMusicPlus






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